Author: Betty Jo's Blog

A Quick Wardrobe Update for Fall and Winter

Posted on by Betty Jo's Blog / Posted in Art Quilt Techniques, Design Work, Embellishment, Embroidery, High-Tech Studio, Making Clothes / 2 Comments

This is a nice jacket pattern I have. I plan to make this one and do the embroidery too.

Sew I recently purchased three nice cotton blend oxford shirts on a very good sale that fit me perfectly 😮 (!) to replace some in my closet that are decidedly worn. Well, they are 15 or more years old, I think!!  I plan on embellishing the new ones with in-the -hoop embroidery and decorative stitching. 🌺

I also have a nice light suede cloth jacket I no longer wear very much but is in great shape and I thought I would alter that down a little bit and embroider that too.  Maybe I will do some yarn couching on it (inspired by Bethanne Nemesh, but different).  This is  all so I can dress in keeping with my fabric artist lifestyle and go out from time to time. 🙃  I might also change the buttons to something more decorative. These will be nice additions to my wardrobe and are a nice fit (my old shirts are a size larger). I seem to be ok with most of my jeans and slacks, though a new pair of dress slacks might be in order.

My current fall and winter work “uniform” is usually a shirt and black jeans plus a sweater when needed. I suddenly realized how surprisingly old my whole wardrobe is, and it looks it too. So I also have plans to make a nice black suede jacket, a denim one, and a light wool slacks suit out of some of the fabulous fabrics I have in my fashion stash under my bed. I have a few beautiful silk blouses I made some time back in good shape.  I think they look nice even a little looser than I used to wear them.  We’ll see how much, if any of this that I will get done.

If only I had a fairy godmother with her magic wand.  LOL

This all, however, must wait for me to finish the Thanksgiving project and a few other things. Are you doing any fall and winter fashion sewing? Are you embellishing it?

Sew happy everyone! Have fun in your studio!

Advancing One’s Fabric Artistry

Posted on by Betty Jo's Blog / Posted in Art Quilt Techniques, Classes, Design Work, Embellishment, Fabrics, feet, Food for Thought, Machines, My micro-business, skill building, Threads, Tools / 2 Comments

Hi everyone!  I got to thinking a lot this week about what is needed to advance one’s fabric artistry abilities.  This was brought on because one of my best friends is getting a new sewing machine next week.  It’s already in, she just has to go pick it up and has scheduled a class for learning to use it.

For several years now I have been helping Anita learn how to add fabric as a new medium to her already wonderful art and basic sewing skills. She has made amazing progress.  In return, she has helped me reorganize my fabric and thread stash, assembled kits when I made them for classes, worked with me to make church banners (we go to the same church), willingly tested some of my ideas, and generally encouraged me in my current projects. We enjoy our sewing and chatting time together.

Her wonderful old Bernina 1230, which was nearly 25 years old and was originally mine, had the mother board die and they don’t make or have replacements anymore, so she bought a new Bernina 480.  This is a great choice for her because it has a 9mm stitch width with lots of decorative stitches and the harp space is one inch wider than her 1230.  It will advance her work.  Over the next year or so she plans to add some of the accessories that don’t come with it to stretch the usefulness of the already fabulous machine for her kind of work. It will take a Bernina Stitch Regulator, but I think she probably won’t get this for a while. The others include:

  1. The Gold ocher color bobbin case that gives a tighter bobbin tension than the black one that comes with it and is particularly useful for decorative stitching, free motion embroidery, and quilting. I think they should have included this in the initial machine package (do you hear me Bernina?).
  2. A single hole stitch plate for straight stitch accuracy and free motion stitching.
  3. The walking foot which is extremely helpful for a quilter/bagmaker
  4. Multi-Spool Holder: Attaches to the back of the machine and allows the use of threads on cones (cheaper by the yard) and has a telescopic threading rod that also helps manage the threads from metallics and other difficult threads.
  5. Bernina Thread Lubrication Unit: Helps handle metallics and other difficult threads (Rayons, for instance)
  6. Additional Feet:
    1. A quarter inch foot number 96 C with guide or #37 which enables really accurate quarter inch and eighth inch seams to piece things together.
    2. 20c open toed embroidery foot A definite necessity for any fabric artist.
    3. Narrow hemstitch foot (there are five of them of various types which make different kinds of narrow hems. Probably #63 would be my choice. She wants to make some scarves among other things that need narrow hems.
    4. Free Motion Couching foot #43: couch heavy threads, cords, and yarns to the surface of the fabric.  I have also used this as a free motion stitch foot for stitching over uneven surfaces before I got the cup foot.
    5. 39C clear embroidery foot: It is a great foot for decorative stitching and has a small hole for threading cordonet thread or other light cording through to stitch over with decorative stitching.

