Keeping On Keeping On With Some Fun Too

I know some of my gentle readers are about to pull their hair out by about now being confined to their homes.  Sew let us all get up and do some stretching and bending.  Ten reaches to the sky, ten toe touches, ten swings from right to left with arms out, and 100 in place marches.  Ten deep breaths and giggle like a kid for ten seconds.  Now!  Grammy BJ (that’s me) suggests doing this several times a day and then get to work or play.  Here’s what I have been working on this past week.

Yes I finally made a bunch of facemasks, primarily for my family and friends.  A lot of my friends have devoted their entire work time to making these masks.  There is a need, and now that the study came out showing the properly made cotton masks using high end “quilter’s cotton” in at least two layers is, indeed, fairly effective (79 percent for the best, but poorly made with poor fabric choice can be virtually no use at all.  A surgical mask is 65 percent effective, and the N95 is 95 percent, jusf for comparison), we no longer have to contend with people saying it isn’t of any use.  Sew if you want to make some for you and your family or more I highly recommend Bethanne Nemesh’s mask method shown here in her video.  I made mine this way.  Here are a few of them (100 percent cotton…cotton fabric, cotton t-shirt ties, and cotton thread are easy to launder and sterilize.  I may be wrong, but I don’t like the idea of a non-woven interfacing.  A third layer of cotton something like flannel might add some additional safety, but the study was looking at a two-layer tight woven quilting cotton):

Sew after I made a bunch of these, I am probably done with mask making, at least for a while.  Now I am very excited about my current projects.  I have four I am currently working on or planning.  Yes, I know that’s a lot for all at once, but I can’t help it that all the ideas came at once.  Hahaha.

My primary project is my Mom’s memory quilt I am centering around five beautiful ten inch crocheted lace squares I found in her workbasket after she passed.  I have made substantial quilting progress recently, and am working on quilting the borders now.

Mom’s lace squares…10 inches of beauty.

  1. Here’s a peak…more quilting is in order here.  I really really love that blue polyester dupioni and off white polyester satin.  They quilt very well and did not break the bank like silk would have.  I think the dupioni is clearly different from silk dupioni, but it does have a rich beautiful texture.
  2. A wool machine appliqued quilting project that includes both samplers for my book I am writing and a larger show quilt using what I am learning as I build this part of the book and its samplers.  My goal is to take true advantage of the magnificent threads and machines we have today to produce wool applique quilts that are at once suggestive of hand applique and shows and teaches the use of advanced stitching by machine.  I will also add considerable amount of beads and possibly other forms of embellishment.  Here’s a little test I have done to determine what may be possible and think about the pattern.

    Just a test

    I have determined to use my accuquilt go! cutter to cut out a bunch of shapes and in real time place them in a good design and add stitching, then make a pattern for the book.  I have this nice tool, as many of you do or many have cutters of some sort, and I think it would be a fun approach, but I also plan on providing enough of a pattern for those who do not have one to make the resulting project.  And yes, it will all be done on black boiled wool because that is what I have on hand.  I am on a tight budget right now.  LOL

  3. My appliqued bed quilt I started some time ago using a beautiful pattern by Sue Nickels.   It’s sort of Baltimore Album like, but all done by machine applique.  I don’t have a picture yet.   This is my relax and stitch project where I don’t have to please a judge and I didn’t have to think of the design.  I am, of course, making my own changes and it will be just for me.
  4. And the fourth project for the near term is a new deep space quilt.  I love doing these.  I have worked out the technique, have all the supplies I need for one, and I take the design straight from one of the NASA photographs they so generously share copyright free, so I only need to put some size and spacing marks on a wholecloth black top and away I go.  I plan on putting how to do this either in my current book on embellishment or in its own book.  So I will be taking a lot of pictures as I go.  In case you are unfamiliar with such quilts, I have two below for you to see.  Both have won ribbons, and the Sky Horse was in the juried Houston show in 2014.

    Sky Horse photographed by Ken Tatum

    Spiral Galaxy No. 3

    These are so much fun to make.  I make them at my sitdown longarm because they are all free motion stitching.

    Sttitching with a reference picture

    And finally, my oldest son Ken who designed Pendragon for me is working on Excalabar design for the next in my ancient manuscript series.  If I manage to get all of these quilts done this year I will be doing very well.  I don’t work as fast as some of my competors in the show quilt world…hahaha.

    Pendragon
    34 x 45

    Sew happy everyone!  I love you all.  I hope you are keeping busy and making all kinds of fun things in your studio, or cooking, or gardening, or doing all of these things.  God bless you!

