Design Work

Test Samples Provide Significant Help

Posted on by Betty Jo's Blog / Posted in Art Quilt Techniques, Design Work, Fine Tuning Series, Food for Thought, My micro-business, Project Management, skill building / Leave a comment

Current practice piece

Hi everybody,

For my work, I have found that test samples are indispensable when I am making a significant fabric art project or quilt.

Test and practice piece for my first wool applique by machine project

For my work, test samples are indispensable, especially when I am making an important fabric art or quilting project and I highly recommend them for your work.  I have had some of my students object to the use of the fabric, thread, and time that they take, sew I will tell you how I use mine.

I sandwiched two 24 x 25 inch test samples using the fabric on top that I am using in my main project.

Here is a sample test of borders for my quilt Out of Mom’s Workbasket

The point of these samples is to help me with the borders.  I have divided the sandwiches into three sections and then one of the sections on one of the sandwiches into three blocks, since my border has corner stone blocks.  I expect these two sandwiched samplers to help me do the following;

  • Practice my quilting so I am at my best when working on the finished project
  • Decide on the quilt patterns I want to use on the borders and corner blocks
  • Decide on the best way to mark them
  • Decide on the background stitching I want to use
  • Decide on the thread color, weight, and needles I want to quilt with
  • Decide on the stitch settings I want to use
  • Practice painting the designs to polish my painting skills before using it on my finished quilt, determine if I want them painted at all, and what paints to use.
  • Help prevent problems and mistakes on the main quilt.

If you finish the edges with a binding or serging, they make wonderful pet presents, knee guards for working on your knees in various chores, a sitting pad for a rest on an outdoor bench or step outdoors, and reference aids in your studios.

Here is a stitch out sample of the upper left corner of my quilt Pendragon. I digitized the outline of the ancient design, which needed a lot of fixing, so I had to do a stitchout before putting it on the quilt. I also wanted to try the painting to see how that would go. So I just stapled the sample into the book with notes.

Sew happy everyone!  Try using test samples if you don’t already.  They are worth the time and supplies they take. Have fun in your studios!

 

The Positive Value of Studying Our Machines

Posted on by Betty Jo's Blog / Posted in Design Work, Embellishment, Embroidery, feet, Food for Thought, High-Tech Studio, Machines, Making Clothes, My micro-business, My Studio, Tools / 2 Comments

Hi everyone! Today’s machines often have wonderful features that can advance our sewing and quilting in ways we may have wished for but may not even be aware we already have such features.  Some of these machines, even the mid-level ones, require actual study, testing, and practice to bring the full capacity of what is available to owners of such machines.  Such study, practice, and testing can result in wonderful pieces that can enhance our lives dramatically.

Now I retired at the beginning of 2012 to work mostly full time as a fabric artist/art quilter.  Sew my nicely outfitted studio is a great joy to me.  Remember as you read this, that I started with a basic machine I purchased from a hardware store and sewed on my kitchen table for years, but worked my way up over the decades.  I am currently 76, have been sewing since I was about five, and plan on sewing as long as I am physically able, which may be many years from now. I know of a quilter who makes baby quilts for charities on her domestic machine and she is over 100!

I traded up for my Bernina 880 plus about three years ago and recently concluded there were things my machines would do that I did not know how to use sufficiently.  Sew, over the past year plus I have spent a good part of my studio time in studying and testing the ins and outs of my sewing machines.  Now I am a long time sewer, tailor, and quilter.  I was a professional clothing designer/maker in my mid twenties to mid thirties, and have owned high tech machines for years.  At first consideration, you might think I would not need to do this.  I have had quite a few machines and worked my way up over the years to my current fleet with trade ins, sales, and so forth and now I have a great fleet, each of which have their own uses in my sewing life with a wide range of machine complexity.

NOTE:  I will be talking about Bernina machines, since that is what I have, but I do know that other major brands have similar things available today.  You need to look in your manual, check out available online videos, and consult your dealers to find these.

My Bernina 880 plus, one of the top of the line machines they have, has the reputation for being “finicky”.  I disagree with this assessment though I understand it.  I find it extraordinarily useful and easy to use now that I have spent the time to learn how.  Does it require careful threading?  Well yes, it does, especially the bobbin, but once practiced and learned it is not difficult.  Do you have a multitude of things available so you have to sometimes look things up?  Absolutely, but Bernina also has a lot of tools available to help with that built into the machine.  Do you have to clean it and oil it carefully and on a regular basis?  Yes, you do.  Does it have many many feet that aid in doing things that require some learning?  It does, and the more you can get the more you can do or more refined your results will be.  And, in fact, Bernina has a book for that The Big Book of Feet.  It also has many videos on YouTube available to show the use of these feet.

