Landscape Quilt Techniques: Mountains and Evergreen Trees

Hi everybody!  I cannot believe it is March already!!!  I am currently working on a small landscape wall art quilt with mountains and evergreen trees that includes the writing of a workbook with pattern, hand cutting or svg cutting files for use with a digital cutter, and a set of videos for my YouTube channel.  I am loving this project!  A couple of family members came up with the concept and I knew as soon as I saw it that I would love doing it and how to do it.  It involves prepared turned-edge applique-piecing by machine, stitched raw edge applique, yarn couching and big thread free motion stitching.  It will be a lovely size for wall art in a home or office–somewhere in the neighborhood of 24 x 20 inches.  I hope some of my followers will do this project once it is available and really enjoy it.

So far, I am about half way through the construction and filming but I am not sure when it will be published.  The workbook and pattern set are also nearly finished and that will be available in my shop on my website.

Way back in May of 2021, I presented the first of my landscape quilting techniques sampler piece and promised more.  I was astonished to realize it has been so long since that was published!!!  Here’s the link for the first of two videos for this project:  Landscape Quilting Deciduous Trees Skillbuilder.  Yes, it was early in my adventure in my YouTube channel and that shows, but the techniques are solid and fun, and the promise was  real.  I believe we (me and my family production crew) have come a long ways in our production of such projects and videos in this time.  This project included stitched raw edge applique, broiderie perse, and free-motion quilting with 40 weight and 12 weight decorative threads. The quilting and decorative stitching is found in the second video:  http://Landscape Art Quilting Part 2  So this will be the second in my Landscape Skill-building series.  I hope to have a few more in the future.

Overall, I am trying to get faster and better in the videoing and the production of patterns and workbooks.  It’s a stretch but I enjoy having a creative challenge as I reach my 76th birthday this Friday, March 3rd!!!!  I anticipate many years still in this creative endeavor, and am increasingly employing the high tech tools in my studio to help overcome some of my aging factors that make hand sewing, for instance, and other things involved in fabric art more difficult.  Age should not be a limiting factor in creative pursuits.  Here’s an amazing performance of a 100 year old ballerina that highlights my point:

Ballet video:

I have also started making a new deep space show quilt based on a fabulous NASA photo.  At least I hope it will come out good enough to be a show quilt.  This will be my fourth space show quilt.  I am filming some of that as I work through it, but it is not intended for a tutorial, just some fun videos.  This type of quilt is almost entirely made at my sit down Bernina Q20 longarm in free motion.  The galaxy is made from Angelina Fibers and nylon veiling.  I really like this kind of quilting.  It’s like playing and dancing to me!  Here is my third deep space quilt, which won a couple of ribbons in its show life, although these are difficult to photograph:

I am hopeful I will get some good ideas from my “production crew” on how to best video my new space project.  Cameras have a hard time dealing with such reflective sparklies.

And no, that’s not all I am working on, in case you are wondering, but we will chat about these later in the year when I am closer to getting them up and running for you to see.

Sew happy everyone!! Young, old, and in between, have fun in your studios!

 

 

 

 

Mild Frustrations but Still Fun in the Studio

A video studio (not mine) from stock photos. Where’s the sewing machine?!!!

This has been one of those days that are both fun and frustrating.

I am making several versions of a quick little project for Christmas presents and simultaneously using the making of them for a short video project. It had gone very well until today with a pretty good overhead scene and one at the machine showing the start of the project I did yesterday.  I had a whole scene worked out at the machine that took about an hour and a half to film. It actually took me more than two hours by the time I did the preparations filming things and so forth. It went so well at the machine. I was so happy with what I thought was an interesting video showing some special stitching techniques and how to do them at my Bernina 880 plus. And JUST as I came to the end of the scene, the camera ran out of battery power. I didn’t see it happen because I was concentrating on the stitching. The camera did what it has only done once before and gave me a warning that it hadn’t completed the file and did I want it to repair it. Sigh.

Practice Stitch Library showing extra wide multi-directional special stitching

Now the last time it did that on a previous project, I said yes and it reformatted the whole card and wiped out all the files on that card. So instead, I turned off the camera and removed it. I took the card to the computer to see. The two previous scenes were fine (phew!), but today’s was corrupted and unable to play!   Oh fiddlesticks! The item itself, however, was beautiful.  I’ll tell you later what it is.