Fine Tuning Quilted Art Projects: Part One, the Design to Pattern

I realized with some astonishment recently that 2020 is my sixteenth year of making quilted art projects, mostly, but not entirely in the form of wall art quilts.  I have been sewing since since I was five, when my mother began teaching me to sew, followed by years of learning and making my own clothes and helping my mother in her own sewing pursuits.  I retired from my intensive job with the US Government at the beginning of 2012, but I had already been working toward moving to full-time fabric artist upon retirement for a number of years.

Over the years I have learned a great deal.  I have almost always been in a learning mode, because I find it fun.  For me, a terrific development has been provided by generous fabric artists, digital artists and sewing technicians through online informative sewing and quilting sites, video classes, The Quilt Show with Alex Anderson and Ricky Tims, and YouTube.  This has enabled me to continue my love of learning new techniques and improvement of my skills while hanging out in my own studio and at a very low cost or even free.

What has all this to do with the title of this blog, you may be asking about now.  Well, I just wanted you to know that I do have a significantly solid and advanced basis to pull from for this series I will be blogging over the next month or so about building quilted projects for fun and excellence.

Sew approaching a new project should begin with a bit of planning and record keeping. Such projects can be divided several ways, but I like the following 10 steps, each of which will be dealt with in their own blog post:

  1.  Designing or Obtaining the Pattern
  2. Collecting the Parts
  3. Checking the Tools
  4. Cutting and Marking
  5. Constructing the Top
  6. Sandwiching Properly
  7. Quilting
  8. Blocking and Squaring
  9. Adding Embellishments
  10. Binding and Finishing.

Designing or Obtaining a Pattern for Your Project

Since I don’t normally use purchased patterns and usually create my own designs, for me that first step of designing frequently takes just under half of the time I spend on a project.  I use my computer heavily in this step.  Here are the computer apps I currently use for this:

  1. Corel Paint Shop Pro 2020 (for processing photographs)
  2. Corel Draw Graphics Suite 2018 (makes very good vector designs and communicates with Bernina Software.  This also helps me create my own pattern, size it, and print it out full size to tape together)
  3. Corel Painter 2020 (for painting.  It’s almost like having real paint,  brushes, and pencil collections with no mess and the ability to erase or add something in the middle layer.  I often start here for concept art)
  4. Bernina Embroidery Software V8.2 (for digitizing or personalizing embroidery designs, and even for some quilting)
  5. Electric Quilt 8 (aids in figuring placements, sizing, yardage, and if I need a traditionally pieced area for my quilt project, this is where I turn).

I won’t cover how to use these drawing packages for this, because I know even if you use digital design programs to help you out, you probably don’t use the same ones I do and they are expensive to gather, take time to learn, and there are lots of really good classes out there on youtube and on the sites where the packages are sold.

Once I have my design, I write out the steps, list the fabrics and threads, list the additional pieces, and think about the tools that will be required.  In other words, I create my own pattern with instructions. You may be surprised to learn that I mostly do this the old fashioned way in my planning notebook, where I glue in samples of the fabrics, write out steps, and keep other important notes as I go along. You can read about how I manage these things in my blog Project Management for Fabric Art from a year ago.  I still do things this way.

Now I know many of you don’t want to use the computer designing process, and if you want to design them yourself you would greatly prefer using a sketch book or graph paper and doing math to figure out what you need to make your project, or at the very least use Electric Quilt 8, which is an easy way to produce a good traditional quilt pattern.  This is a good approach, but I do encourage you to scan in your resulting images/designs,  keep a record of your project on your computer, and write out the steps you need to take for your project so you can start with a good pattern with steps to completion already thought through.

Also, there are those who prefer starting with a pattern that has good instructions.  That’s probably why you can make a quilt much faster than I can, and I think this is also a good approach if you have different goals from mine.  One of the keys to this is to use patterns from reliable designers that provide good instructions.

In other words, whichever your approach, the first step is to obtain or create the design with good instructions and project steps already thought through.

For me, I also want to load up my audible books, music, and podcasts to listen to while I work through the construction phase.  My next blog post will discuss building your own kit so you know you have what you need.

Sew happy everyone!  I encourage you to use an ordered approach to your quilted projects, however small or large, and you will really enjoy the process and probably come out with a wonderful result.