Why just this week I learned how to transfer stitches I found in the Bernina design software for in-the-hoop embroidery to be placed and used in the sewing side of the machine!  I added a handful of additional stitches that look like hand embroidery. I plan on adding a lot more.

I very recently completed making a machine-embroidered central focus part of a new show quilt.  I worked for about six weeks designing and digitizing the centerpiece of my current project and it took me a week and a couple of days to embroider it. I ended up with an interconnecting design that required six jumbo hoopings that had to work together to meet at all the right places. I was a lot nervous that they would not match when I started out, but they did!!!! All the embroidery is wonderful and the handful of in-the-hoop appliques also came out wonderfully. I concluded from this that the Bernina 880 plus (the only Bernina that uses the entirety of the jumbo hoop) and the pin point placement that it has is a great advance for high-end in-the-hoop embroidery. So the middle section is ready to piece in and I think it is wonderful. It is on black silk dupioni and I used 40 weight trilobal polyester for the embroidery. There will be beads and buttons on the finished quilt.

I also have a Bernina Q20 longarm machine set up as a sitdown quilting machine.  I could put that on a frame, but I do not want to.  I learned to free motion quilt on my Bernina 830, which I traded for the 880 plus, and I enjoy it. Plus I enjoy sitting down to quilt (I am, after-all, getting a little creaky now that I am in my mid 70s).  Besides, I seldom make a quilt larter than 60″ wide or so.  This machine is really a simple one designed for primarily being maintained by the owner.  It is powerful and can use all the free motion Bernina feet available (so I can share them between the machines), domestic sewing machine needles (also shareable within the fleet) so you have many types for needles for various threads, and it will accept many types of quality threads.  I use it for free motion embroidery as well as quilting so the thread acceptance is really important to me.  I have an astonishingly large collection of quilting rulers…they just appeared in my storage drawers somehow LOL.  I can’t imagine how.  I think they must have had babies because the collection really grew over the past six years I have owned this machine.  LOL  Using rulers at this machine is a pleasure.  I love this machine.  It has two features that are particularly wonderful…a double built in stitch regulator, and an additional pinpoint laser light attachment that shows just where the needle will come down.  It’s stitch quality is beautiful.

And I have a little Bernina 350 that is a basic machine and not too heavy.  If I were just starting out and making mostly clothing, or looking for a machine to take to college with me, this little machine would be a very good option.  I have used it for travel, but I also find it has exceptional value as a piecing machine with solid stitching and a smaller 5.5 mm width that makes it easier to sew more accurate quarter inch seams than my big wide 9 mm 880 plus.  I also have several attachments I use exclusively on this machine…like a needle punch attachment that is remarkably wonderful for a fabric artist, and I don’t worry about the roving messing up its easy to clean bobbin area or my big machine.  I also have a walking foot that came with it.  These make it great for sewing and quilting retreats, or sewing in one’s hotel room when attending a conference, or just taking along on a vacation.  I once used it to make a fast quilt for a member of my family that had unexpected surgery when my big machine was out for service. It was a lap quilt, and I would not have wanted to make a big quilt in it, but it did a great job with the lap quilt size.

Additionally, I have a basic Baby Lock serger my daughter in law gave me.  It does everything I need in the way of serging and completes my studio nicely.  It not only serges edges and makes wonderful seams for stretch knit items, but since I purchased all of the four additional feet for it  there is much more it will do.  For example, it enables me to quickly make  covered cords for pillows, bags, and other things.  After watching some videos on serging on YouTube, I am sure Ineed to spend more time learning what I can do with it.  It does not do a cover stitch, but if I use a double needle in either of my domestic machines that will take the place of a cover stitch.

Sew have fun in your studio and study your machine whatever level it is.  Do some testing and make some samples.  A stitch library of all the stitches it will make is a great idea and very helpful.

Pages of my stitch library

 

 

Working on an Embroidered Quilt

Posted on by Betty Jo's Blog / Posted in Applique, Design as you go, Design Work, Embroidery, High-Tech Studio, Machines, My Studio, Show Quilts / 6 Comments

Hi everyone! I have been sooo busy lately, and I have been having fun.  I am working on an embroidered show quilt significantly inspired by Jacobean art from the early 17th century.  It is also inspired by my quilt Canterbury Silk, although it is different colors, mostly different flowers, and mostly embroidered with just a few appliques.

