My micro-business

Test Samples Provide Significant Help

Posted on by Betty Jo's Blog / Posted in Art Quilt Techniques, Design Work, Fine Tuning Series, Food for Thought, My micro-business, Project Management, skill building / Leave a comment

Current practice piece

Hi everybody,

For my work, I have found that test samples are indispensable when I am making a significant fabric art project or quilt.

Test and practice piece for my first wool applique by machine project

For my work, test samples are indispensable, especially when I am making an important fabric art or quilting project and I highly recommend them for your work.  I have had some of my students object to the use of the fabric, thread, and time that they take, sew I will tell you how I use mine.

I sandwiched two 24 x 25 inch test samples using the fabric on top that I am using in my main project.

Here is a sample test of borders for my quilt Out of Mom’s Workbasket

The point of these samples is to help me with the borders.  I have divided the sandwiches into three sections and then one of the sections on one of the sandwiches into three blocks, since my border has corner stone blocks.  I expect these two sandwiched samplers to help me do the following;

  • Practice my quilting so I am at my best when working on the finished project
  • Decide on the quilt patterns I want to use on the borders and corner blocks
  • Decide on the best way to mark them
  • Decide on the background stitching I want to use
  • Decide on the thread color, weight, and needles I want to quilt with
  • Decide on the stitch settings I want to use
  • Practice painting the designs to polish my painting skills before using it on my finished quilt, determine if I want them painted at all, and what paints to use.
  • Help prevent problems and mistakes on the main quilt.

If you finish the edges with a binding or serging, they make wonderful pet presents, knee guards for working on your knees in various chores, a sitting pad for a rest on an outdoor bench or step outdoors, and reference aids in your studios.

Here is a stitch out sample of the upper left corner of my quilt Pendragon. I digitized the outline of the ancient design, which needed a lot of fixing, so I had to do a stitchout before putting it on the quilt. I also wanted to try the painting to see how that would go. So I just stapled the sample into the book with notes.

Sew happy everyone!  Try using test samples if you don’t already.  They are worth the time and supplies they take. Have fun in your studios!

 

Welcome Fall with Fun Projects

Posted on by Betty Jo's Blog / Posted in a pattern, Applique, Art Quilt Techniques, Classes, Food for Thought, High-Tech Studio, Machines, My micro-business, My Studio, Project Management, skill building, Videos, Wool / 2 Comments

I don’t know about you, but September always seems to be the beginning of the sewing/quilting season to me.  I get kind of excited wondering what I can make and share in my studio.

I was looking at some of my already published YouTube projects, many of which also have workbooks and patterns available on my site store for little or no cost.  There are several there that will make wonderful Fall and Winter celebratory additions to a home or to make as gifts.

Fall Table Runner

Last year, with the help of my family production team, I made a fall table runner, but we did not get it out until mid November, which was clearly too late.  We realized it, but published it anyway for people to enjoy watching at least.  This year, you might want to look at this, purchase the workbook/pattern/digital embroidery (all in one package) and make it for your Fall celebrations.  It has three how-to videos linked below and the downloadable workbook package below that.

Part 1

Part 2

Part 3

Workbook/Pattern Package

Machine Wool Applique Sampler

Here is the finished wool applique by machine sampler.

This is a fun little project that uses mostly circles and decorative stitching to make a little wall hanging using wool.  It is very like what some of you may do by hand, but is all done by machine with some specialty threads.  I had so much fun doing this and I think you would too.  You can choose your own colors.  It does not have a pattern, but if you watch all three videos you really won’t need one.  You can probably tell it was inspired by Sue Spargo’s fabulous hand stitched wool pieces.

Part 1

Part 2

Part 3

Kingfisher wool appliqued pillow (by machine)

 

This project results in a really delightful decorator pillow for your living room or bed room.  It would make a really nice gift for someone.  Truth be told, I made it with mostly the leftovers from the wool sampler above and a pillow I got from Amazon.  It does have two how-to videos on YouTube and a downloadable  FREE workbook/pattern on my website shop. Links of all below.

Part 1

Part 2

Workbook/Pattern

Sew I hope you will take a look at these projects and even make one or more of them.  It would really help me if you subscribed to my YouTube and watched the projects.  I don’t currently get any money from these on YouTube and very few people have gotten the workbooks/patterns.  It would be fabulous if you did watch them all the way through and provided me with comments and suggestions.  I will also answer your questions along the way if you decide to make one or more of these projects.  Together they are like a virtual class where the instruction is free and the patterns are either free or modestly priced.

Some of my videos are simply sharing my work with you and are there for your viewing pleasure.  I am working on one like that now where I am currently making a new show quilt and showing bits and pieces here and there as I do so.

Sew happy everyone!  Have fun in your studio!