 

 

 

Wardrobe Analysis, Slopers, Muslin Test Garments, and a Fashion Fabric Stash

It’s November!  I have a plan for November.  Now I know my topic is usually related to the art of quilting, but I decided I seriously need to do some garment sewing for a bit, delaying some of my quilting plans while I do.  I have a really beautiful collection of fall, winter, and early spring fabrics stashed in three under bed storage units and in my blanket box I had built to match my bed some years back.  I also recently added a full 8 yard bolt of faux leather, and three pieces of fabric suitable for dress slacks for me. It’s literally been a decade or more since I replaced or added significant clothes to my wardrobe, and my son needs a new coat.

Over the past few years I have lost a couple of dress sizes although I am still quite a large woman with long arms, a smallish waist, and big hips.  So purchased clothes seldom look good on me, though a few simple styles can serve.  I also have worn out most of my old collection of nice shirts and slacks I used to wear to work even if the style and fit is still ok. Then there is the fact that I am now a fabric artist, retired from government work, so even if it was still serviceable, my wardrobe doesn’t fit my lifestyle anymore.

Analysis of my current wardrobe tells me that the addition of several nice pairs of slacks, a few simple jackets, and some tops would make the rest of it work (I no longer wear dresses and I have black jeans, blue jeans, some nice sweaters and just a couple of shirts).

Now I know from having once had my own fashion design/tailoring business long years ago that once one gets a perfectly fit pattern for slacks, I can make a pair in less than a day.  At my top speed at that time, I could make a beautifully finished pair of well fitting slacks in an afternoon, including the cutting.  The big problem with that is getting the pattern perfectly fitted. So the first step is to get a sloper (or basic slacks pattern) flat fitted from measurements and then make up a pair of muslin test slacks.  After that I will make any changes to the test slacks and adjust the flat pattern.  That is step one.  Then I can zip through the three pairs of slacks.  I might make my poly/wool pants I have stashed away and add a simple cute jacket to get a nice dressy suit for winter…but maybe in December.

For my son David’s “leather” coat, I already have a sloper pattern and need to make a muslin fitter test for that before I add the style touches and make the coat.  That will probably take me a week or week and a half to make his coat.

Faux Leather..looks good. Has a nice weight. When I finish sewing it, one may not readily be able to tell it isn’t real leather. Real leather was out of my budget.

I recently flat fitted the cutest McCall’s jacket pattern to make a denim jacket out of some of the on hand denim.  It has places for adding some interesting embroidery.  I’m not going to make a test muslin for that, mostly because it has a lot of style ease in the pattern and also because I have a whole lot of denim, and since I have had it for a long time, I figure it is about equal to the cost of the muslin.  I buy my jeans from Lee Jeans, which has a style that fits me well surprisingly.  I may take a pair and add some corresponding embroidery at the bottom of the blue jeans, thereby giving me an attractive  blue denim suit to wear when teaching or even go to church or some such.  This will probably take me less than a week.

This is the denim jacket pattern. I will do the embroidery too.

Then I will make myself a faux leather jacket, for which I have a pattern that I already know fits me, though I still think I will make a muslin fitter before I cut the leather, since it cannot be unstitched even the slightest because of the holes from the stitching.  Leather…faux or real…has to stay like you sew it!  This is a more complex jacket and will probably take me a week to make.  This will be fun.  My new machine came with some feet designed to sew on leather/faux leather.

I have a stack of blouse/top fabrics that will make nice year round tops and also a piece of  black faux suede to make an elaborately embroidered, but otherwise simply styled jacket to wear for Holidays or some such (I’ll make this for Christmas, but not until December).  I just ordered a couple of new tops patterns that look fairly simple to make.  I’ll make those across the next year with one every once in a while.  So I am not counting them on my initial wardrobe redo timing.

Sew my initial wardrobe update seems to me to be doable by the beginning of December, especially since I am still quilting my Mom’s memory quilt, which is coming along nicely.  Don’t forget, I made myself a beautiful overcoat last year that has a faux fur collar and I love it.  It also told me I still love making clothes, but doing them right and carefully fitting them.  This wardrobe update will be using on hand fabrics and thread.  I probably have all the interfacing and other additional notions I may need.  So the entire cost of this year’s update will be really low and I will end up with a wonderful wardrobe.  I will construct most of the items so I can take them up as I lose more weight. I am, of course, planning on embellishing,  embroidering, and adding some interesting style touches for most of the new clothes I make (not the slacks). That’s what makes constructing my own clothes so much fun. I’m excited.

Meanwhile, I have made a very nice start to the quilting of my Mom’s memory quilt.  I will work these things together.  This makes it really fun for me in my studio.  I also have gotten mostly ready for my next workshop I am teaching at G Street Fabrics on 15 November…Embellish This! in which we embellish a fabric panel I designed that makes a 15 inch by 15 inch square suitable for a pillow top or wall hanging (Christmas present?).   That class is going to be a lot of fun and not a lot of stress, plus you end up with a very nice selection of decorative threads you can use for Holiday embellishment (purchased kit $45, worth at least twice that much).  So I encourage my local friends to sign up.  I think there is still room in this class.  Call G Street and ask.