Canterbury Silk

I worked for about six weeks designing and digitizing the centerpiece of my current project and it took me a week and a couple of days to embroider it.  I ended up with six jumbo hoops that had to work together to meet all the right places.  I was a lot nervous that they would not match, but they did!!!!  All the embroidery is wonderful and the handful of in-the-hoop appliques also came out wonderfully.  I concluded from this that the Bernina 880 plus (the only Bernina that uses the entirety of the jumbo hoop) and the pin point placement that it has is a great advance for high-end in-the-hoop embroidery.  So the middle section is ready to piece in and I think it is wonderful.  It is on black silk dupioni.  There will be beads and buttons on the finished quilt.

The remainder of the quilt includes a gorgeous dark hand dyed green silk ribbon that is 2 1/2 inches wide and will be sewn in with quarter inch seams producing a 2 inch sashing dividing the centerpiece from the fairly wide black silk/cotton radiance borders.  I have about three ideas on how to quilt and possibly also paint the borders, so I will be making two sample quilting sandwiches to work out which one is best.  One will be divided in three border-like lines that I will work out each idea and one will be for working out how to deal with the border corners once I decide which border style I will use.

I had hoped to complete this quilt by mid August so I could enter it into the Pennsylvania National Quilt show but I instead have moved my deadline to January of next year for entry into the Mid Atlantic Quilt Show.  This gives me enough time, I think, to take the time to make it truly a masterpiece quilt.  It’s fun and exciting for me to work this way.  I am videoing most of my work on this to produce a fun YouTube video that is not intended as a tutorial, but a look into the making of a show quilt for your enjoyment.

So what else am I working on?  Well I have a handful of simpler, shorter, how-tos that show techniques and methods of working with advanced machines like my Bernina 880 plus, and my longarm Bernina Q20 sitdown machines.  These will be a nice relaxing thing for me to work on once in a while for my YouTube channel and I think that people will get a lot from them too.  My family editing team is also pulling a few shorts from my videos to highlight some of the nice things already out there.

I am having fun in my studio, and I wish you too will have fun in yours.  Sew happy everyone!

 

Using Decorative Stitches for Quilted Textures

Posted on by Betty Jo's Blog / Posted in A Little How-To, Art Quilt Techniques, Design as you go, Design Work, Machines, My micro-business, skill building

It is possible to accomplish some amazing quilted textures and designs using a variety of stitches with your feed dogs up.  This is particularly the case if you are blessed with a machine with 9mm wide stitches and even more-so if your machine will do sideways stitching for extra large motifs. I was recently reminded of this in my recent presentation at Suzzie’s Quilt Shop in Manassas Virginia where I showed and talked about my quilts.  For that I pulled out my two architectural quilts where I used decorative stitches and straight line walking foot quilting a lot.

Some machines provide precise information as to the width and length of a decorative stitch, and are somewhat adjustable. Here is a screen shot from my B880 plus simulator with a flower motif that uses sideways motion to achieve a bigger design.  I learned that it is important to keep a flexible clear plastic ruler with both inches and metric for figuring how to use such motifs.  Here you see 41.6 mm wide (about 1.45 inches) by 72.2mm (about 2.85 inches).  Many of these extra large stitch designs are not adjustable, so in this case, I would probably try to accommodate the design by slightly adjusting the size of the fabric I was going to use if at all possible.  Therefore, it helps to plan out the use of such designs before you plunge in.  I am thinking of making a small whole cloth quilt project of some sort just to show off what can be done.

 

This is big enough to be a nice quilting motif in multiple repeats down the middle of a sashing, for instance.

This would make a lovely quilting stitch down a narrow sashing, for instance, or the center of a larger design.

But I have also used more ordinary stitches in rows, even curved rows (such stitches will curve well, and you can even adjust the width while stitching on my Berninas, and probably other brands) to build up the texture of an area to look like stucco or rock face or some such:

For textured areas, choose geometric patterns that would fit together well in rows sewn closely together.

This method was what I used for some of the walls in this architectural quilt.  Note that I had to curve and narrow the decorative stitch design and place them close together. Also it wasn’t perfect, but still looked nice.

From Perspective in Threads, (the colors are off in this picture, but you can see the stitching) entirely done with threads…some decorative stitching, some straight line sewing using a walking foot, and some free motion — stitched in four different thread weights (12, 40, 50, and 100).