 

 

The Positive Value of Studying Our Machines

Posted on by Betty Jo's Blog / Posted in Design Work, Embellishment, Embroidery, feet, Food for Thought, High-Tech Studio, Machines, Making Clothes, My micro-business, My Studio, Tools / 2 Comments

Hi everyone! Today’s machines often have wonderful features that can advance our sewing and quilting in ways we may have wished for but may not even be aware we already have such features.  Some of these machines, even the mid-level ones, require actual study, testing, and practice to bring the full capacity of what is available to owners of such machines.  Such study, practice, and testing can result in wonderful pieces that can enhance our lives dramatically.

Now I retired at the beginning of 2012 to work mostly full time as a fabric artist/art quilter.  Sew my nicely outfitted studio is a great joy to me.  Remember as you read this, that I started with a basic machine I purchased from a hardware store and sewed on my kitchen table for years, but worked my way up over the decades.  I am currently 76, have been sewing since I was about five, and plan on sewing as long as I am physically able, which may be many years from now. I know of a quilter who makes baby quilts for charities on her domestic machine and she is over 100!

I traded up for my Bernina 880 plus about three years ago and recently concluded there were things my machines would do that I did not know how to use sufficiently.  Sew, over the past year plus I have spent a good part of my studio time in studying and testing the ins and outs of my sewing machines.  Now I am a long time sewer, tailor, and quilter.  I was a professional clothing designer/maker in my mid twenties to mid thirties, and have owned high tech machines for years.  At first consideration, you might think I would not need to do this.  I have had quite a few machines and worked my way up over the years to my current fleet with trade ins, sales, and so forth and now I have a great fleet, each of which have their own uses in my sewing life with a wide range of machine complexity.

NOTE:  I will be talking about Bernina machines, since that is what I have, but I do know that other major brands have similar things available today.  You need to look in your manual, check out available online videos, and consult your dealers to find these.

My Bernina 880 plus, one of the top of the line machines they have, has the reputation for being “finicky”.  I disagree with this assessment though I understand it.  I find it extraordinarily useful and easy to use now that I have spent the time to learn how.  Does it require careful threading?  Well yes, it does, especially the bobbin, but once practiced and learned it is not difficult.  Do you have a multitude of things available so you have to sometimes look things up?  Absolutely, but Bernina also has a lot of tools available to help with that built into the machine.  Do you have to clean it and oil it carefully and on a regular basis?  Yes, you do.  Does it have many many feet that aid in doing things that require some learning?  It does, and the more you can get the more you can do or more refined your results will be.  And, in fact, Bernina has a book for that The Big Book of Feet.  It also has many videos on YouTube available to show the use of these feet.

Why just this week I learned how to transfer stitches I found in the Bernina design software for in-the-hoop embroidery to be placed and used in the sewing side of the machine!  I added a handful of additional stitches that look like hand embroidery. I plan on adding a lot more.

I very recently completed making a machine-embroidered central focus part of a new show quilt.  I worked for about six weeks designing and digitizing the centerpiece of my current project and it took me a week and a couple of days to embroider it. I ended up with an interconnecting design that required six jumbo hoopings that had to work together to meet at all the right places. I was a lot nervous that they would not match when I started out, but they did!!!! All the embroidery is wonderful and the handful of in-the-hoop appliques also came out wonderfully. I concluded from this that the Bernina 880 plus (the only Bernina that uses the entirety of the jumbo hoop) and the pin point placement that it has is a great advance for high-end in-the-hoop embroidery. So the middle section is ready to piece in and I think it is wonderful. It is on black silk dupioni and I used 40 weight trilobal polyester for the embroidery. There will be beads and buttons on the finished quilt.

I also have a Bernina Q20 longarm machine set up as a sitdown quilting machine.  I could put that on a frame, but I do not want to.  I learned to free motion quilt on my Bernina 830, which I traded for the 880 plus, and I enjoy it. Plus I enjoy sitting down to quilt (I am, after-all, getting a little creaky now that I am in my mid 70s).  Besides, I seldom make a quilt larter than 60″ wide or so.  This machine is really a simple one designed for primarily being maintained by the owner.  It is powerful and can use all the free motion Bernina feet available (so I can share them between the machines), domestic sewing machine needles (also shareable within the fleet) so you have many types for needles for various threads, and it will accept many types of quality threads.  I use it for free motion embroidery as well as quilting so the thread acceptance is really important to me.  I have an astonishingly large collection of quilting rulers…they just appeared in my storage drawers somehow LOL.  I can’t imagine how.  I think they must have had babies because the collection really grew over the past six years I have owned this machine.  LOL  Using rulers at this machine is a pleasure.  I love this machine.  It has two features that are particularly wonderful…a double built in stitch regulator, and an additional pinpoint laser light attachment that shows just where the needle will come down.  It’s stitch quality is beautiful.