So far, she has developed fine skills and used them for free motion embroidery, hand embroidered baby quilts, appliqued bed runners, quilts for her grand children with free motion quilting, bags, a lovely drapey jacket, table toppers, and a beautiful Victorian ball gown for her grand daughter complete with a perfect fluffy petticoat for it.  I would say she has clearly graduated from a basic sewer to advanced intermediate sewer and intermediate quilter, and is hovering on the edge of tipping the scale into an advanced fabric artist and quilter.  While it is unfortunate her old machine died, this new machine will be a blessing for her.

 

Anita’s lovely granddaughter modeling her beautiful satin jacquard ball gown Anita made for her.

Sew in addition to a good sewing machine, what, in my humble opinion, does it take to become a master sewing artist? It definitely does NOT mean that everything you make is a masterpiece.  Sometimes the pieces are, frankly, not very good. It does, however, mean that you are capable of making a masterpiece and do from time to time and are willing to take the leap to try. Since I am an incorrigible list maker, I have a list of what I think is needed to reach for advanced fabric artist and quilter. It’s an ongoing endeavor and lots of fun to do.

  1. It takes a good understanding of your machine (or machines) and a number of interesting things you can do with it beyond make a seam or a buttonhole and kind of constant testing and trying out of possibilities with it.  Never stop learning.  I am constantly working on this myself. Indeed, I have spent the last six months or so learning things I didn’t know or needed to improve in using my Bernina 880 plus.  I’m sure my sons and daughter-in-law are tired of hearing “wow! Did you know I can do such and such with my machine?”  But I have to tell someone!
  2. Handwork, even if you are, like me, primarily a machine person.  You can turn your understanding of handwork into using your machine for about 90 percent of the time.
  3. It really helps to gain a solid understanding of interfacings, stabilizers, and battings; fibers and their properties; thread types and weights and what they are for; what needles you need for which threads and kind of sewing; markers; and tools available beyond the obvious.
  4. There are always new developments in sewing tools and I am often surprised by what’s available now. The struggle is figuring out what tools are really needed or at least would help speed or improve a frequently needed process and which can be passed over.  I am sort of a gadget/tool fan, so I often have to tell myself “no” firmly when confronted with the purchase of a new tool.  Hahaha. I do have a large collection, but I have been sewing since I was five and am now 75. Plus I inherited both my mother’s and my mother-in-law’s sewing supplies. So the vast majority of my sewing tools have been around for a long while.
  5. But chiefly, it takes allowing yourself to have confidence in your abilities, and a certain amount of willingness for risk taking that comes with realization that one will sometimes fail and have to spend a lot of time unstitching or remaking pieces of a project or start all over using a different direction. It’s part of the adventure.  Also, sometimes, you just have to abandon a project and realize it is ok to do so.  I constantly work on this.
  6. Where I personally need to work the hardest is in my designs.  That is the hardest thing for me because I almost never use someone else’s designs and often have a vision in my mind that may be difficult to get down into a workable pattern or guide either on paper or on my computer.
  7. Piecing accurately.  Even an art quilter needs to piece from time to time. I think I am just fair intermediate piecer.
  8. Speaking of patterns, I am working on improving my professional pattern-making skills to a higher level for use by people who would like to try the projects I present on my YouTube channel, in my blog here, and in books.  I no longer have classes since Covid shut them down and I switched to videos and writing permanently, but I still teach by these methods and one-on-one in person.
  9. There are other things that may add a lot to a project, especially in the embellishment arena, but are not required.  These might include crystals and beads, fabric paints, found objects, charms, 3 dimensional sewing (like butterflies and flowers for instance), machine embroidery–both in-the-hoop if you have an embroidery machine and out of the hoop (even if you do have an embroidery machine).
  10. I’m sure I have forgotten something. Do you have any ideas?