So I have a plan in addition to continuous periodic work on my Mom’s memory quilt:

  • November sewing
    • David’s “leather” coat
    • My three slacks
    • My denim jacket
    • My “leather” jacket
  • December sewing
    • My “suede” embroidered jacket for Christmas
    • My wool suit????
    • A new bag from leftover “leather” and “suede” together
    • A simple top or two

Will I finish all of this?  I’m thinking I actually might with careful planning with no additional costs.  That way I will save a lot of money and have a good wardrobe for my current lifestyle.  Then I can get back to focusing on quilting full time.

Happy sewing everyone!  Make yourself some lovely garment or garments to make you happy, but I encourage you to make a muslin fitting test piece before you cut your expensive fashion fabric if you do not already know the pattern fits.  Then you can make the same pattern with different style touches with several fabrics…stack them up, cut them out, embellish them, make them all at once!  Then let me know how it went.

 

 

 

Satin Sampler

OK.  I have been working out a satin sampler to test markers, techniques, threads, paints, and background designs for several projects, one being my Mom’s memory quilt.  The cool thing about this is that I am making it with polyester crepe back satin.  It has a lovely beefy hand and I wanted to test it for future projects.  Why?  Partly because I can get a 58 inch wide piece for about $5 per yard for a lighter hand up to $8 a yard for a heavy satin instead of the $17 to $40 a yard for 43″ wide fabric, and partly because there are some wonderful colors available in the polyester that don’t run when washed.  I am using the heavy polyester crepe back satin for this sampler.  I will be making it into a pillow top for my bedroom since I can tell I will like it when finished.

Sew I have layered it with a cotton backing, and a double bat of Quilter’s Dream 80/20 select loft on bottom and Quilter’s Dream wool on top.  I marked it with a heat-away gel pen (see my blog on marker testing for this satin) that I do not recommend unless you are prepared to go through a removal process that requires much effort and time.  This ink returns when frozen (such as in the airplane when you check your luggage or ship it someplace). Also, my marker testing is incomplete, because I want to finish the sampler, freeze it, and completely test the removal process again on this sandwiched piece. I am quilting it with 40 weight Superior Magnifico and, where needed, 100 weight microquilter.

I painted this sampler with a combination of Setacolor and Jacquard Lumier fabric paints in order to get the colors I wanted.  Their steadfastness will also be tested in the freezing/washing test.

Here is a little look at my work on this little sampler thus far.  I am really having fun with this.  While most of the stitch work has been on my Bernina Q20 sitdown longarm, some very small amount was done on my new B 880 Plus machine, just to see how it quilts.  LOL

 

 

So my conclusion about good quality polyester crepe back satin as a quilting fabric…it works, it’s beautiful, and it both paints and quilts well.  I do back it with a very light weight pellon fusible to make it behave well.

* * * * * * *

Something I didn’t tell you all earlier is that just after I got Odette all sorted out with a new machine from Bernina because the first one seemed to have a serious problem, I made a mistake in threading it and got a huge glob of thread nest in it that I could not remove myself.  So I had to take it in to the dealer to get it fixed.  It made me weep. I was really gloomy when I found that Lew, the magical tech guy, was out for two weeks and so I had to wait.  He fixed it almost imediately when he got back and I got it safely home on Tuesday and have done considerable sewing and embroidery on it since then.  It is clearly a wonderful machine.  It was my mistake, and I have since figured out what I did wrong (with Lew’s suggestions).  I didn’t want to whine again or have people tell me I was wrong to buy it in the first place because their prefered brand works so much better they think.

Anyway, that meant that I was without my main sewing machine for nearly three months with the exception of a day or two twice!!!  So I did a lot of sewing on my little Bernina 350 and a lot of free motion work on my Q20, and a lot of non-machine prep work for future projects, and stacked up quite a bit of work for the new machine.  I will, therefore, be missing a few deadlines I had tentatively planned on.

I have begun attacking the stack of work and have been having a huge amount of fun and the icy fear of further machine problems has begun to melt away over the past week.  In addition to some “regular” sewing, I did some in-the-hoop embroidery last week that came out so perfect and beautiful that I was nearly weeping again, this time in joy.  You should know that I seldom cry for anything much, and am known as a “tough old bird” as one of my former colleagues told me.  But this machine saga seems to have loosened a few tears from me.