 

This is more detail from the same quilt, and is closer to the correct color than the first detail shot. Look at the wall surrounding the back arch that looks kind of like stucco.  That is rows of decorative stitching.  The shadows under the steps are simply well-placed rows of straight stitches.

If you do landscapes or small pictorial renderings and want a nice field with flowers and grass, for instance a stitch design with small flowers stitched with variegated threads might just be what you need. This is just a 9.0 mm width and a 15.7 mm (.62 inches) length design.  Rows of this spaced closely together would work.

This shows stitch 128 choice.

I did something like this (I don’t remember the exact stitch, but it might have been this one) in the yard on the rendering of the house on “Dad’s House Plan”.

Sew it is possible to get some wonderfully appropriate and detailed quilting on your domestic sewing machine if you are not comfortable with free motion stitching, and even if you are.  Sometimes, it is just the right texture that you need and can obtain with those decorative stitches.

Sew happy everyone!  Try something new with decorative stitches and have fun in your studios.  I plan on going back to a blog every couple of weeks again.  Please comment, pay a visit to my YouTube.  Cheers.

Landscape Quilt Techniques: Mountains and Evergreen Trees

Posted on by Betty Jo's Blog / Posted in Applique, Art Quilt Techniques, Deep space quilts, Design Work, Food for Thought, High-Tech Studio, My micro-business, Project Management, Show Quilts, skill building

Hi everybody!  I cannot believe it is March already!!!  I am currently working on a small landscape wall art quilt with mountains and evergreen trees that includes the writing of a workbook with pattern, hand cutting or svg cutting files for use with a digital cutter, and a set of videos for my YouTube channel.  I am loving this project!  A couple of family members came up with the concept and I knew as soon as I saw it that I would love doing it and how to do it.  It involves prepared turned-edge applique-piecing by machine, stitched raw edge applique, yarn couching and big thread free motion stitching.  It will be a lovely size for wall art in a home or office–somewhere in the neighborhood of 24 x 20 inches.  I hope some of my followers will do this project once it is available and really enjoy it.

So far, I am about half way through the construction and filming but I am not sure when it will be published.  The workbook and pattern set are also nearly finished and that will be available in my shop on my website.

Way back in May of 2021, I presented the first of my landscape quilting techniques sampler piece and promised more.  I was astonished to realize it has been so long since that was published!!!  Here’s the link for the first of two videos for this project:  Landscape Quilting Deciduous Trees Skillbuilder.  Yes, it was early in my adventure in my YouTube channel and that shows, but the techniques are solid and fun, and the promise was  real.  I believe we (me and my family production crew) have come a long ways in our production of such projects and videos in this time.  This project included stitched raw edge applique, broiderie perse, and free-motion quilting with 40 weight and 12 weight decorative threads. The quilting and decorative stitching is found in the second video:  http://Landscape Art Quilting Part 2  So this will be the second in my Landscape Skill-building series.  I hope to have a few more in the future.

Overall, I am trying to get faster and better in the videoing and the production of patterns and workbooks.  It’s a stretch but I enjoy having a creative challenge as I reach my 76th birthday this Friday, March 3rd!!!!  I anticipate many years still in this creative endeavor, and am increasingly employing the high tech tools in my studio to help overcome some of my aging factors that make hand sewing, for instance, and other things involved in fabric art more difficult.  Age should not be a limiting factor in creative pursuits.  Here’s an amazing performance of a 100 year old ballerina that highlights my point:

Ballet video:

I have also started making a new deep space show quilt based on a fabulous NASA photo.  At least I hope it will come out good enough to be a show quilt.  This will be my fourth space show quilt.  I am filming some of that as I work through it, but it is not intended for a tutorial, just some fun videos.  This type of quilt is almost entirely made at my sit down Bernina Q20 longarm in free motion.  The galaxy is made from Angelina Fibers and nylon veiling.  I really like this kind of quilting.  It’s like playing and dancing to me!  Here is my third deep space quilt, which won a couple of ribbons in its show life, although these are difficult to photograph:

I am hopeful I will get some good ideas from my “production crew” on how to best video my new space project.  Cameras have a hard time dealing with such reflective sparklies.

And no, that’s not all I am working on, in case you are wondering, but we will chat about these later in the year when I am closer to getting them up and running for you to see.

Sew happy everyone!! Young, old, and in between, have fun in your studios!

 

 

 

 

A Quick Wardrobe Update for Fall and Winter

Posted on by Betty Jo's Blog / Posted in Art Quilt Techniques, Design Work, Embellishment, Embroidery, High-Tech Studio, Making Clothes / 2 Comments

This is a nice jacket pattern I have. I plan to make this one and do the embroidery too.