And I have a little Bernina 350 that is a basic machine and not too heavy.  If I were just starting out and making mostly clothing, or looking for a machine to take to college with me, this little machine would be a very good option.  I have used it for travel, but I also find it has exceptional value as a piecing machine with solid stitching and a smaller 5.5 mm width that makes it easier to sew more accurate quarter inch seams than my big wide 9 mm 880 plus.  I also have several attachments I use exclusively on this machine…like a needle punch attachment that is remarkably wonderful for a fabric artist, and I don’t worry about the roving messing up its easy to clean bobbin area or my big machine.  I also have a walking foot that came with it.  These make it great for sewing and quilting retreats, or sewing in one’s hotel room when attending a conference, or just taking along on a vacation.  I once used it to make a fast quilt for a member of my family that had unexpected surgery when my big machine was out for service. It was a lap quilt, and I would not have wanted to make a big quilt in it, but it did a great job with the lap quilt size.

Additionally, I have a basic Baby Lock serger my daughter in law gave me.  It does everything I need in the way of serging and completes my studio nicely.  It not only serges edges and makes wonderful seams for stretch knit items, but since I purchased all of the four additional feet for it  there is much more it will do.  For example, it enables me to quickly make  covered cords for pillows, bags, and other things.  After watching some videos on serging on YouTube, I am sure Ineed to spend more time learning what I can do with it.  It does not do a cover stitch, but if I use a double needle in either of my domestic machines that will take the place of a cover stitch.

Sew have fun in your studio and study your machine whatever level it is.  Do some testing and make some samples.  A stitch library of all the stitches it will make is a great idea and very helpful.

Pages of my stitch library

 

 

Using Decorative Stitches for Quilted Textures

Posted on by Betty Jo's Blog / Posted in A Little How-To, Art Quilt Techniques, Design as you go, Design Work, Machines, My micro-business, skill building

It is possible to accomplish some amazing quilted textures and designs using a variety of stitches with your feed dogs up.  This is particularly the case if you are blessed with a machine with 9mm wide stitches and even more-so if your machine will do sideways stitching for extra large motifs. I was recently reminded of this in my recent presentation at Suzzie’s Quilt Shop in Manassas Virginia where I showed and talked about my quilts.  For that I pulled out my two architectural quilts where I used decorative stitches and straight line walking foot quilting a lot.

Some machines provide precise information as to the width and length of a decorative stitch, and are somewhat adjustable. Here is a screen shot from my B880 plus simulator with a flower motif that uses sideways motion to achieve a bigger design.  I learned that it is important to keep a flexible clear plastic ruler with both inches and metric for figuring how to use such motifs.  Here you see 41.6 mm wide (about 1.45 inches) by 72.2mm (about 2.85 inches).  Many of these extra large stitch designs are not adjustable, so in this case, I would probably try to accommodate the design by slightly adjusting the size of the fabric I was going to use if at all possible.  Therefore, it helps to plan out the use of such designs before you plunge in.  I am thinking of making a small whole cloth quilt project of some sort just to show off what can be done.

 

This is big enough to be a nice quilting motif in multiple repeats down the middle of a sashing, for instance.

This would make a lovely quilting stitch down a narrow sashing, for instance, or the center of a larger design.

But I have also used more ordinary stitches in rows, even curved rows (such stitches will curve well, and you can even adjust the width while stitching on my Berninas, and probably other brands) to build up the texture of an area to look like stucco or rock face or some such:

For textured areas, choose geometric patterns that would fit together well in rows sewn closely together.

This method was what I used for some of the walls in this architectural quilt.  Note that I had to curve and narrow the decorative stitch design and place them close together. Also it wasn’t perfect, but still looked nice.

From Perspective in Threads, (the colors are off in this picture, but you can see the stitching) entirely done with threads…some decorative stitching, some straight line sewing using a walking foot, and some free motion — stitched in four different thread weights (12, 40, 50, and 100).

 

This is more detail from the same quilt, and is closer to the correct color than the first detail shot. Look at the wall surrounding the back arch that looks kind of like stucco.  That is rows of decorative stitching.  The shadows under the steps are simply well-placed rows of straight stitches.

If you do landscapes or small pictorial renderings and want a nice field with flowers and grass, for instance a stitch design with small flowers stitched with variegated threads might just be what you need. This is just a 9.0 mm width and a 15.7 mm (.62 inches) length design.  Rows of this spaced closely together would work.

This shows stitch 128 choice.

I did something like this (I don’t remember the exact stitch, but it might have been this one) in the yard on the rendering of the house on “Dad’s House Plan”.

Sew it is possible to get some wonderfully appropriate and detailed quilting on your domestic sewing machine if you are not comfortable with free motion stitching, and even if you are.  Sometimes, it is just the right texture that you need and can obtain with those decorative stitches.

Sew happy everyone!  Try something new with decorative stitches and have fun in your studios.  I plan on going back to a blog every couple of weeks again.  Please comment, pay a visit to my YouTube.  Cheers.