Sew happy everyone!  May your stitches be beautiful and your machines play well with you for many years.  Hugs to you all!

 

Marking Satin Fabric

Sew today I decided to begin working on the satin pillow top that I am making to test some methods I plan to use for my Mom’s memory quilt.  I am using polyester crepe back satin, a beefy satin that I have tested previously for quilting with great results and I am trying to figure out the marking method for my Mom’s quilt, because it has a LOT of detailed stitching/painting lines to produce the designs.

I used it as the border on one of my favorite quilts Pendragon because I could not find the right color in a natural fiber under twenty dollars a yard. I only used it on the border though.

Pendragon
34 x 45

But for this quilt, I prestitched, painted, then constructed, sandwiched and quilted. I over-quilted the border with monopoly, which gave me the opportunity to bring out the over and under characteristics of the Celtic border designs.  I used quilting paper with temporary adhesive dots for the marking.  This works fairly well, but when you use really small details, it may break away at an awkward place or may be really hard to remove after stitching.

This may end up being the method I use for Mom’s quilt, but I really wanted to use the border method I did for Canterbury Silk and Canterbury Knight, where I appliqued on a few things, quilted it, then painted the quilting designs. For both of these quilts I used Radiance Cotton/Silk blend, not polyester.

practice pieces for Canterbury Silk

I marked those (and remarked them, and remarked them before all the original marks quite disappeared along the way) with Fons and Porter’s mechanical white pencil.  It doesn’t stay on the satin very well, but was the best I could find at the time.

Mom’s quilt will be made with off white polyester satin and two blues of beautiful polyester dupioni (I LOVE these fabrics), and of course, the pieces of crocheted lace squares I found in her workbasket after she died.

I want to mark it in a way it will stay, I can actually see it, and then I can get rid of the marks completely when I block it.  Is this a dream?

So today I tested multiple markers.  The blue marker many of us use immediately bleeds all around the mark, as does the crayola washable marker I frequently use.  This blurs the lines so they are not usable for this quilt.

I tried marking pencils, which I know go away as you work through it on satins, in particular, though I can kind of see it.  The pencil pulls the fabric as I mark it, and I have to hold it really carefully.  It sort of put slight pulls in it in places, and the detail is kind of hard to see under the light of my machine.  In other words, it’s not really what I need.  Colored chalk comes right off after just a tiny bit of stitching.  Clearly not the winner.

Out of frustration, I am trying  pen similar to Frixion, which works so well for seeing it, doesn’t go away as you work through the construction, and disappears when ironed.  But it comes back when frozen (i.e. when shipped to the quilt show in an airplane or transported in the winter).  I am testing to see if there is a way to get rid of this marker without destroying the work I do on the quilt.

I am still testing that one, however.  If I can figure out a way to use it and then remove it completely this would be almost ideal.  So I have ironed off the test piece and have it in the freezer to have a sample to try really removing it.

I say almost ideal because I would probably have to remove the marks after I have all the stitching done and then do the painting.  But I am going to test that too.  IF I can remove it, and NOT remove the painting, then I would say it is ideal.

Anyway, I completely marked the pillow sample top with the gel pen so I can practice the quilting/painting method I plan to use, and then try to remove the marks so they won’t come back.

Let me say that I would strongly not recommend this marker for most quilts.  It does come back when frozen, while all the other markers…Crayola washables (my favorites), blue markers, chalk, and marking pencils come nicely off either by washing or erasing.

But this is a special case, and something I would use a lot if I can come up with a good marking method for light colored satins.

Next I will have to test the paints.  I’ll let you know how all this goes in my next blog post.

Sew happy everyone!  Test your techniques, fabrics, markers, threads, tensions, needles, paints, markers BEFORE you invest all those hours (and money) in your projects to prevent frustration.  Also, I highly recommend you prewash your fabrics.  Except for machine problems, there are few things in your studio more frustrating beyond completing a beautiful piece and have it get ruined (or nearly ruined) in the end when blocked.  Have a great week everyone!

 

 

An Organized Functional Studio…Waiting for Machine…Then What?

My computer work station in my studio with colorful bubbles. This is where I do my design work mostly.

This is an odd point in my fabric arts career.  I am between projects and without a main sewing machine as I await my new Bernina 880 Plus to arrive.  It will be another week or two at least.  I still have my little B 350 and my wonderful Bernina Q20 sitdown longarm available, but to add to that I do not have a UFO except for my bed quilt that requires the 880 to finish the top appliques.  I could do this on my B350 if I hadn’t already started some of the special touches on the 830, but it would look too different I think on the narrower width stitch area of 5mm vs 9 mm.  So there you are!  Between projects.

