Hi everyone! I got to thinking a lot this week about what is needed to advance one’s fabric artistry abilities. This was brought on because one of my best friends is getting a new sewing machine next week. It’s already in, she just has to go pick it up and has scheduled a class for learning to use it.
For several years now I have been helping Anita learn how to add fabric as a new medium to her already wonderful art and basic sewing skills. She has made amazing progress. In return, she has helped me reorganize my fabric and thread stash, assembled kits when I made them for classes, worked with me to make church banners (we go to the same church), willingly tested some of my ideas, and generally encouraged me in my current projects. We enjoy our sewing and chatting time together.
Her wonderful old Bernina 1230, which was nearly 25 years old and was originally mine, had the mother board die and they don’t make or have replacements anymore, so she bought a new Bernina 480. This is a great choice for her because it has a 9mm stitch width with lots of decorative stitches and the harp space is one inch wider than her 1230. It will advance her work. Over the next year or so she plans to add some of the accessories that don’t come with it to stretch the usefulness of the already fabulous machine for her kind of work. It will take a Bernina Stitch Regulator, but I think she probably won’t get this for a while. The others include:
- The Gold ocher color bobbin case that gives a tighter bobbin tension than the black one that comes with it and is particularly useful for decorative stitching, free motion embroidery, and quilting. I think they should have included this in the initial machine package (do you hear me Bernina?).
- A single hole stitch plate for straight stitch accuracy and free motion stitching.
- The walking foot which is extremely helpful for a quilter/bagmaker
- Multi-Spool Holder: Attaches to the back of the machine and allows the use of threads on cones (cheaper by the yard) and has a telescopic threading rod that also helps manage the threads from metallics and other difficult threads.
- Bernina Thread Lubrication Unit: Helps handle metallics and other difficult threads (Rayons, for instance)
- Additional Feet:
- A quarter inch foot number 96 C with guide or #37 which enables really accurate quarter inch and eighth inch seams to piece things together.
- 20c open toed embroidery foot A definite necessity for any fabric artist.
- Narrow hemstitch foot (there are five of them of various types which make different kinds of narrow hems. Probably #63 would be my choice. She wants to make some scarves among other things that need narrow hems.
- Free Motion Couching foot #43: couch heavy threads, cords, and yarns to the surface of the fabric. I have also used this as a free motion stitch foot for stitching over uneven surfaces before I got the cup foot.
- 39C clear embroidery foot: It is a great foot for decorative stitching and has a small hole for threading cordonet thread or other light cording through to stitch over with decorative stitching.
So far, she has developed fine skills and used them for free motion embroidery, hand embroidered baby quilts, appliqued bed runners, quilts for her grand children with free motion quilting, bags, a lovely drapey jacket, table toppers, and a beautiful Victorian ball gown for her grand daughter complete with a perfect fluffy petticoat for it. I would say she has clearly graduated from a basic sewer to advanced intermediate sewer and intermediate quilter, and is hovering on the edge of tipping the scale into an advanced fabric artist and quilter. While it is unfortunate her old machine died, this new machine will be a blessing for her.
Anita’s lovely granddaughter modeling her beautiful satin jacquard ball gown Anita made for her.
Sew in addition to a good sewing machine, what, in my humble opinion, does it take to become a master sewing artist? It definitely does NOT mean that everything you make is a masterpiece. Sometimes the pieces are, frankly, not very good. It does, however, mean that you are capable of making a masterpiece and do from time to time and are willing to take the leap to try. Since I am an incorrigible list maker, I have a list of what I think is needed to reach for advanced fabric artist and quilter. It’s an ongoing endeavor and lots of fun to do.
- It takes a good understanding of your machine (or machines) and a number of interesting things you can do with it beyond make a seam or a buttonhole and kind of constant testing and trying out of possibilities with it. Never stop learning. I am constantly working on this myself. Indeed, I have spent the last six months or so learning things I didn’t know or needed to improve in using my Bernina 880 plus. I’m sure my sons and daughter-in-law are tired of hearing “wow! Did you know I can do such and such with my machine?” But I have to tell someone!
- Handwork, even if you are, like me, primarily a machine person. You can turn your understanding of handwork into using your machine for about 90 percent of the time.
- It really helps to gain a solid understanding of interfacings, stabilizers, and battings; fibers and their properties; thread types and weights and what they are for; what needles you need for which threads and kind of sewing; markers; and tools available beyond the obvious.
- There are always new developments in sewing tools and I am often surprised by what’s available now. The struggle is figuring out what tools are really needed or at least would help speed or improve a frequently needed process and which can be passed over. I am sort of a gadget/tool fan, so I often have to tell myself “no” firmly when confronted with the purchase of a new tool. Hahaha. I do have a large collection, but I have been sewing since I was five and am now 75. Plus I inherited both my mother’s and my mother-in-law’s sewing supplies. So the vast majority of my sewing tools have been around for a long while.
- But chiefly, it takes allowing yourself to have confidence in your abilities, and a certain amount of willingness for risk taking that comes with realization that one will sometimes fail and have to spend a lot of time unstitching or remaking pieces of a project or start all over using a different direction. It’s part of the adventure. Also, sometimes, you just have to abandon a project and realize it is ok to do so. I constantly work on this.
- Where I personally need to work the hardest is in my designs. That is the hardest thing for me because I almost never use someone else’s designs and often have a vision in my mind that may be difficult to get down into a workable pattern or guide either on paper or on my computer.
- Piecing accurately. Even an art quilter needs to piece from time to time. I think I am just fair intermediate piecer.
- Speaking of patterns, I am working on improving my professional pattern-making skills to a higher level for use by people who would like to try the projects I present on my YouTube channel, in my blog here, and in books. I no longer have classes since Covid shut them down and I switched to videos and writing permanently, but I still teach by these methods and one-on-one in person.
- There are other things that may add a lot to a project, especially in the embellishment arena, but are not required. These might include crystals and beads, fabric paints, found objects, charms, 3 dimensional sewing (like butterflies and flowers for instance), machine embroidery–both in-the-hoop if you have an embroidery machine and out of the hoop (even if you do have an embroidery machine).
- I’m sure I have forgotten something. Do you have any ideas?
The thing to know is that you probably already have most of these things in your virtual tool belt and, like me, mainly just need to learn more in each of these categories. I find it fun. Do you?
Sew happy everyone! Have fun in your studio and let me know what your fabric adventures are.