Sew I recently purchased three nice cotton blend oxford shirts on a very good sale that fit me perfectly 😮 (!) to replace some in my closet that are decidedly worn. Well, they are 15 or more years old, I think!!  I plan on embellishing the new ones with in-the -hoop embroidery and decorative stitching. 🌺

I also have a nice light suede cloth jacket I no longer wear very much but is in great shape and I thought I would alter that down a little bit and embroider that too.  Maybe I will do some yarn couching on it (inspired by Bethanne Nemesh, but different).  This is  all so I can dress in keeping with my fabric artist lifestyle and go out from time to time. 🙃  I might also change the buttons to something more decorative. These will be nice additions to my wardrobe and are a nice fit (my old shirts are a size larger). I seem to be ok with most of my jeans and slacks, though a new pair of dress slacks might be in order.

My current fall and winter work “uniform” is usually a shirt and black jeans plus a sweater when needed. I suddenly realized how surprisingly old my whole wardrobe is, and it looks it too. So I also have plans to make a nice black suede jacket, a denim one, and a light wool slacks suit out of some of the fabulous fabrics I have in my fashion stash under my bed. I have a few beautiful silk blouses I made some time back in good shape.  I think they look nice even a little looser than I used to wear them.  We’ll see how much, if any of this that I will get done.

If only I had a fairy godmother with her magic wand.  LOL

This all, however, must wait for me to finish the Thanksgiving project and a few other things. Are you doing any fall and winter fashion sewing? Are you embellishing it?

Sew happy everyone! Have fun in your studio!

Advancing One’s Fabric Artistry

Posted on by Betty Jo's Blog / Posted in Art Quilt Techniques, Classes, Design Work, Embellishment, Fabrics, feet, Food for Thought, Machines, My micro-business, skill building, Threads, Tools / 2 Comments

Hi everyone!  I got to thinking a lot this week about what is needed to advance one’s fabric artistry abilities.  This was brought on because one of my best friends is getting a new sewing machine next week.  It’s already in, she just has to go pick it up and has scheduled a class for learning to use it.

For several years now I have been helping Anita learn how to add fabric as a new medium to her already wonderful art and basic sewing skills. She has made amazing progress.  In return, she has helped me reorganize my fabric and thread stash, assembled kits when I made them for classes, worked with me to make church banners (we go to the same church), willingly tested some of my ideas, and generally encouraged me in my current projects. We enjoy our sewing and chatting time together.

Her wonderful old Bernina 1230, which was nearly 25 years old and was originally mine, had the mother board die and they don’t make or have replacements anymore, so she bought a new Bernina 480.  This is a great choice for her because it has a 9mm stitch width with lots of decorative stitches and the harp space is one inch wider than her 1230.  It will advance her work.  Over the next year or so she plans to add some of the accessories that don’t come with it to stretch the usefulness of the already fabulous machine for her kind of work. It will take a Bernina Stitch Regulator, but I think she probably won’t get this for a while. The others include:

  1. The Gold ocher color bobbin case that gives a tighter bobbin tension than the black one that comes with it and is particularly useful for decorative stitching, free motion embroidery, and quilting. I think they should have included this in the initial machine package (do you hear me Bernina?).
  2. A single hole stitch plate for straight stitch accuracy and free motion stitching.
  3. The walking foot which is extremely helpful for a quilter/bagmaker
  4. Multi-Spool Holder: Attaches to the back of the machine and allows the use of threads on cones (cheaper by the yard) and has a telescopic threading rod that also helps manage the threads from metallics and other difficult threads.
  5. Bernina Thread Lubrication Unit: Helps handle metallics and other difficult threads (Rayons, for instance)
  6. Additional Feet:
    1. A quarter inch foot number 96 C with guide or #37 which enables really accurate quarter inch and eighth inch seams to piece things together.
    2. 20c open toed embroidery foot A definite necessity for any fabric artist.
    3. Narrow hemstitch foot (there are five of them of various types which make different kinds of narrow hems. Probably #63 would be my choice. She wants to make some scarves among other things that need narrow hems.
    4. Free Motion Couching foot #43: couch heavy threads, cords, and yarns to the surface of the fabric.  I have also used this as a free motion stitch foot for stitching over uneven surfaces before I got the cup foot.
    5. 39C clear embroidery foot: It is a great foot for decorative stitching and has a small hole for threading cordonet thread or other light cording through to stitch over with decorative stitching.