The thing to know is that you probably already have most of these things in your virtual tool belt and, like me, mainly just need to learn more in each of these categories.  I find it fun.  Do you?

Sew happy everyone!  Have fun in your studio and let me know what your fabric adventures are.

Diving into Fall Projects

Posted on by Betty Jo's Blog / Posted in Applique, Deep space quilts, Food for Thought, My micro-business, Project Management / 2 Comments

Hi everybody!  We are nearly through August!!!  Yikes.  We (my oldest son is helping with this) still have not completed the design and accompanying embroidery designs for the fall/Thanksgiving table runner, but it is moving along and I hope you all are going to love it and want to make one yourself.

Oh, I finished my Kingfisher pillow project and one of the two YouTube videos is published. Video link

I love the way it came out.  So here are some statistics you may find of interest:  I have at this moment in time (8/24/2022) 431 subscribers, 143 views of the Kingfisher video 1, and only 11 likes; 9 downloads of the free pattern, 62 clicks for the products I linked to with my affiliate links, and zero purchases on Amazon and 341 clicks for Wonderfil Threads (they really are wonderful threads) with no purchases.  Though I sometimes have considerably more views on other videos, I seldom have a higher percentage of likes and have never made anything from any of my affiliate links.  I’ve had a few people buy something, but never enough for me to get paid (there is a minimum). I’m trying not to be discouraged. Perhaps it will pick up when I get video 2 published, or maybe the Fall Thanksgiving project will turn things around.  Maybe I just haven’t reached the right audience yet, but will at some point.  I refuse to think that people just don’t like what I do (LOL).  I’m hopeful my affiliates will continue to allow me to hang in there until things get better.  (See, I still think I will succeed eventually).

My dear late mother taught me all along the way when things got discouraging that “You’ve got to stick-to-it-tivity.  You’re going to do alright, you’re going to be all right!”  She usually sung that in her beautiful voice with her sparkling eyes looking at me.  That memory has been following me around lately.  I think it is from her.  Sew that is what I am going to do for quite a while yet.  Besides, I am having some fun here, making and filming these projects.

I am still considering if I should make a Christmas project.  It’s getting late in the year.  Most people have already started their Christmas projects by now I think.  I figure they don’t do like I do and wait until the last minute for making things.  My Deep Space Quilt 4 project might suffice (that will just be a sharing of the making, not a tutorial with pattern).  It is full of stars and light sparkles that I am hoping to complete for my own Christmas decor and other times. I will note that it is hard to film sparkles and shines, but worth a try. Here’s the NASA picture I am basing it on:

This image from the NASA/ESA Hubble Space Telescope captures the spiral galaxy NGC 105, which lies roughly 215 million light-years away in the constellation Pisces. While it looks like NGC 105 is plunging edge-on into a collision with a neighbouring galaxy, this is just the result of the chance alignment of the two objects in the night sky. NGC 105’s elongated neighbour is actually far more distant and remains relatively unknown to astronomers.

I also am planning some basic kinds of short videos showing how to use the Bernina Q20 sitdown (and that would be the same for the Q16), and how to use some of those fancy stitches most of us have on our machines these days with interesting threads.  Coincidentally, you may have seen this, but I tried out the “hand look stitch” on my Bernina 880 plus with the following results…I will use this somewhere. Perhaps with the crazy quilt major project I am planning for 2023.

Here I used 100 weight matching polyester in the top and 12 weight cotton in the bottom. Bernina recommends monopoly in the top and 30 weight thread in the bottom. I will experiment more with this stitch. It is available on most modern day Berninas.

Sew let’s all have fun in our studios.  It’s time to quilt!

 

 

Embellishing Your Projects, Part One

Posted on by Betty Jo's Blog / Posted in A Little How-To, Art Quilt Techniques, Deep space quilts, Embellishment, Show Quilts, skill building, Tools

Sky Horse from 2014. This quilt won several ribbons and was shown at Houston IQF in 2014. It is inspired by NASA photos of the Horsehead Nebula.

Hi everyone,

I was just listening to Dee’s Saturday Sampler (TQS) talking about adding hot fix crystals to quilts.  Now she did a nice presentation.  But there were a few points that I would like to add.  I have lots of experience doing this across the years, especially for my deep space quilt series and Christmas quilts.  Also, I add a few crystals for many other types of quilts. Even though I wrote about this in a blog back in 2018, I thought it was time to revisit this technique and update what I said back then.