Landscape Quilt Techniques: Mountains and Evergreen Trees

Posted on by Betty Jo's Blog / Posted in Applique, Art Quilt Techniques, Deep space quilts, Design Work, Food for Thought, High-Tech Studio, My micro-business, Project Management, Show Quilts, skill building

Hi everybody!  I cannot believe it is March already!!!  I am currently working on a small landscape wall art quilt with mountains and evergreen trees that includes the writing of a workbook with pattern, hand cutting or svg cutting files for use with a digital cutter, and a set of videos for my YouTube channel.  I am loving this project!  A couple of family members came up with the concept and I knew as soon as I saw it that I would love doing it and how to do it.  It involves prepared turned-edge applique-piecing by machine, stitched raw edge applique, yarn couching and big thread free motion stitching.  It will be a lovely size for wall art in a home or office–somewhere in the neighborhood of 24 x 20 inches.  I hope some of my followers will do this project once it is available and really enjoy it.

So far, I am about half way through the construction and filming but I am not sure when it will be published.  The workbook and pattern set are also nearly finished and that will be available in my shop on my website.

Way back in May of 2021, I presented the first of my landscape quilting techniques sampler piece and promised more.  I was astonished to realize it has been so long since that was published!!!  Here’s the link for the first of two videos for this project:  Landscape Quilting Deciduous Trees Skillbuilder.  Yes, it was early in my adventure in my YouTube channel and that shows, but the techniques are solid and fun, and the promise was  real.  I believe we (me and my family production crew) have come a long ways in our production of such projects and videos in this time.  This project included stitched raw edge applique, broiderie perse, and free-motion quilting with 40 weight and 12 weight decorative threads. The quilting and decorative stitching is found in the second video:  http://Landscape Art Quilting Part 2  So this will be the second in my Landscape Skill-building series.  I hope to have a few more in the future.

Overall, I am trying to get faster and better in the videoing and the production of patterns and workbooks.  It’s a stretch but I enjoy having a creative challenge as I reach my 76th birthday this Friday, March 3rd!!!!  I anticipate many years still in this creative endeavor, and am increasingly employing the high tech tools in my studio to help overcome some of my aging factors that make hand sewing, for instance, and other things involved in fabric art more difficult.  Age should not be a limiting factor in creative pursuits.  Here’s an amazing performance of a 100 year old ballerina that highlights my point:

Ballet video:

I have also started making a new deep space show quilt based on a fabulous NASA photo.  At least I hope it will come out good enough to be a show quilt.  This will be my fourth space show quilt.  I am filming some of that as I work through it, but it is not intended for a tutorial, just some fun videos.  This type of quilt is almost entirely made at my sit down Bernina Q20 longarm in free motion.  The galaxy is made from Angelina Fibers and nylon veiling.  I really like this kind of quilting.  It’s like playing and dancing to me!  Here is my third deep space quilt, which won a couple of ribbons in its show life, although these are difficult to photograph:

I am hopeful I will get some good ideas from my “production crew” on how to best video my new space project.  Cameras have a hard time dealing with such reflective sparklies.

And no, that’s not all I am working on, in case you are wondering, but we will chat about these later in the year when I am closer to getting them up and running for you to see.

Sew happy everyone!! Young, old, and in between, have fun in your studios!

 

 

 

 

Studio Fun Begins for 2023

Posted on by Betty Jo's Blog / Posted in Food for Thought, My micro-business, My Studio, Project Management, Quilt Journal, skill building, Videos / 2 Comments

Hi everyone!  I have been working hard lately on pulling together some projects for this year of varying degrees of complexity.  I say “complexity” rather than “difficulty” because I have found over the years that many of even the most complex projects are not much more difficult than some one might call “simple” or “easy.”  They may take longer, but it is mostly a matter of going one step at a time and continuing to move forward in carrying out the project.  This is true for both making quilted fabric art and sewing or even tailoring complex clothing.

Of course, one does need to know what to do at each step and how to do it even for less complex projects.  That can be addressed by reading pattern instructions, testing techniques and products, watching videos, taking classes, talking with other fabric artists, and not getting discouraged when you need more help.

This past few weeks I looked over my stash, and I then added a few pieces of new fabrics to my stash:  a piece of silk dupioni and a piece of Kaufman Radiance silk/cotton to go with it.  Then I also added several pieces of solid colors of Peppered Cotton–designed by Pepper Cory–for some experimentation, demonstration, and fun that go together but I haven’t quite figured it all out. I also have had to buy some batting for future projects for the first time in a couple of years.   I guess I have done more quilting than I realized.  I think I am pretty much swupplied for quilting for the whole of this year.