Fortunately it’s a small project, I had leftover fabric, and I was able to prepare the next piece to redo today’s filming and am now ready to redo today’s work tomorrow. It will at least result in two of these small presents, and I was planning on making several anyway. So in essence, I did not lose much time. That is, if tomorrow’s filming goes better. Plus, I think my demonstration will go better because I have done a full run-through now.  Hahaha.

The moral of the story is to have extra supplies and fabrics, and try to not get too upset when these things happen in this combination video work and sewing adventure and look on the bright side.  I think you are going to like this project.  I have several shorter projects lined up for the next few videos and then I will launch into quilted fabric art for 2023.  Yes, I have a list much longer than I can possibly do already worked out for next year, which, to my delight, includes a couple of show quilts!!!  Perhaps my biggest challenge will be choosing which project to do first and so on.  But I am anticipating having some fun my studio.

Sew happy everyone!  Have fun in your studio even when things don’t always work out like you want.  Cheers everyone!

A Quick Wardrobe Update for Fall and Winter

This is a nice jacket pattern I have. I plan to make this one and do the embroidery too.

Sew I recently purchased three nice cotton blend oxford shirts on a very good sale that fit me perfectly 😮 (!) to replace some in my closet that are decidedly worn. Well, they are 15 or more years old, I think!!  I plan on embellishing the new ones with in-the -hoop embroidery and decorative stitching. 🌺

I also have a nice light suede cloth jacket I no longer wear very much but is in great shape and I thought I would alter that down a little bit and embroider that too.  Maybe I will do some yarn couching on it (inspired by Bethanne Nemesh, but different).  This is  all so I can dress in keeping with my fabric artist lifestyle and go out from time to time. 🙃  I might also change the buttons to something more decorative. These will be nice additions to my wardrobe and are a nice fit (my old shirts are a size larger). I seem to be ok with most of my jeans and slacks, though a new pair of dress slacks might be in order.

My current fall and winter work “uniform” is usually a shirt and black jeans plus a sweater when needed. I suddenly realized how surprisingly old my whole wardrobe is, and it looks it too. So I also have plans to make a nice black suede jacket, a denim one, and a light wool slacks suit out of some of the fabulous fabrics I have in my fashion stash under my bed. I have a few beautiful silk blouses I made some time back in good shape.  I think they look nice even a little looser than I used to wear them.  We’ll see how much, if any of this that I will get done.

If only I had a fairy godmother with her magic wand.  LOL

This all, however, must wait for me to finish the Thanksgiving project and a few other things. Are you doing any fall and winter fashion sewing? Are you embellishing it?

Sew happy everyone! Have fun in your studio!

Using Those Scraps of Special Elements in the Studio

x

Hi everyone! I have been thinking about my crowded stash and studio tools amassed from decades of professional and personal sewing and quilting. I want to make something special with a lot of them…or maybe strive to build more than one amazing masterpiece project using these wonderful elements.

A collection of beautiful threads from Wonderfil.

This idea has been growing in my head for some time now and I have recently had conversations with two fabulous important quilters about this that further encouraged me.  When I couple these elements with  all the interesting things I have been learning about what I can do with my machines, it becomes very interesting indeed.  I haven’t fully decided whether this is exactly going to be a Victorial style crazy quilt or a somewhat different design of my own with a crazy quilt and Victorian steam punk slant.

crepe back satin from my stash

Over my many decades of sewing and quilting, I have accumulated bits and leftover pieces of silk palace brocades, satins and dupionis, batiks, velveteens, wools, small bits of fabulous laces, vintage handkerchiefs, pieces of crochet that my Mom left me, small leftover lengths of silk ribbons and other special trims, and a collection of beautiful threads of a wide variety of sizes, fibers, and weights.  To helo draw all of this together are my Berninas…my little B350 with several special attachments, my big Bernina 880 plus with its embroidry module and nice set of feet, and my Q20 sitdown longarm.

Sew, what would YOU do with this collection of elements and tools?

Edna Mode, waiting for an answer as to what to do with all these beautiful scraps and threads and interesting machines.

Sew happy everyone!  Have fun in your studios.

 

 

 

Do You Already Have A Sewing “Droid”?

This week we celebrated Star Wars day on May the 4th (be with you).  You have to understand, my youngest son is a sci-fi/fantasy writer and my oldest son and his family are all really interested in science fiction, so they probably got it from me.  It made me think…what would it be like to have a sewing droid.  Then I began to wonder if I already have one.  Hahahah.  After all, working with droids appears to be both wonderful and frustrating at times, just as today’s advanced machines are.  And I don’t think they HAVE to be able to walk or roll from their location.  They just have to do what they are dedicated and programed to do with efficiency.