Stellar Nursery, my first deep space quilt using NASA’s “Mountains of Creation” pictures.

 

My love for embellishments started decades ago when I had my own fashion design and tailoring business when I designed and my shop made formals, wedding dresses, and costumes for operas, dancers, and skaters.  Back at the beginning of that business, I hand sewed or glued most of my embellishments on.  Now I mostly use hot fix embellishments, including Swarowski crystals, hot fix pearls, and different shapes.

Out of Mom’s Workbasket. This quilt won Third Place in the Traditional category in Pennsylvania National Quilt Festival 2021. I did not show it elsewhere because it is white and precious to me. I used hot fix pearls across the quilt.

I recently replaced my hot fix crystal wand.  It works very well for me especially when I use hot fix transfer tape! What a great invention and what a wonderful improvement to my crystal placements!!! It works also with digital cutters that make hot fix crystal designs, such as the Brother Scan and Cut, but you need the Rhinestone Starter Kit to go with it for that. I do not have this kit, so I have not tried making them.

Sew here are my steps for adding hot fix crystals to a quilt.

  1. Put on your music or audiobook.
  2. With your craft or old scissors, cut a piece of the transfer tape (I use both a smaller cut of around a six inch square and a larger cut of about a 10 inch square. It’s reusable about four or more times.
  3. Place the item you are embellishing  flat on the table or ironing board.
  4. Remove the backing from the transfer tape.
  5. Working in sections, place your hot fix crystals (or other hot fix embellishments) on a section of the quilt in the pattern you want them .
  6. Lower your transfer tape piece carefully down over the section of crystals trying not to disturb the pattern and press it down around the crystals and more or less attaching to your project.
  7. Grab a large ceramic cup  or dish to put your hot wand into.  I think the cup works a little better than the dish shown here, but either one works better than those little stands that comes with some of them.
  8. With the wand iron, heat each crystal with the tape still in place for as long as it needs.  You can move the whole tape with the crystals on them a little bit as you need them.  Hold it firmly in place and tap your toe, or count slowly.
    • tiny ones require about 12 toe taps or slow counts.
    • medium ones require about 20 counts
    • the larger ones require more…30 to 40 counts to be really secure.
    • the shaped ones do best with a small iron flat on the tape.  I did have one iron get too hot on the tape once and it melted a piece of the tape!  I only had it happen once and that iron died shortly thereafter, so it may have been operating badly on the way out.

The transfer tape does not melt and acts as a pressing cloth, protecting the fabric to which you are attaching the crystal from burns by the wand. It also holds the crystals in place so they don’t go flipping off into never never land. If it gets just a little out of alignment, you just move the tape…the crystal stays on the tape until it is fully glued down and then releases with no problem. This means you can pick up your tape slowly to check if you’ve missed one or if it needs more time and replace the tape if so.

Another way to approach it is to place multiple crystals on the tape upside down with the crystals to the sticky side and just move the tape around and place the crystals on one by one. This is a particularly good method for clothing and other shaped pieces when you are having a hard time getting them flat for crystal placement.

I like to shake the quilt when all the crystals are cool to see if anything falls off.  Sometimes it does, but now is the time to find out.  So just put the crystal back down and cover it with the tape and re-iron.  Occasionally, a crystal does not seem to have adequate glue, so you can throw that one away and use another one, or use glue to affix it.

These crystals and pearls really add some loveliness to your projects.  They are washable and durable, especially if you shake the item to make sure they are fully attached.  Some say it is possible to get carried away with such crystals and pearls.  Some quilt police types feel they should never be on  your quilt.  I say, it’s your quilt.  Add the sparkle you want and ignore them and enjoy your blinged out piece.

Sew happy everyone!  Have fun in your studio!!!

 

 

 

Having Fun in My Studio

Posted on by Betty Jo's Blog / Posted in Applique, Deep space quilts, Design as you go, My micro-business, Project Management, Threads, Tools, Wool / 2 Comments

Someone asked me recently what I have been working on lately.