So far, she has developed fine skills and used them for free motion embroidery, hand embroidered baby quilts, appliqued bed runners, quilts for her grand children with free motion quilting, bags, a lovely drapey jacket, table toppers, and a beautiful Victorian ball gown for her grand daughter complete with a perfect fluffy petticoat for it.  I would say she has clearly graduated from a basic sewer to advanced intermediate sewer and intermediate quilter, and is hovering on the edge of tipping the scale into an advanced fabric artist and quilter.  While it is unfortunate her old machine died, this new machine will be a blessing for her.

 

Anita’s lovely granddaughter modeling her beautiful satin jacquard ball gown Anita made for her.

Sew in addition to a good sewing machine, what, in my humble opinion, does it take to become a master sewing artist? It definitely does NOT mean that everything you make is a masterpiece.  Sometimes the pieces are, frankly, not very good. It does, however, mean that you are capable of making a masterpiece and do from time to time and are willing to take the leap to try. Since I am an incorrigible list maker, I have a list of what I think is needed to reach for advanced fabric artist and quilter. It’s an ongoing endeavor and lots of fun to do.

  1. It takes a good understanding of your machine (or machines) and a number of interesting things you can do with it beyond make a seam or a buttonhole and kind of constant testing and trying out of possibilities with it.  Never stop learning.  I am constantly working on this myself. Indeed, I have spent the last six months or so learning things I didn’t know or needed to improve in using my Bernina 880 plus.  I’m sure my sons and daughter-in-law are tired of hearing “wow! Did you know I can do such and such with my machine?”  But I have to tell someone!
  2. Handwork, even if you are, like me, primarily a machine person.  You can turn your understanding of handwork into using your machine for about 90 percent of the time.
  3. It really helps to gain a solid understanding of interfacings, stabilizers, and battings; fibers and their properties; thread types and weights and what they are for; what needles you need for which threads and kind of sewing; markers; and tools available beyond the obvious.
  4. There are always new developments in sewing tools and I am often surprised by what’s available now. The struggle is figuring out what tools are really needed or at least would help speed or improve a frequently needed process and which can be passed over.  I am sort of a gadget/tool fan, so I often have to tell myself “no” firmly when confronted with the purchase of a new tool.  Hahaha. I do have a large collection, but I have been sewing since I was five and am now 75. Plus I inherited both my mother’s and my mother-in-law’s sewing supplies. So the vast majority of my sewing tools have been around for a long while.
  5. But chiefly, it takes allowing yourself to have confidence in your abilities, and a certain amount of willingness for risk taking that comes with realization that one will sometimes fail and have to spend a lot of time unstitching or remaking pieces of a project or start all over using a different direction. It’s part of the adventure.  Also, sometimes, you just have to abandon a project and realize it is ok to do so.  I constantly work on this.
  6. Where I personally need to work the hardest is in my designs.  That is the hardest thing for me because I almost never use someone else’s designs and often have a vision in my mind that may be difficult to get down into a workable pattern or guide either on paper or on my computer.
  7. Piecing accurately.  Even an art quilter needs to piece from time to time. I think I am just fair intermediate piecer.
  8. Speaking of patterns, I am working on improving my professional pattern-making skills to a higher level for use by people who would like to try the projects I present on my YouTube channel, in my blog here, and in books.  I no longer have classes since Covid shut them down and I switched to videos and writing permanently, but I still teach by these methods and one-on-one in person.
  9. There are other things that may add a lot to a project, especially in the embellishment arena, but are not required.  These might include crystals and beads, fabric paints, found objects, charms, 3 dimensional sewing (like butterflies and flowers for instance), machine embroidery–both in-the-hoop if you have an embroidery machine and out of the hoop (even if you do have an embroidery machine).
  10. I’m sure I have forgotten something. Do you have any ideas?

The thing to know is that you probably already have most of these things in your virtual tool belt and, like me, mainly just need to learn more in each of these categories.  I find it fun.  Do you?

Sew happy everyone!  Have fun in your studio and let me know what your fabric adventures are.

Busy Developing New Projects

Posted on by Betty Jo's Blog / Posted in Applique, Design Work, Fabrics, Food for Thought, High-Tech Studio, Machines, Paint, Panel quilts, Quilt Journal, skill building, Videos, Wool

Test and practice piece using all wool machine applique and embellishment

Hi gentle readers! As the title says, I have been very busy lately developing new projects that I hope you all will fully enjoy when I publish them here and in my YouTube channel.