Is R2D2 visiting with Odette?

When I first got my Bernina 880 plus, I thought it was “just” an advanced sewing machine.  I named her Odette, after Odette Uettschi-Gegauf, who was in charge of Bernina from 1959 to 1988, during the time so many major advances were made in Bernina machines. I have had it now for just about two years and have recently taken some time to learn more about what it can do in preparation for a project I am planning.  This project involves testing the limits of making exquisite hand-look embroidery (inspired by antique, highly skilled,  and royal hand embroidery) to come out of my machines using both in-the-hoop and out-of-the hoop stitching, and stitching with my other two machines as well.  I knew it had a lot of power and a lot of functionality, but I hadn’t really learned how to use all the advanced special functions with real confidence. Sew I have been exploring and experimenting with Odette when I had time.

Sklep Internetowy BERNINA - Maszyny do szycia, hafciarki ...

Odette

To me, the most important thing any sewing tool or machine should do well is to make a beautiful stitch, sew with enough power to be able to make bags, jeans, and even sails, as well as handle the most delicate fabrics in a single layer.  It is well if it will do both straight stitches and zig-zag stitches, and drop the feed dogs for free motion stitching.  With these functions alone, you can make nearly anything and do a vast array of embellishment work as well. Odette has really beautiful stitches in every capacity I have used so far.

E. Claire (My B350 named after Edith Claire Head, the legendary Hollywood designer)

I have a little Bernina 350 that I bought as a travel machine, but I find it very useful for other things as well…it does piecing exceedingly accurately in particular, and serves as a back up if I need to take Odette to the spa. I also use it to do needle punch with that attachment.  It does have an extremely small harp space, though, but I did manage to make a few quilts with it nevertheless. Sew if this is all you want, you probably don’t need, or may not even want, one of the multi-thousand dollar advanced machines on the market today and should put good money in a solid functional machine.   I would say one of the biggies are very nice to have, though, but if you have one, you need to spend the time to learn how to use it no matter how many years you have used a sewing machine.  That is imperative.

Odette

For any machine, especially the droids (LOL), you need to keep it cleaned and oiled, carefully threaded, and make sure to use the right needles, the right tension settings, the best threads, and the right feet for your project or you can get really frustrated, and your machine (or droid) will fuss at you by breaking your threads, making a thread nest in the bobbin area, or refusing to sew at all.  I would guess that about 97 or greater percent of the problems a person has with their machine is brought about by not paying attention to these golden rules.  All of us, at times, break these rules because we are tired, or in a hurry, or just not thinking about it.  So don’t!  (I’m talking to myself here).

Earlier today I was watching YouTube videos on multi-directional stitching that Odette will do.  It uses the feed dogs to move not only back and forth, but side to side.  I knew it has that function, but I haven’t used it much.  Mostly I have used the decorative stitches that require its use because they are very wide, but I haven’t really used the ability to take nearly any of its stitches and have it sew them in any direction around the hole plate.  Some of the videos on YouTube make it seem extremely interesting. Plus you can set up some of these stitches in concert with other stitches and sew a highly-interesting wide border that would be beautiful on  quilt or a table cloth, or a little girl’s pretty dress.  Then, you can move such a set of stitches into the embroidery side and use them in the hoop, if you want.  I think I will have to try these things for a more practical use than just play.

Odette has a function that enables you to design your own decorative stitch.  I played around with it a little, but not used it much.  This function seems extremely possible for my “near hand embroidery” projects.  All these things take time, of course, and testing.  Testing is so important.  You can even move these designs into the embroidery side for in-the-hoop accuracy.  Then you can take any decorative stitch and have it stitch around a shape!

One of the most amazing things I learned recently in Bernina’s set of four “Embrace the Rhythm of Your 880” webinars they put out a few months back, is that the B880 dual feed mechanism has its own motor that allows you to set the speed slower or faster than the regular feed dog.  It is the only Berninas that have this advantage, by the way. So if you are working on two kinds of fabric, for instance, like a fluffy fabric on one side and a plain cotton on the other, you can set it to move the fluffy fabric at a different speed to account for the differences.  Together with the presser foot pressure adjustment, it allows you to sew your minky-lined jacket together without stretching, unwanted gathering, or other problems.  I’m not sure how I will use this function, since I am not planning on a minky-backed quilt anytime soon, but perhaps it will come into play in some of my ideas of stuffed embroidery…not sure, but worth some experimentation.