And wonder of wonders with the help of my friend Anita I finished organizing my enormous stash of fabrics, threads, and other stuff related to my fabric art work!  The last time I did this was over five years ago.   Here’s a link to a video walthrough of my studio, if you are interested:  Walkthrough

But I do have a lot of ideas and concepts and even a few designs nearly completed for upcoming projects.  And I am SOOOOOO looking forward to my new machine.  Maybe I should complete those nearly finished designs, cut them out in preparation, and also work on my books.  That’s a great idea, except I came down with a little cold yesterday (Sunday July 6) and am sneezing or nose blowing every few minutes.  Sigh.  I absolutely intend to get over it really soon and get back to work!!!  Meanwhile I will look at videos on YouTube and The Quilt Show.

Sew the second half of this year looks to be really fun and maybe a little sparkly.  You all KNOW how I love sparkly things.  Here’s a sparkly fashion show that makes me think a black and gold and sparkly quilt would be really fun to make!  Fashion Show

Sew happy everyone!  Get your studio sorted out and have some FUN!  You’ll be amazed what you find stashed away in the corner of that shelf.

 

Embellish This!

So yesterday I got the printed fabric I ordered from Fabric on Demand with my little 15″ x 15″ panels I designed for my fall class on embellishing techniques primarily by machine.  It came out wonderfully, and I have already washed and dried it so I know it won’t run or shrink.

Sew I can play with embellishing one or two of them to make the sampler and save the rest for the class.  I am thinking these would make perfect tops for decorative pillows.

This made me realize how much fun it is to use the different feet and techniques we now have for decorating our fabric art projects and I am really looking forward to decorating these.

Sew I had a crazy idea I would love your opinions on.  I am thinking I might design some more of these and publish a short book on how to accomplish the various techniques.  Then I could sell the “Embellish This” squares from my website so those who bought my book, which will be sold on Amazon, could buy them and embellish decorative pillow tops or sides of bags, or some such. I will aim to get these ready by October so people could have time to make pillows or tote bags or anything they could think of for using them to give as presents.  Oh it would be so much fun.  What do you think?

Sew happy everyone!  Remember to take out your machine feet, read your manual, look at YouTube and sling that bling around!

Join Me in Making a Major Quilt

I have finally cleared the deck and am now able to begin a period of making new show quilts.  I have two quilts I will be making first, and one I am making for myself that is not a show quilt that is for my own bed.  Sew I thought it would be fun to make a journal of these quilts as I make them and thereby share with you how you might approach a major quilt of your own or even provide some encouragement on your current projects.

I encourage you to chose a project get your planning notebook and join me.  The first step is figuring out what to make and either obtaining or creating the design for the top.  Even a basically simple quilt design can become a masterpiece quilt by the time it is complete.  The second step is gathering the fabrics, threads, and notions.

Such a quilt does not have to be for a show quilt. It may be for the beautification of your own home, or to honor someone for an achievement, or to give to your Mom, Dad, or grown child when they leave home to build their own adult life.  But whatever you are making such a quilt for, you want it to be made with your highest level of art and technique and not skip the correcting of mistakes or doing the boring or hard parts thinking it is “O.K.”   I assure you that it is a great journey full of interest and fun, a  little frustration and joy in overcoming problems.  In the end comes a sense of real accomplishment and satisfaction that continues every time you see it.  You will learn a lot and use what you learned in your future projects.  You will find after making such a quilt that the cuddle quilts will be so much easier and faster than you ever thought possible.

This brings up a point.  Even quilts made for charity should be lovely to look at.  They may not be as perfectly pieced or quilted as well as a major quilt, but they should be soundly made to last through washings and attractive to look at and lovely to cuddle with.  Making a major quilt (as if it were a show quilt) will so improve your abilities you will be amazed.  Stretching for that best quilt is overall fun, and you may decide to show it in the end.

Sew next I am making a small 20 x 20 inch contest quilt for Cherrywood Fabrics challenge honoring the late Bob Ross, who gave so many of us a lot of joy watching him and learning how to paint beautiful landscapes simply like magic.  Fabric will require more work, but will be fun.  It will be a challenge, but is a great way for me to get back to show level quilt making. I already have this designed and acquired the materials I need for this project.

My mother’s crocheted blocks. 10 x 10 inches. I am likely going to place them in this configuration to form the star in the middle with the pentagon around it.