For the first of these projects…exploring painting on quilted fabric…I will include any additional information that accompanies my video(s) that you might want here on my blog.  So the the entire exploration information and demonstrating videos that result in a handful of painted quiltlets will be free to you.  I am really having fun doing all the prep work for the videos and practicing the techniques and am nearly ready to start “filming” the videos.

For years I have been exploring how various types of fabric paints, artist crayons. and pencils, work with different types of fibers and weaves that are already quilted.  Or rather, I already know more or less how this works so I will be show the matching of the types of paints, crayons, and pencils with the different fabrics to get the best results.  I believe that by doing this, you will be able to take what I share and use it to get the looks you want on your own projects, or at least to explore your own ideas with some success. I am hopeful to get these published in April and May. 

In the process of working out the sampler quiltlets I came up with an idea I want to make for a cuddle lap quilt that I may or may not put into a video if I make it.  I haven’t decided if I can fit it into my work plan or not, but if I do make it, at the very least I will share it here on my blog. It involves in-the-hoop quilting designs coupled with free motion quilting and possibly quilt-as-I-go construction, but I haven’t fully decided on all of that yet.  It’s just an idea at this point.  I will be able to use some of my pretty threads for this project.

Anyway, in addition to working on the painting project hours daily for some time now I have been trying to design some new wool applique by machine projects to present on my channel for fall and winter. One will be quick and less complex and presented sometime soon, and others will be presented across the rest of the year.  But  I am also working to come up with a really good design with dimensional texture that uses the wonderful characteristics of wool for a small very artistic wall hanging. It will be what I think of as 2 1/2 D rather than 3D.  LOL

3D stump work dragonfly I made in the hoop has wire hidden in the stitching on the wings. This was so much fun to make, I want to do more in-the-hoop stumpwork.  Would you like a video on how I do this?

I am thinking, after much consideration, that the background fabric for this textural wall hanging will be on cotton, and the appliques will be wool.  I also am considering adding some couching of  wool yarns and maybe even some wool roving that I would needle punch with the needle punch attachment on my little baby machine, my Bernina 350, which I usually use for piecing and travel, but it also has several attachments I like to use on that machine because it has a 5.5 width maximum stitch that allows some interesting results.  I might also add stump work object that I make in-the-hoop from lighter fabrics.  Anyway, I’m working on a complete design that I am very hopeful will be really beautiful and interesting to watch me make on my YouTube channel.  It would be so delightful if some of you decide to make one yourself because it is so interesting and the result will be lovely.

If I get the design right, it will involve the use of three of my machines…my B350, my Bernina 880+. and my Bernina Q20 sitdown longarm, but will be doable on a single domestic machine and a hand needle punch tool if that is all one has or wants to use.  For this project, I will be developing a downloadable pattern that I will sell in my website store. This pattern would include svg files for cutting out the appliques using a digital cutter and line drawings for use with scissors.  Anyway, it’s rumbling around in my head and I am working on various designs to come up with the best one.  It should be fun.  I have long known that it takes me longer to design a project and develop the pattern than to make it.  So this project will take some time, consist of multiple videos, and hopefully will be published over the summer.  It would make a wonderful present for someone, even if it is for your own sewing space.

Sew you may want to know where the third and last video of my two birds project is. My video director and editor has had some minor delays in getting it done as work and life got in the way.  We are hopeful that it will be out sometime in the first week of April. There is a downloadable pattern for this project available for only $5 on my website shop, but as of this writing I have only sold one copy, even though I have almost 400 views of the first two videos.  Since it would be very difficult to make this project without the pattern, I guess my hope that some of my viewers would try to make it themselves has not yet happened.  I am still hopeful that some quilters will decide to do the project and share their results with me so I can show you all.  Maybe they want to see the finish before they decide.  Or maybe people are not aware that it is almost a complete book on how to do this kind of project that they may find informative and interesting even if they don’t make it. It is accompanied by svg files for cutting the appliques.  You don’t have to have a digital cutter though, because it also has the line drawings to cutout the appliques with scissors.  Here are the links to video one and video two.

Sew happy everyone!  Have fun in your studio.

 

 

 

 

 

 

Working with Heavy Threads

Posted on by Betty Jo's Blog / Posted in A Little How-To, Design Work, Embellishment, Embroidery, Threads / 2 Comments

Hi everyone.  As those of you who have followed me over time know, I love threads and have written several blogposts on the subject.  This week I have been free motion stitching with 12 weight threads for quite a few hours. What great looks you can get from them and each type looks remarkably different from the others!