I have finished the Kingfisher wool applique by machine pillow top project (basic design without the eye pupil, which is a very small black button, shown above). I haven’t made the pillow yet, but will in a few days. I have some really black stretch denim I think would make a nice pillow back for it. I think it needs to be something kind of heavy to balance the wool which I have sandwiched and quilted, and a little stretch will help the pillow look good. I haven’t decided whether to put cording in the seam or not.  I like it a lot even though it is relatively simple. Two videos will come out of this project. One will be published soon…probably this coming weekend. It’s being edited and there will be a free pattern available for it on my website which I really hope you will download.  I will provide a link to it when my video is published.

Also, just yesterday, I got a stack of color cards for Wonderfil Threads of various types and a few sample spools, which are really a fun way to shop for threads.  I don’t have a local source for my favorite threads so I have to order them.  I have a Thanksgiving table runner project that I plan on using their threads for embroidery, applique, and quilting for that.  So I have to hurry, because it’s already August!!!

I love figuring out threads this way.  I can take my time, try out the thread samples, and see the actual threads.

Magnifico by Superior color card image

I also have some color cards for Superior Threads.  If you have to order your threads to get the kind you like, I highly recommend getting some of these sample cards even if you have to buy them.  Sometimes they give them away at big events like quilt shows or cut the cost for them a lot.  But even so, they provide color accuracy and coincidentally they are fun to look at if you love threads like I do.

So I have also been adding to my stitch library with pages for Wonderfil, Superior, and Miscellaneous thread types.  Today I made a page for different Wonderfil types, with a line of decorative stitches per type.  I encourage you to make your own library of stitches and thread types pages. It’s not only fun to stitch these pages but really useful.

 

And last, but not least, I worked up, but not yet printed, a full sized guide for my next deep space quilt.  That’s the closest I ever come to a pattern for this style quilt.  Basically, it’s a placement guide for the space objects.  I also print out the NASA picture or pictures of the space scene or objects and then build the scene on fabric using a little background paint, and Angelina Fibers hot fix fiber (they stick to themselves not the fabric) appliques, and I cover the whole quilt top with black nylon veiling. I sandwich it all together and baste it down.  So then I use quilting and free motion embroidery to build the space objects and quilt the whole thing.  It’s one big whole cloth quilt with big appliques, and different sizes and colors of hot fix crystals.   It’s loads of fun, but does require a placement and sizing guide to make it even start to look right.  I will be showing just some of the making of this quilt for fun…but not a how-to like some of my work.

Sew I have been having fun in my studio. That’s what I am working on.

Sew happy everyone.  Have fun in your studio too!

 

 

 

Surprisingly Useful Studio Tools

Posted on by Betty Jo's Blog / Posted in feet, My Studio, Tools, Uncategorized

Hi everyone.  This past few weeks have highlighted some really useful studio tools…some I made myself, and some I purchased sometime in my long sewing career.

As I noted on my last article, I discovered that a persistent thread-breaking problem was not, in fact, my machine, my needles, or my bobbin.  It was a burr that had developed on my 15 or so year old open toed embroidery foot that I had obtained two sewing machines ago.  I could hardly believe it was so old when I added it up.

My 20D foot…where the burr was and is no longer.

So today I took out my little Dremel tool that I keep around for special things, and sand-buffed the foot.  Then I tested it with multiple thread types and different stitches.  It did not break anything!  That foot sells for about $56 today.  Nice savings.  I had done the same thing to another foot last year that had developed a burr.  It was an even older one that the one I fixed today!  So the Dremel tool has more than paid for itself, and I have used it in other ways over the past decade.

Then there are two reference tools I made myself.  One is the decorative stitch library I have been building over the past six months.  I am working on a wool applique by machine project that uses some decorative stitches.  I have done multiple lines of different stitches in different threads and written the stitch number, any changes I made to the stitch settings, and so forth.  I now have about 10 large “pages” of these stitches.  I was actually surprised how much I consulted them as I was working through the stitch embellishments to the project.  It is very handy to see them stitched out! I am still working on this project and will somehow put them together when I finish.

Pages of my stitch library

The second reference tool I used today when I got to the background quilting of my project.  I am using a swirl and curl background, as I call it.  That consists of stippling and curls randomly used together, which makes a nice background fill for this project.  If you look on my YouTube channel, I have a short little video where I show the making of a stippling size reference piece.  This is particularly good when you need to try to keep the stippling the same size throughout the piece,  so I pulled it out and used it for this project.  So handy!  Here’s the link.