Sew, do you have a sewing droid and not know it?  I suspect most of the major brands top of the line have many functions that might make it qualify. This is why it is important to talk to your machines, since it may make them happier. LOL

Sew happy everyone and have fun in your studio!

 

 

“Hand Work” by Machine

I am sure you’ve noticed that there is a recent renewal of interest in embroidery and quilting by hand.  I can appreciate this.  I used to do a lot of it myself.  It looks wonderful and can give the stitcher a sense of meditative happiness and quiet, plus you end up with a beautiful piece to quilt and/or put on the wall, make into a pillow, or frame for a gift.  These are often small and exquisite little jewels that are a great pleasure to make and view.

As wonderful as these are, I am thinking that with today’s machines, specialty threads, specialty feet and attachments, plus a community of sewers and quilters who are constantly developing new techniques, it is possible to create equally exquisite little pieces by machine.  Mind, I am not advocating giving up hand work, just using it as inspiration for some extraordinary stitching by machine, or using both together on a single piece. While this might enable one to make such a treasure in a  shorter space of time, it may not be that much faster, but interestingly challenging in a different way.  Machine work is especially nice if one is facing arthritic or injured hands that make doing the hand stitching difficult or painful. Yes, it will almost certainly look a little different, but the texture and beauty that can be accomplished may be equally extraordinary.

I have two sources of inspiration that has made me want to try this.  Alex Anderson recently ran a free class on The Quilt Show and YouTube called Make It Your Own stitch along lessons.  I watched it.  I did not make one, but I found some of the results truly beautiful.  Trying to make a similar piece  by machine may be very interesting.

The second one is the Royal School of Needlework posts in Instagram. Their work is truly incredible. I am particularly fond of their gold work which is often a combination of couched on gold cord and padded embroidery. But I also love many of their other colored embroidery pieces. Can I approximate the looks of these pieces?  Well, I don’t know, but it is worth a try.  I do know that it is possible to do padded embroidery in-the-hoop, and I have done a lot of couched work on all three of my machines.

I will do a little experimenting first, and then demonstrate some of the techniques on my YouTube channel.  What do you think?  Would you enjoy that? This will take me months before I am ready to record the work, but I will keep you apprised here on my blog of my progress.

The first thing I need to do, and, in fact, am already doing, is to make myself an interesting “library” of stitches I can do on my machines using different threads, different settings, and including the default settings.  This actually came about because I ended up with a small stack of sheets of fabric all prepared for testing decorative stitches that I had put together for a class that I never ran due to the pandemic.  They are nice white on white quilting fabric backed with a stabilizer and I drew in lines and added a selection of needles up in the corner.  I think I will add some darker fabrics and interesting designs that I can get from my Bernina 880 plus.  Once I get this done, I will be better able to decide how to make some of my ideas and draw up instructions or a pattern.  I tell you, it is almost equally as meditative and calming to me to stitch these library sheets as it would be by hand.  I think the key is to not try to rush this project, but to sew at whatever speed it takes to get things to work right.

I am using all kinds of threads and weights I have in my stash, primarily from Wonderfil Threads (a relatively new passion of mine), but also from Superior Threads (which I developed a huge stash of over the years.  It differs a bit from Wonderfil, so they work well together).  I believe my thread stash is bigger than my fabric stash at the moment. When I finally get to the first project, I will give you a list of the threads I use so you can try them if you want.

In the process of putting together the right fabrics for these types of projects I thought you might like to know favorites that I’m sure you would love too that would make great fabrics for such projects (beyond our stand by of high quality quilting cotton).  These include Kaufman Essex Linen, a wonderful linen/cotton blend good for a multitude of sewing projects, and Kaufman silk/cotton Radiance.  Surprisingly, I also found that faux silk polyester dupioni (the 58 inch wide) makes a wonderful choice, but it needs to be backed with a lightweight iron on fusible such as  Pellon SF101 iron on woven interfacing.

Sew happy everyone! Have fun in your studio.

 

 

Busy Developing New Projects

Test and practice piece using all wool machine applique and embellishment

Hi gentle readers! As the title says, I have been very busy lately developing new projects that I hope you all will fully enjoy when I publish them here and in my YouTube channel.