It has been quite a long time since I bought new fabrics…maybe three or four years.  I used to have a very large stash, but have used up a lot in those years and also found places to give some of my fabrics to lower the volume.  These are fabrics I am not going to use.  Though I loved the fabrics I gave away, they didn’t fit my plans for the next year or so and I needed to empty some storage spaces for future projects.  I gave them to my friend Anita who took most of them and made a beautiful quilt for the quilt drive for Ukraine.  She has a new Bernina 480 and it is a bit small for a large quilt.  The Lutheran World Relief, however, wanted a 60″ x 80″ quilt, which is really quite large for her domestic sized machine.  So she made it by a quilt-as-you-go method, which gave a bit of relief on managing the size up until the last bit. She used the method described by Nina McVeigh in this little Bernina video:

Bite size quilting

 

The back of Anita’s quilt is as fun as the front

The front of her quilt has lots of beauty to discover.

This quilting method gave her the opportunity to learn how to deal with her new machine, practice both feed dogs up and free motion quilting, and make this big quilt.  I understand the last bit was kind of tough to get it through the machine. It might not be big for some of you who have larger machines or longarms on a frame, but for her machine it was gigantic.  She did a great job and shipped it off.  Personally, I think it looks both interesting and comforting and whoever gets it will surely appreciate it. She decided she will probably make smaller charity quilts in the future for other organizations that can use them.  But I believe she managed to keep some of those beautiful Japanese themed fabrics for projects of her own.  Thank you Anita for doing this.

If you are interested in making and donating a quilt for this effort, here is the pdf file with all the instructions. They accept quilts of many levels, but they must be 60″ x 80″.  Please read the instructions before beginning.  5708

Sew the first thing I have done this year is develop a list of projects I really want to do someday, but it was waaaay too long!!!!  So I looked really hard at the list and knocked it down to a shorter list that is still too long.  Then I concentrated on about four longer-project quilts getting all the pieces together drafting the patterns or guide sheets, digitizing some embroidery, and, if needed, drawing up some applique shapes.

I also have about ten short tutorial projects.  All of these are for my YouTube videos.  I am sure I will drop some of these as I work out the logistics and draft the patterns, but it’s one way I have to deal with my over-stuffed idea space in my brain.

idea space in my brain…lol

I also am calling on my talented daughter-in-law, Beth, to help me draw some of the landscape sketches I need for basing some of these.   This should keep me busy for quite some time.  LOL

I’ll let you know what they are when I get each one ready to go.

Sew happy everyone!  Have fun in your studio in 2023!

 

 

 

 

Advancing One’s Fabric Artistry

Posted on by Betty Jo's Blog / Posted in Art Quilt Techniques, Classes, Design Work, Embellishment, Fabrics, feet, Food for Thought, Machines, My micro-business, skill building, Threads, Tools / 2 Comments

Hi everyone!  I got to thinking a lot this week about what is needed to advance one’s fabric artistry abilities.  This was brought on because one of my best friends is getting a new sewing machine next week.  It’s already in, she just has to go pick it up and has scheduled a class for learning to use it.

For several years now I have been helping Anita learn how to add fabric as a new medium to her already wonderful art and basic sewing skills. She has made amazing progress.  In return, she has helped me reorganize my fabric and thread stash, assembled kits when I made them for classes, worked with me to make church banners (we go to the same church), willingly tested some of my ideas, and generally encouraged me in my current projects. We enjoy our sewing and chatting time together.

Her wonderful old Bernina 1230, which was nearly 25 years old and was originally mine, had the mother board die and they don’t make or have replacements anymore, so she bought a new Bernina 480.  This is a great choice for her because it has a 9mm stitch width with lots of decorative stitches and the harp space is one inch wider than her 1230.  It will advance her work.  Over the next year or so she plans to add some of the accessories that don’t come with it to stretch the usefulness of the already fabulous machine for her kind of work. It will take a Bernina Stitch Regulator, but I think she probably won’t get this for a while. The others include:

  1. The Gold ocher color bobbin case that gives a tighter bobbin tension than the black one that comes with it and is particularly useful for decorative stitching, free motion embroidery, and quilting. I think they should have included this in the initial machine package (do you hear me Bernina?).
  2. A single hole stitch plate for straight stitch accuracy and free motion stitching.
  3. The walking foot which is extremely helpful for a quilter/bagmaker
  4. Multi-Spool Holder: Attaches to the back of the machine and allows the use of threads on cones (cheaper by the yard) and has a telescopic threading rod that also helps manage the threads from metallics and other difficult threads.
  5. Bernina Thread Lubrication Unit: Helps handle metallics and other difficult threads (Rayons, for instance)
  6. Additional Feet:
    1. A quarter inch foot number 96 C with guide or #37 which enables really accurate quarter inch and eighth inch seams to piece things together.
    2. 20c open toed embroidery foot A definite necessity for any fabric artist.
    3. Narrow hemstitch foot (there are five of them of various types which make different kinds of narrow hems. Probably #63 would be my choice. She wants to make some scarves among other things that need narrow hems.
    4. Free Motion Couching foot #43: couch heavy threads, cords, and yarns to the surface of the fabric.  I have also used this as a free motion stitch foot for stitching over uneven surfaces before I got the cup foot.
    5. 39C clear embroidery foot: It is a great foot for decorative stitching and has a small hole for threading cordonet thread or other light cording through to stitch over with decorative stitching.