In the meantime, I am working on the design for what may be my most challenging show quilt using as the centerpiece several beautiful pieces of crocheted lace my late mother had left in her workbasket that were obviously meant for a large piece (bedspread? Table cloth?).  She had made five of them and sewed four together.  I was able to take them apart with only a slight bit of fixable damage to one of the blocks.  I will be making a more traditional quilt than I usually make, although it will likely not be truly traditional in any pattern, not very symmetrical, and have some interesting machine techniques with lots of beading planned.  We will see.  I haven’t yet completed that design by far.

And then I will pick up and continue my fun applique quilt that is a Sue Nickels pattern.  Yes, I am using a pattern, although making a few simple changes to make it large enough for my bed and choosing my own colors.  I have a bit more than half of the blocks made and the others have the pieces fused down and are ready to stitch.  This is my stress-lowering project I will work on from time to time.

Pick up your needle and thread and let’s go!

Start thinking about a main quilt project of your own.  If you don’t feel you are ready to design your own, then hunt for a pattern you simply love but may seem a little beyond your current talents.  Or make a simple top and use it as a background for advanced quilting and embellishment work.  Or draw a design you love and think about how to make it.  If you join me, this will be your time to stretch and learn.  I will be here glad to answer questions if I can and find a link or other way of finding the ansers if I cannot.  I hope to provide encouragement.  You should start by making several small practice pieces (see  link at the top bar on the right to my new page on downloadables and links).  If you just took my classes at G Street you have a good bit of the skills you need already, but make a small practice piece using the techniques you plan for your major quilt.   Take as long as you need for this, and either work exclusively on it, or work on it a little bit every week.  I know it is nice outdoor weather, but you will still want some indoor cooling off time.

Sew happy everyone!  I plan on future blogs to help you in your journey…markers, threads, needles, design, fabrics, battings, surface design and embellishments, machine work, and quilting.  I also hope to create videos to go along with some of this.  Cheers.

Turning Pages in My Studio and Practice

Sew my second workshop on quilting with feed dogs up at G Street Fabrics in Rockville, MD went well on Friday and I am nearing completion of preparations for workshops three and four, which are both reportedly full and may even have a waiting list.

Ruler workshop sampler/design just completed the quilting. Ready to block and bind.

Yesterday I finally completed designing and quilting the sampler quiltlet for my fourth class, which is ruler work for sit down machines.  I had quite a challenge with that one, because G Street asked me to use the Bernina ruler set for sit down machines.  So it has taken me several designs and test samplers, but I wasn’t pleased with them until the one I finally finished yesterday (I still have to bind it).  I will now adjust the schematic for the handout to match the end results and that is all I have to do to complete the handout.  I was so happy to get this class designed.

Now I can turn the page to creating for the rest of the year and can think about my new show quilts I will make.

Speaking of pages, I created a new page with a link at the top of the blog on the right called Downloads and Links of Interest.  This page so far has schematics for markging guidelines for practice quiltlets.  In all my classes I am recommending that the quilters make themselves more quiltlets and practice, practice, practice. Actually, that sounds like work, but really it is more like play.

One of my students said she has been making a baby quilt to perfect her quilt making, though she has no baby in her family coming and was going to give it away.  I suggested she give it to Project Linus, so I added a link to that on the new page. This is a wonderful way to improve your quilting and do something wonderful at the same time.  Don’t send them real disaster quilts, but as you get some that are pretty and nice, though not necessarily perfect, wash them and go ahead and send them.

I also added links to rulers I like and videos of their creators using them.  I will be adding more links in time, and plan on making videos myself of work at my machines and more Bernina V8 embroideries, and I will provide links to those on this new page.

I was considering stopping making show quilting earlier this year, wondering if I was accomplishing anything with them.  So after some thought and prayer, I woke up one day really excited about work in my studio.  I decided I can use my show quilts for examples in new books and showing how tos for my classes.  Making a show quilt keeps me on my fabric art toes.  I don’t let things that should be unstitched and restitched go by.  I fix what is “wrong”, and I come out with a better quilt.  So for a few more years at least I will continue to compete.  I always get excited when I start working on a show quilt.  I get frustrated too, but will usually come up with a solution when I run into a problem.

So the future in my studio now seems bright and interesting with a concentration on show quilts and books, together with the occassional set of classes.  Join me in my journey…check out the new page.  I am also planning on providing more little tutorials here in my blog space and alerting you to my videos in the future.

Sew happy everyone!  Try something new in your sewing space and practice…consider it playing because it is fun!  Be sure to branch out and make a beautiful project.  Smaller quilts are great first items…table runners, lap quilts, baby quilts, dog quilts, vests, and quilted bags.