For the first of these projects…exploring painting on quilted fabric…I will include any additional information that accompanies my video(s) that you might want here on my blog.  So the the entire exploration information and demonstrating videos that result in a handful of painted quiltlets will be free to you.  I am really having fun doing all the prep work for the videos and practicing the techniques and am nearly ready to start “filming” the videos.

For years I have been exploring how various types of fabric paints, artist crayons. and pencils, work with different types of fibers and weaves that are already quilted.  Or rather, I already know more or less how this works so I will be show the matching of the types of paints, crayons, and pencils with the different fabrics to get the best results.  I believe that by doing this, you will be able to take what I share and use it to get the looks you want on your own projects, or at least to explore your own ideas with some success. I am hopeful to get these published in April and May. 

In the process of working out the sampler quiltlets I came up with an idea I want to make for a cuddle lap quilt that I may or may not put into a video if I make it.  I haven’t decided if I can fit it into my work plan or not, but if I do make it, at the very least I will share it here on my blog. It involves in-the-hoop quilting designs coupled with free motion quilting and possibly quilt-as-I-go construction, but I haven’t fully decided on all of that yet.  It’s just an idea at this point.  I will be able to use some of my pretty threads for this project.

Anyway, in addition to working on the painting project hours daily for some time now I have been trying to design some new wool applique by machine projects to present on my channel for fall and winter. One will be quick and less complex and presented sometime soon, and others will be presented across the rest of the year.  But  I am also working to come up with a really good design with dimensional texture that uses the wonderful characteristics of wool for a small very artistic wall hanging. It will be what I think of as 2 1/2 D rather than 3D.  LOL

3D stump work dragonfly I made in the hoop has wire hidden in the stitching on the wings. This was so much fun to make, I want to do more in-the-hoop stumpwork.  Would you like a video on how I do this?

I am thinking, after much consideration, that the background fabric for this textural wall hanging will be on cotton, and the appliques will be wool.  I also am considering adding some couching of  wool yarns and maybe even some wool roving that I would needle punch with the needle punch attachment on my little baby machine, my Bernina 350, which I usually use for piecing and travel, but it also has several attachments I like to use on that machine because it has a 5.5 width maximum stitch that allows some interesting results.  I might also add stump work object that I make in-the-hoop from lighter fabrics.  Anyway, I’m working on a complete design that I am very hopeful will be really beautiful and interesting to watch me make on my YouTube channel.  It would be so delightful if some of you decide to make one yourself because it is so interesting and the result will be lovely.

If I get the design right, it will involve the use of three of my machines…my B350, my Bernina 880+. and my Bernina Q20 sitdown longarm, but will be doable on a single domestic machine and a hand needle punch tool if that is all one has or wants to use.  For this project, I will be developing a downloadable pattern that I will sell in my website store. This pattern would include svg files for cutting out the appliques using a digital cutter and line drawings for use with scissors.  Anyway, it’s rumbling around in my head and I am working on various designs to come up with the best one.  It should be fun.  I have long known that it takes me longer to design a project and develop the pattern than to make it.  So this project will take some time, consist of multiple videos, and hopefully will be published over the summer.  It would make a wonderful present for someone, even if it is for your own sewing space.

Sew you may want to know where the third and last video of my two birds project is. My video director and editor has had some minor delays in getting it done as work and life got in the way.  We are hopeful that it will be out sometime in the first week of April. There is a downloadable pattern for this project available for only $5 on my website shop, but as of this writing I have only sold one copy, even though I have almost 400 views of the first two videos.  Since it would be very difficult to make this project without the pattern, I guess my hope that some of my viewers would try to make it themselves has not yet happened.  I am still hopeful that some quilters will decide to do the project and share their results with me so I can show you all.  Maybe they want to see the finish before they decide.  Or maybe people are not aware that it is almost a complete book on how to do this kind of project that they may find informative and interesting even if they don’t make it. It is accompanied by svg files for cutting the appliques.  You don’t have to have a digital cutter though, because it also has the line drawings to cutout the appliques with scissors.  Here are the links to video one and video two.

Sew happy everyone!  Have fun in your studio.

 

 

 

 

 

 

Happy 2022! Looking Forward to a Good Year

We made it through 2021!  Hooray!  Happy New Year everyone!  I am taking a positive approach for 2022…expecting it to be a good year full of light, love, peace, and productivity! So what’s first up for Betty Jo’s Fabric Arts?