So far, she has developed fine skills and used them for free motion embroidery, hand embroidered baby quilts, appliqued bed runners, quilts for her grand children with free motion quilting, bags, a lovely drapey jacket, table toppers, and a beautiful Victorian ball gown for her grand daughter complete with a perfect fluffy petticoat for it.  I would say she has clearly graduated from a basic sewer to advanced intermediate sewer and intermediate quilter, and is hovering on the edge of tipping the scale into an advanced fabric artist and quilter.  While it is unfortunate her old machine died, this new machine will be a blessing for her.

 

Anita’s lovely granddaughter modeling her beautiful satin jacquard ball gown Anita made for her.

Sew in addition to a good sewing machine, what, in my humble opinion, does it take to become a master sewing artist? It definitely does NOT mean that everything you make is a masterpiece.  Sometimes the pieces are, frankly, not very good. It does, however, mean that you are capable of making a masterpiece and do from time to time and are willing to take the leap to try. Since I am an incorrigible list maker, I have a list of what I think is needed to reach for advanced fabric artist and quilter. It’s an ongoing endeavor and lots of fun to do.

  1. It takes a good understanding of your machine (or machines) and a number of interesting things you can do with it beyond make a seam or a buttonhole and kind of constant testing and trying out of possibilities with it.  Never stop learning.  I am constantly working on this myself. Indeed, I have spent the last six months or so learning things I didn’t know or needed to improve in using my Bernina 880 plus.  I’m sure my sons and daughter-in-law are tired of hearing “wow! Did you know I can do such and such with my machine?”  But I have to tell someone!
  2. Handwork, even if you are, like me, primarily a machine person.  You can turn your understanding of handwork into using your machine for about 90 percent of the time.
  3. It really helps to gain a solid understanding of interfacings, stabilizers, and battings; fibers and their properties; thread types and weights and what they are for; what needles you need for which threads and kind of sewing; markers; and tools available beyond the obvious.
  4. There are always new developments in sewing tools and I am often surprised by what’s available now. The struggle is figuring out what tools are really needed or at least would help speed or improve a frequently needed process and which can be passed over.  I am sort of a gadget/tool fan, so I often have to tell myself “no” firmly when confronted with the purchase of a new tool.  Hahaha. I do have a large collection, but I have been sewing since I was five and am now 75. Plus I inherited both my mother’s and my mother-in-law’s sewing supplies. So the vast majority of my sewing tools have been around for a long while.
  5. But chiefly, it takes allowing yourself to have confidence in your abilities, and a certain amount of willingness for risk taking that comes with realization that one will sometimes fail and have to spend a lot of time unstitching or remaking pieces of a project or start all over using a different direction. It’s part of the adventure.  Also, sometimes, you just have to abandon a project and realize it is ok to do so.  I constantly work on this.
  6. Where I personally need to work the hardest is in my designs.  That is the hardest thing for me because I almost never use someone else’s designs and often have a vision in my mind that may be difficult to get down into a workable pattern or guide either on paper or on my computer.
  7. Piecing accurately.  Even an art quilter needs to piece from time to time. I think I am just fair intermediate piecer.
  8. Speaking of patterns, I am working on improving my professional pattern-making skills to a higher level for use by people who would like to try the projects I present on my YouTube channel, in my blog here, and in books.  I no longer have classes since Covid shut them down and I switched to videos and writing permanently, but I still teach by these methods and one-on-one in person.
  9. There are other things that may add a lot to a project, especially in the embellishment arena, but are not required.  These might include crystals and beads, fabric paints, found objects, charms, 3 dimensional sewing (like butterflies and flowers for instance), machine embroidery–both in-the-hoop if you have an embroidery machine and out of the hoop (even if you do have an embroidery machine).
  10. I’m sure I have forgotten something. Do you have any ideas?

The thing to know is that you probably already have most of these things in your virtual tool belt and, like me, mainly just need to learn more in each of these categories.  I find it fun.  Do you?

Sew happy everyone!  Have fun in your studio and let me know what your fabric adventures are.

Diving into Fall Projects

Posted on by Betty Jo's Blog / Posted in Applique, Deep space quilts, Food for Thought, My micro-business, Project Management / 2 Comments

Hi everybody!  We are nearly through August!!!  Yikes.  We (my oldest son is helping with this) still have not completed the design and accompanying embroidery designs for the fall/Thanksgiving table runner, but it is moving along and I hope you all are going to love it and want to make one yourself.