Sew am I happy with the work I did this past week?  Some of it looks fabulous, but there is one area I was not happy with.  I have found in the past, however, that if I just keep going it often improves.  I can also add some ink or paint to improve things.  The interesting thing is that this is all part of my next video project.  I think I will use this to discuss what to do when things are not just what you envisioned initially or some such.  I think I can show that the fiber content and the value contrasts make a great deal of difference in the resulting looks for these fabulous threads. By the way, I got that one area much improved and think it will do just fine.

When purchasing such specialty threads, getting excellent quality thread and the right colors are what is paramount for getting a good outcome.  Especially when using heavy threads, the stitching can gnarl up and knot or split if the threads are poor quality.  It is really important to use them with the right needles, bobbin threads, and tensions.  Some of them, especially rayons, require silicone thread treatments to make them behave, such as the pink liquid that comes with some Bernina machines or Sewer’s Aid.  Thread nets also help improve their function if you are using a cone.  Also lower the top tension and lengthen the stitches to make things go well.

For domestic machines, slow down.  I also frequently use these on my Bernina Q20 longarm sitdown.  And for those of you who have a Q, here are the settings I use:

  • BSR 1 with 200 idling speed
  • 8 spi
  • 1.75 top tension
  • 180 bobbin tension with the 60 weight Bottom line
  • Kick start function to keep from skipping stitches

For such large threads I use Superior 100/16 top stitch for the regular spots or Schmetz 100/16 nonstick needles for stitching through fused on items like appliques

I love these 12 weight threads, have used them enough to know they are good quality, and each one offers a different look for multiple purposes:

For all of these threads I use a light weight thread in the bobbin such as Superior Bottom Line (a 60 weight polyester), Wonderfil DecoBob (an 80 weight polyester) or, if you only like cotton…a 50 weight cotton.

I am also planning on using even heavier weight specialties on my current project and my next project.  These have to be either couched on or stitched on upside down with the thread in the bobbin and a lighter thread on top.  I have some beautiful 8 weights to try.

Sew happy everyone!  Have fun in your studio and try some heavy weight thread sewing.  It adds so much to your projects.

 

 

 

Fall Project Timing

Posted on by Betty Jo's Blog / Posted in a pattern, Art Quilt Techniques, Classes, Design Work, Making Clothes, My micro-business, Project Management, Sewing Clothing, skill building, Software, Threads, Videos, Wool / 4 Comments

Hi everyone.  I can’t believe it’s already October!  I love that it is fall, because it was a hot and somewhat rough summer for me, but it occurs to me that I have several projects I have in mind for fall and for the Christmas/winter season that aren’t even started yet.  Yikes!  I better stretch my time in the studio a bit more!

 

I have been working really hard on the complex multi-video two birds project.  I am about three fourths of the way.  I want mostly to complete the whole project before publishing the first video because I need to make sure the accompanying workbook and pattern with all its techniques are good and actually work with the videos.  That will be available from my shop on my website and together with the videos presents a fairly complete class.  This class presents a lot of the techniques I have used in the past on some of my show quilts and I think quilters will enjoy making it.  Besides, it makes up into a really nice wall or lap quilt that would be a wonderful present or enjoyable quilt for yourself.

Sew, kind of as step one on this project, I uploaded a video that discusses how to turn a line drawing, like a coloring book page, into a pattern similar to my two birds to use in your own designs.  I know everyone may not have all the software or want to play with it in that way, but I know some will and may not have thought of using it for that or really know how.  If you have Bernina software v8, for instance, you have Corel Draw elements.  Anyway, take a look at the video and see what you think.

Here is a picture of some luscious Wonderfil threads (see link on the right). I love their specialty threads and am using a lot of them in my two birds project.

I have a couple of wool applique by machine decorative wall hangings–one for fall and one for Christmas–coming too, if I succeed in getting them all done in time.

In the meantime, I have my right eye cataract surgery on the 14th of this month.  I will be glad to get that taken care of.  I can see so well out of my left eye now and not well at all out of the right eye.

Then to top off everything, I have clothes I need to make.  We’ll see how much of all of this I get done.

The Simplicity pattern from my substantial pattern stash. Note the pants have a simple full elastic waist and no pockets…not what I want, but I have a better slacks pattern. The long sleeve tunic provides a suggestion for the embellishment. I would be adding something more for fun.

 

I always plan more than I can do it seems.  But it is so much to look forward to and have fun with in my studio as we drift into fall and winter.

Sew happy everyone!  Have fun in your studio.