I talked a little about this in my last blog post.

  • I will soon be presenting the first in a three-part series of videos coupled with the publishing of a workbook with pattern for the Two Birds Project.  The first part is completely filmed and being edited, and the workbook is fully written and being edited.  The two remaining videos are filmed all but the short openings and I need to record the voice-over scripts for them. It will be a fun set for my followers and I’m excited to get to this point.
  • I am working on putting together a wool applique by machine project. Wait until you see what can be done with these techniques and materials! It’s really going to be fun!
  • I have worked up a production plan for the first part of the year that includes show quilts (to fit within my architectural, ancient manuscript, and deep space genres), applique projects (both wool and other fabrics), and multiple shorter technique skill project videos that I think you will enjoy. There may be other things too along the way. Plus a little bit of clothes sewing.

I got a fun addition to my studio for Christmas, a Brother Scan and Cut DX.  I have been spending the last several days learning all about it and how best to use it.  It adds lots of new possibilities and a great help for the applique quilts for sure, but I can also make some quilting stencils and other things I am thinking about.  I now have both the Applique Go! with a nice collection of dies to help me cut multiple layers of fabric for snuggle/quick-to-make quilts and the Scan and Cut for cutting digitally created shapes for more complex individual applique designs among other things…how wonderful.  Truly, except for wishing I had more space and storage (doesn’t everyone?), I have a marvelous studio for designing, quilting, and stitching adventures complete with the video equipment well set up for filming them.  And yes, I also have significant help from my delightful family.  Oh, and don’t forget, I have newly improved eyesight to help with all of this!  I am totally thankful both to my kids and my Lord for all of this.

Sew I am making a kind of fresh move in my YouTube channel, pattern making, and books now at the beginning of 2022.  Last year  seems like kind of a rehearsal and learning period for me.  So I’m excited.  I hope to get a lot of new subscribers/readers and provide significant content you all will enjoy.  I love sharing my work with you.

Let me know if there is a particular subject you want me to cover either in comments here or on my videos on YouTube.  I will see what can be done.

Sew happy everyone! Have fun in your studio!

 

Merry Christmas and New Adventures for 2022

I digitized and embroidered this star as an applique. It is on one of my Christmas quilts now owned by my church.

Merry Christmas everyone!  I hope you are already enjoying this wonderful season.  It is one of my very most favorite times of the year. We are having a relatively simple celebration this year, but it is still joyous. Right now I have The Piano Guys YouTube videos of Christmas music playing while I write this.  They are fun.  Have you seen the one with the Christmas scene and all the cameras riding around in the little train, on the Christmas tree, and in the drone flying in the room?  Here’s the link. It’s really fun.  Or how about the one all done in legos.  Here’s that link.  So creative and beautifully performed.

Well, I finished the Two Birds quilt along with completing the filming of the videos. The whole stack of hours and hours of videos I made while I made the quilt, along with the voice over reading, and the intro and exits parts we filmed together last weekend are now being edited by my oldest son.

I have written the pattern and workbook that goes with it, and that too is being edited by the family team.  I don’t know when we will get the first video of that project published but hopefully not long now.  It’s a big job to edit such a tangle of videos, voice overs and corrections into three publishable videos that make sense and are also interesting.  It has already taken much longer than any of us anticipated, but that was primarily due to my unrelated circumstances this year that delayed things, such as my cataract surgery among other things.  But that is all behind me now and I greatly look forward to the coming new year.

I have every expectation that we will produce much more content for my YouTube channel at a bit faster pace and with ever increasingly interesting projects and building professionalism.  I have gotten to where I don’t get bothered by the cameras, know how to set them up properly, and have lots of fun ideas for new stitching/quilting/videoing projects.  I have learned that the videography is as important as the making of the fabric art piece to make it all work and find it also very interesting.

I still have only about a third of the subscribers and a fourth of the viewership needed to monetize the YouTube channel, but it is growing and I nevertheless enjoy being able to share my projects with my viewers.  I hope you all enjoy the videos and will be happy to see them when a new one is published.  We have several projects already planned for the new year.

First of all, I want to create some new wool applique by machine projects, because I think it is possible to make some stunningly beautiful pieces in this category that has hardly been touched in the quilting/fabric art world using the machine and my initial project was only a basic introductory layout of the techniques. It’s an adventure to see how far this can go.