Oh, I finished my Kingfisher pillow project and one of the two YouTube videos is published. Video link

I love the way it came out.  So here are some statistics you may find of interest:  I have at this moment in time (8/24/2022) 431 subscribers, 143 views of the Kingfisher video 1, and only 11 likes; 9 downloads of the free pattern, 62 clicks for the products I linked to with my affiliate links, and zero purchases on Amazon and 341 clicks for Wonderfil Threads (they really are wonderful threads) with no purchases.  Though I sometimes have considerably more views on other videos, I seldom have a higher percentage of likes and have never made anything from any of my affiliate links.  I’ve had a few people buy something, but never enough for me to get paid (there is a minimum). I’m trying not to be discouraged. Perhaps it will pick up when I get video 2 published, or maybe the Fall Thanksgiving project will turn things around.  Maybe I just haven’t reached the right audience yet, but will at some point.  I refuse to think that people just don’t like what I do (LOL).  I’m hopeful my affiliates will continue to allow me to hang in there until things get better.  (See, I still think I will succeed eventually).

My dear late mother taught me all along the way when things got discouraging that “You’ve got to stick-to-it-tivity.  You’re going to do alright, you’re going to be all right!”  She usually sung that in her beautiful voice with her sparkling eyes looking at me.  That memory has been following me around lately.  I think it is from her.  Sew that is what I am going to do for quite a while yet.  Besides, I am having some fun here, making and filming these projects.

I am still considering if I should make a Christmas project.  It’s getting late in the year.  Most people have already started their Christmas projects by now I think.  I figure they don’t do like I do and wait until the last minute for making things.  My Deep Space Quilt 4 project might suffice (that will just be a sharing of the making, not a tutorial with pattern).  It is full of stars and light sparkles that I am hoping to complete for my own Christmas decor and other times. I will note that it is hard to film sparkles and shines, but worth a try. Here’s the NASA picture I am basing it on:

This image from the NASA/ESA Hubble Space Telescope captures the spiral galaxy NGC 105, which lies roughly 215 million light-years away in the constellation Pisces. While it looks like NGC 105 is plunging edge-on into a collision with a neighbouring galaxy, this is just the result of the chance alignment of the two objects in the night sky. NGC 105’s elongated neighbour is actually far more distant and remains relatively unknown to astronomers.

I also am planning some basic kinds of short videos showing how to use the Bernina Q20 sitdown (and that would be the same for the Q16), and how to use some of those fancy stitches most of us have on our machines these days with interesting threads.  Coincidentally, you may have seen this, but I tried out the “hand look stitch” on my Bernina 880 plus with the following results…I will use this somewhere. Perhaps with the crazy quilt major project I am planning for 2023.

Here I used 100 weight matching polyester in the top and 12 weight cotton in the bottom. Bernina recommends monopoly in the top and 30 weight thread in the bottom. I will experiment more with this stitch. It is available on most modern day Berninas.

Sew let’s all have fun in our studios.  It’s time to quilt!

 

 

Having Fun in My Studio

Posted on by Betty Jo's Blog / Posted in Applique, Deep space quilts, Design as you go, My micro-business, Project Management, Threads, Tools, Wool / 2 Comments

Someone asked me recently what I have been working on lately.

I have finished the Kingfisher wool applique by machine pillow top project (basic design without the eye pupil, which is a very small black button, shown above). I haven’t made the pillow yet, but will in a few days. I have some really black stretch denim I think would make a nice pillow back for it. I think it needs to be something kind of heavy to balance the wool which I have sandwiched and quilted, and a little stretch will help the pillow look good. I haven’t decided whether to put cording in the seam or not.  I like it a lot even though it is relatively simple. Two videos will come out of this project. One will be published soon…probably this coming weekend. It’s being edited and there will be a free pattern available for it on my website which I really hope you will download.  I will provide a link to it when my video is published.

Also, just yesterday, I got a stack of color cards for Wonderfil Threads of various types and a few sample spools, which are really a fun way to shop for threads.  I don’t have a local source for my favorite threads so I have to order them.  I have a Thanksgiving table runner project that I plan on using their threads for embroidery, applique, and quilting for that.  So I have to hurry, because it’s already August!!!

I love figuring out threads this way.  I can take my time, try out the thread samples, and see the actual threads.

Magnifico by Superior color card image

I also have some color cards for Superior Threads.  If you have to order your threads to get the kind you like, I highly recommend getting some of these sample cards even if you have to buy them.  Sometimes they give them away at big events like quilt shows or cut the cost for them a lot.  But even so, they provide color accuracy and coincidentally they are fun to look at if you love threads like I do.

So I have also been adding to my stitch library with pages for Wonderfil, Superior, and Miscellaneous thread types.  Today I made a page for different Wonderfil types, with a line of decorative stitches per type.  I encourage you to make your own library of stitches and thread types pages. It’s not only fun to stitch these pages but really useful.