 

 

 

A Book, Christmas, and Thoughts about 2019

Hi Gentle Readers.  I hope you are having a lot of fun and sometimes actually managing to get into your studio or wherever  and play or write, or whatever you do for enjoyment and relaxation.  I have almost gotten my book Ten Skill-Building Projects for Bernina v7 Effectiveness ready to publish.  I still have to take two photographs and insert them, plus come up with the cover and the front material.  Sew I’m thinking this will be available sometime in January 2019 for you to purchase from Amazon.  I am self-publishing this book through Amazon’s KDP print on demand company with the valuable assistance of my sons and daughter-in-law.  It is about 90 pages long and jam packed full of illustrations and step-by-step instructions that, if you do them all, will leave you with considerable improvement in your proficiency in digitizing in-the-hoop embroidery in this software.

Yes, I know that v8 is already out.  But one of my best friends convinced me that there are enough people still using the v7 design software, or that have it and never could figure it out, that it is worth publishing anyway.  And then…I plan on doing an updated book for Bernina v8.  Hopefully, I can get that out before they come out with v9!!!

Formatting the book for publication to KDP specifications has taken me considerable time, but it is mostly done.  I hope to completely finish and do a final read over by the end of the year at the very least.  Maybe somebody will buy it.  That would really make me happy.  And yes, I have permission from Bernina to do this.  Well, actually, they said I don’t need their permission as long as I don’t claim it is through Bernina that I am doing this.  But not wanting to get into trouble with one of my favorite companies I asked.

Believe it or not I am ready for Christmas.  I have all my shopping done, and David (my youngest son) and I got all the decorations up already.  There have been years I didn’t get them up until the day before Christmas Eve, back when Marvin was alive and we did a lot of singing for Christmas.  Some years when the kids were small, and we did a lot of singing, we didn’t get our Christmas shopping done until a few days before Christmas.  Back then, at least, the malls had great sales at that time and we found everything we wanted despite the lateness of the time.  Now I just do it all online and it saves enormous time.

Memories float up as I open the Christmas decorations and the time approaches to celebrate the Lord’s birth.  Marvin and my parents have all departed this earth along with many of my favorite cousins, and all my twelve uncles and aunts. So it is a sweet time of happy musical memories, full of sparkle and light.  I fully believe in the hereafter you see, and sometimes believe I can feel their presence too.  I love Christmas and its memories.  My kids live nearby and my only grandchild, Kevin, is 15 this year and he is nearby too.  I am truly blessed.

I have started to wonder what 2019 will bring for Betty Jo’s Fabric Arts.  I know I have four workshops I am going to teach at G Street Fabrics in April and May.  I am going to Mid-Atlantic Quilt Festival in late February/early March, and I have plans for other books and other quilts.  I have “Night on the Bayou” in Road to California in January, and I have entered that one and “The Wizard’s Duel” in several additional shows, so we will see what happens there.

I am thinking of giving up competition quilting in 2020.  I have spent much time and effort doing these quilts and won a few ribbons, learned a huge amount, and want to share what I have learned.  I get frustrated when I get annoying or confusing feedback from the judges, and also when I get great feedback and no ribbon.  Both happen.  I don’t blame the judges.  They are faced with a huge job and little time to do it in. I have gotten some wonderful feedback that helped me improve a quilt or my next quilt too.  I still have not won a really top ribbon yet.  That is kind of a goal of mine I would still love to reach.  At this point, I normally (but not quite always) get into the shows I enter, and I sometimes win a lower level ribbon.  Is it still worth it to spend the time, money, shipping, anxiety, and so forth entering shows, or should I concentrate on writing and making quilts and samples for the books and maybe even come up with some that will sell?  I don’t know.  I have a few more show quilts I want to make, and will decide then, or I may just veer off and make quilts I would love to make that are really off the wall and only enter them if they end up something that might really work and not if they are not there.  I also am making a bed quilt for my bed.  It’s high time I get rid of that old box store coverlet I have had for decades.

I am already experimenting with a variety of additional techniques that can help me produce some interesting looks…like yarn and cord couching, 12 wt thread stitching, developing quilts using some of those fabulous fabric panels, and seeing if I can make my digitized in-the-hoop embroidery produce some unusual things…three dimensional insects or animals, for instance…or maybe needle punched bears roaming a deep woods, or discover ways to use my machine in other ways to create hand looks.  But what would I do with it if I don’t compete?!!!

Sew happy everyone!  Take your work to the next dimension and have fun doing it!  Merry Christmas!!!!!