Then I have three new show quilts in mind for 2o22 that I think you will all love or at least enjoy watching me make them.  I hope I can succeed in getting all three made.

There will be a number of short and shorter videos showing techniques and use of tools.

And then I need to make some new clothes.  I have everything I need for them and will try to spread them across the year so I have something new and fun to wear once in a while.  I probably won’t buy any ready-made clothing this year just as a sort of challenge to myself for fun.  I haven’t decided whether or not to video these projects.  What do you think?

Sew happy everyone!  Have a wonderful holiday season and I hope you also Have Fun in Your Studios!!!

 

 

 

 

Preparing for a Fun Sewing and Quilting Season

Hi everyone.  I can see so well out of my left eye now after the cataract surgery last Monday that it is  amazing. I am probably going to go ahead and have the right eye done in a month or thereabout afterall.  Working on my fabric art this coming season is really going to be fun.  Unfortunately, I can also see that the house needs a real cleaning, which I really couldn’t see before.

Well, first things first…and that’s the preparation for the sewing, quilting, fabric painting, and both free motion and in-the-hoop embroidery.  I’ll be using all kinds of threads, because I enjoy that part of my fabric art so much.

Sew I have made a check list and am going through it and straightening my studio at the same time.  My studio is not in bad shape, because I have found the reorganization I did with my friend Anita’s help several years back has held up pretty well.  Basically, I just need to put things back where they belong and do a quick check to see what I may need to replace or give away.

Here’s my check list, making sure I have:

— A sufficient supply of sewing machine needles in the following sizes and types:

a:  Assorted Superior titanium top stitch needles
b:  Assorted  Schmetz Super Non-Stick needles
c:  A couple of packages of assorted Schmetz universal needles

— Yards of Pellon SF101 lightweight woven interfacing (I buy a bolt usually and back many of my quilting fabrics with this), and a generous supply of other weights and types of interfacing (especially since I use this for clothing too).

— Generous supply of the blackest quilting cotton, because I use a lot of black in my quilts.  I love how colors play against the black.

— A nice selection of stabilizers,  I particularly like OESD Ultra Clean and Tear

— A supply of blades for my rotary cutters

— Look critically at the rulers and cutting mats for knicks and cracks and toss and replace if needed

— How are my pins? (everyone has their own preferences here, so I am not adding a link)

— Check all the bobbins to make sure they aren’t warped or some such.  The B880 bobbins have a silver paint on them that can wear off and make the bobbin unreadable for the machine.  So I need to toss them when they get bad, but I generally do that along the way, and the more recent bobbins seem to last longer than the earlier ones.

— Test the threader on my machines to make sure they don’t need a replacement head or something, I just replaced the one on my Q20, and because this is a weak point in my Q20 I keep a spare on hand.

— Carefully clean my machines, oil if needed (don’t oil if not, because too much oil is as bad as too little).

— battings.  I like to have on hand: Thermore super thin polyester (good for quilted clothes). Hobbs 80/20 , Hobbs Tuscany wool, and Hobbs Poly down.  Since I seldom make bed-sized quilts, I buy a crib or throw size of those if available.  If I am going to make a larger quilt I will buy the batting then. This way I usually have available what I need.

I will shop my stash and buy the fabrics I need to make them work as needed, so all I do here is make sure they are in their right places and more or less folded somewhat neatly. I labeled all the drawers and shelves where I keep them.  Occasionally they sneak into the wrong drawer somehow.  I can’t figure out how.  LOL

I will do the same thing with my threads, because I have a large thread stash to go with my large fabric stash.  I love both Superior threads and Wonderfil specialty threads and I have a wide selection of colors, weights, and fiber content. So I make sure they aren’t tangled in a nest and are in the right drawers or on the right pegs behind the door (I don’t store them where they get sunlight).

And last of all I dust and wipe down the tables, cutting mats, and outer parts of the machines, and dust and vacuum the studio. I wipe down my Q20 Koala table with Sullivan’s silicone spray, being sure to cover the bobbin/bsr area with blue painters tape  (which I also may need to replace) so it doesn’t get into the works.  It is such a great thing to be able to have things all stocked and ready to go for future projects and this usually takes me only a few days.

Now!  Let the fun begin! First up is my 2 birds project, and then a couple of Holiday quilts, one will be a wool applique and embellishment by machine for Christmas and then something else for the Holiday season.

Sew happy everyone!  Get ready to have fun in your studio!