I think I should make more such reference aids, and I plan to.

Then there is my Clover ball-pointed awl that I used to hold the little wool applique and pointed pieces in place when they weren’t sticking so well while I stitched them down.  I use that a lot when I am appliqueing.

The problem with the Bernina foot made me think how much I enjoy using all the different Bernina feet and how much easier they make things or make things come out better.  I do love my Berninas and I have no affiliation with the company.  I am just a fan.  They are all three (B350, B880 plus, Q20 sitdown) wonderful machines (or is that sewing Droids?  You might click on that link and see what I mean).

Sew happy everyone!  Have fun in your studios and make sure your tools are organized and accessible.

 

A Tale of Broken Threads

Posted on by Betty Jo's Blog / Posted in Uncategorized

Hi everyone

Earlier this week I was working on my new wool applique by machine project that I am filming into two or three videos for my YouTube Channel.  I already had some thread breakage earlier in the project,  but I thought it was a thread type or tension issue, since I was using a 100 weight silk thread, and when I lowered the top tension it stopped (but also made a change in my stitch pattern).

So I went along on my project with no further problems until I changed from my narrow blanket stitch to a decorative stitch that filled the whole stitch width of my 9 mm foot.  I started having thread breaking issues.  I was sure it was the thread itself, since I had moved from the very lightweight 100 wt threads I was using to stitch down the appliques to a 12 weight cotton for some decorative stitching.

some 12 weight decorative stitching

My threads started breaking after the first few stitches.  I cleaned, oiled, and rethreaded.  The thread broke by the third or fourth stitch.  I rethreaded again with the same result and I lowered the top tension.  So I changed threads, and the thread broke right away.  Oh my.  I was sure I was going to have to take Odette (my Bernina 880 plus) in for servicing, and that would be a big delay I really don’t need now.

But just before I was about to shut down the machine in disgust, a still small voice said “try a different foot”.  I remembered then that I had once before had a foot that I had used for decades develop a burr that broke threads.

Sew to my joy when I put on another foot that worked ok for what I was doing and tried it out, no breaking.  I tried it for some time and went on to finish the decorative stitching with the heavy threads I was doing.

Upon close examination of the culprit foot, I found that the right corner had a worn place that is very sharp.  This foot is 19 years old and one I use a great deal since it had fit both two older machines I traded in and my new Odette.  So now I have to either manage to fix the foot with some buffing, or replace it.  This will be much cheaper and easier and quicker than taking my machine to the machine vet for unknown repairs.

Anyway, the point is, it might be the foot if you have been having problems with breaking thread.  So check it out.

Sometimes sewing machine feet, after about 15 to 20 years of use (LOL)  or if it gets in the way if you hit a pin or bend a needle because you forgot to change some setting or some such, need attention.  The last foot I had this problem with was easily fixed with a little buffing with fine sand paper.  I had used it for more than 20 years!  When I am in my studio and having a lot of fun, it is hard for me to realize how old some of my tools have become…even those I bought myself “just a few years ago” (my thoughts).  Indeed, it’s hard to realize how long I have been sewing myself (somewhere around 70 years now since I was five).   If only if I can fix my own creakiness with a little light buffing.  He he he.

Sew happy everyone!  Have fun in your studio!

Using Those Scraps of Special Elements in the Studio

Posted on by Betty Jo's Blog / Posted in Food for Thought, High-Tech Studio, Machines, My Studio, Project Management, Quilt Journal, Threads, Tools / 8 Comments

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Hi everyone! I have been thinking about my crowded stash and studio tools amassed from decades of professional and personal sewing and quilting. I want to make something special with a lot of them…or maybe strive to build more than one amazing masterpiece project using these wonderful elements.

A collection of beautiful threads from Wonderfil.