 

And last, but not least, I worked up, but not yet printed, a full sized guide for my next deep space quilt.  That’s the closest I ever come to a pattern for this style quilt.  Basically, it’s a placement guide for the space objects.  I also print out the NASA picture or pictures of the space scene or objects and then build the scene on fabric using a little background paint, and Angelina Fibers hot fix fiber (they stick to themselves not the fabric) appliques, and I cover the whole quilt top with black nylon veiling. I sandwich it all together and baste it down.  So then I use quilting and free motion embroidery to build the space objects and quilt the whole thing.  It’s one big whole cloth quilt with big appliques, and different sizes and colors of hot fix crystals.   It’s loads of fun, but does require a placement and sizing guide to make it even start to look right.  I will be showing just some of the making of this quilt for fun…but not a how-to like some of my work.

Sew I have been having fun in my studio. That’s what I am working on.

Sew happy everyone.  Have fun in your studio too!

 

 

 

“Hand Work” by Machine

Posted on by Betty Jo's Blog / Posted in Art Quilt Techniques, Design as you go, Embellishment, Embroidery, Fabrics, Food for Thought, Hand work, High-Tech Studio, Machines, My micro-business, skill building, Videos / 2 Comments

I am sure you’ve noticed that there is a recent renewal of interest in embroidery and quilting by hand.  I can appreciate this.  I used to do a lot of it myself.  It looks wonderful and can give the stitcher a sense of meditative happiness and quiet, plus you end up with a beautiful piece to quilt and/or put on the wall, make into a pillow, or frame for a gift.  These are often small and exquisite little jewels that are a great pleasure to make and view.

As wonderful as these are, I am thinking that with today’s machines, specialty threads, specialty feet and attachments, plus a community of sewers and quilters who are constantly developing new techniques, it is possible to create equally exquisite little pieces by machine.  Mind, I am not advocating giving up hand work, just using it as inspiration for some extraordinary stitching by machine, or using both together on a single piece. While this might enable one to make such a treasure in a  shorter space of time, it may not be that much faster, but interestingly challenging in a different way.  Machine work is especially nice if one is facing arthritic or injured hands that make doing the hand stitching difficult or painful. Yes, it will almost certainly look a little different, but the texture and beauty that can be accomplished may be equally extraordinary.

I have two sources of inspiration that has made me want to try this.  Alex Anderson recently ran a free class on The Quilt Show and YouTube called Make It Your Own stitch along lessons.  I watched it.  I did not make one, but I found some of the results truly beautiful.  Trying to make a similar piece  by machine may be very interesting.

The second one is the Royal School of Needlework posts in Instagram. Their work is truly incredible. I am particularly fond of their gold work which is often a combination of couched on gold cord and padded embroidery. But I also love many of their other colored embroidery pieces. Can I approximate the looks of these pieces?  Well, I don’t know, but it is worth a try.  I do know that it is possible to do padded embroidery in-the-hoop, and I have done a lot of couched work on all three of my machines.

I will do a little experimenting first, and then demonstrate some of the techniques on my YouTube channel.  What do you think?  Would you enjoy that? This will take me months before I am ready to record the work, but I will keep you apprised here on my blog of my progress.

The first thing I need to do, and, in fact, am already doing, is to make myself an interesting “library” of stitches I can do on my machines using different threads, different settings, and including the default settings.  This actually came about because I ended up with a small stack of sheets of fabric all prepared for testing decorative stitches that I had put together for a class that I never ran due to the pandemic.  They are nice white on white quilting fabric backed with a stabilizer and I drew in lines and added a selection of needles up in the corner.  I think I will add some darker fabrics and interesting designs that I can get from my Bernina 880 plus.  Once I get this done, I will be better able to decide how to make some of my ideas and draw up instructions or a pattern.  I tell you, it is almost equally as meditative and calming to me to stitch these library sheets as it would be by hand.  I think the key is to not try to rush this project, but to sew at whatever speed it takes to get things to work right.

I am using all kinds of threads and weights I have in my stash, primarily from Wonderfil Threads (a relatively new passion of mine), but also from Superior Threads (which I developed a huge stash of over the years.  It differs a bit from Wonderfil, so they work well together).  I believe my thread stash is bigger than my fabric stash at the moment. When I finally get to the first project, I will give you a list of the threads I use so you can try them if you want.

In the process of putting together the right fabrics for these types of projects I thought you might like to know favorites that I’m sure you would love too that would make great fabrics for such projects (beyond our stand by of high quality quilting cotton).  These include Kaufman Essex Linen, a wonderful linen/cotton blend good for a multitude of sewing projects, and Kaufman silk/cotton Radiance.  Surprisingly, I also found that faux silk polyester dupioni (the 58 inch wide) makes a wonderful choice, but it needs to be backed with a lightweight iron on fusible such as  Pellon SF101 iron on woven interfacing.

Sew happy everyone! Have fun in your studio.