This idea has been growing in my head for some time now and I have recently had conversations with two fabulous important quilters about this that further encouraged me.  When I couple these elements with  all the interesting things I have been learning about what I can do with my machines, it becomes very interesting indeed.  I haven’t fully decided whether this is exactly going to be a Victorial style crazy quilt or a somewhat different design of my own with a crazy quilt and Victorian steam punk slant.

crepe back satin from my stash

Over my many decades of sewing and quilting, I have accumulated bits and leftover pieces of silk palace brocades, satins and dupionis, batiks, velveteens, wools, small bits of fabulous laces, vintage handkerchiefs, pieces of crochet that my Mom left me, small leftover lengths of silk ribbons and other special trims, and a collection of beautiful threads of a wide variety of sizes, fibers, and weights.  To helo draw all of this together are my Berninas…my little B350 with several special attachments, my big Bernina 880 plus with its embroidry module and nice set of feet, and my Q20 sitdown longarm.

Sew, what would YOU do with this collection of elements and tools?

Edna Mode, waiting for an answer as to what to do with all these beautiful scraps and threads and interesting machines.

Sew happy everyone!  Have fun in your studios.

 

 

 

Decorative Machine Stitching Is Fun!

Posted on by Betty Jo's Blog / Posted in Embellishment, Threads, Wool / 6 Comments

Hi everyone,

I have been spending some time with my machine trying to come up with sets of stitches for planned projects.  So today I was actually surprised at how interesting my results were when I used different thread weights and made multiple passes of different stitches.  In the picture below I used Wonderfil’s wool/acrylic blend thread and mostly the default settings.  It is a 12 wt thread and requires using a large eyed needle and slowing way down. Here I was using a Superior 90/14 topstitch needle, default settings, and sewed slowly.  I was really happy with the results.  These could look great in the right places, such as a crazy quilt, or a piece of a block or on a shirt.

These are multiple passes of different decorative stitches on my Bernina 880 plus.  The one on the bottom is my favorite where I stitched one pass of stitch number 372 and then reversed it and stitched a partial second pass carefully matching the starting point. SO if your machine doesn’t have really wide decorative stitches, or even if it does, you can try multiple passes worked together and come out with some rather fantastic looks.

This sample shows the really wide stitches that engage the multi-directional function on my machine.  It is amazing how it stitches. I found I only have to make sure the fabric runs through the stitching parallel to the foot at all times.  It’s kind of like a wild dance with your machine.  If you have this function on your machine, I encourage you to give it a try just for the sheer fun of it.

Super wide stitches=wild ride while stitching…just keep it straight and let the machine foot dance.

Here are a few more stitches of the many many on the machine.  I do have a couple of projects I will be using some of these stitches, but it is nice to have these reference sheets.  I won’t stitch them all…there are just too many, but I am selecting the ones I wanted to see stitched out.

This is not a real clear pic, but the stitches are really fun. Stitched with 40 weight polyester thread.

Sew I am looking forward to the projects I am planning to use some of these decorative stitches on.

Sew happy everyone!  Have fun in your studio and give the decorative stitches a whirl.

 

Updated Chart and Some Notes for Bernina Q20 (or Q16) Sitdown Longarms

Posted on by Betty Jo's Blog / Posted in Uncategorized / 10 Comments

Me at a Q20 at the Road to California in January 2020. I did buy the rings and love them, by the way.

Hi everyone. I became aware recently that there are quite a few quilters who use my chart I made years ago for my Bernina Q20 sitdown longarm (I have had mine now for over six years).  His name is Fritz, by the way.  We have a lovely time quilting and other free motion stitching together on a regular basis.  So I have double checked the information I have on this chart and added a few notes at the end.  I strongly suggest if you want to use this that you be sure to make adjustments for your own machine.  There are factors that can make things different from machine to machine…weather, minor factory setting differences, what table you use, and on and on.  But I think these settings are a pretty good place to start for you if you are a new owner of one of these fabulous machines.  It would be the same for a Q16 too, by the way.  Sew here it is.  Download it if you wish and provide comments for improvement here on the blog.  Share as you wish.

Q20 chart

By the way, currently I am working on a new wool applique project that makes a nice pillow top for about a 20 x 20 decorator pillow.  I am videoing this and will have a pattern too with both printed patterns and  svg files for the appliques those of you who have digital cutters.

After that, however, I am planning on some videoing for working at the Q20…ruler work, free motion, and setting up and maintaining your Q20 or Q16.  Like I said,  I have had mine for over six years and I love how it sews. It almost seems better now than when I first got it, but I am thinking I am probably better at using it now than when I first got it.  LOL

 

Sew happy everyone!  Have fun in your studio and try out a little free motion stitching or quilting this weekend.