Wool Applique by Machine with Video Demos

 

Wool sampler prototype piece part one. Embellishment will be presented in part two and quilting and finishing in part three.

Wool applique and embellishment is a great tool in a fabric artist’s quiver. There’s nothing else that provides the rich, warm, depth that real wool fiber does. It can make all the difference in achieving the artistic look you want. In my artist’s eye it compares to working with thick oil paints while cotton or silk is  like watercolors. Both are beautiful but achieve totally different looks.  Both require different techniques to get the best results.

So using a small project in wool applique I am finally launching my first video set  in my YouTube channel. Here is the link to the new video.  I have plans for multiple videos on my channel this year, and have just revamped my studio to include the things I need for producing them. So I would love you to subscribe to my channel and enjoy my videos just as a matter of interest or especially to  join me in working through the projects you like.  See the handout and pattern pdfs on my Aids and Links page here on this site for you to download and print out.  Then go to my YouTube video here.

* * * * * * * * * * * * * * *

Here is a list of the supplies with links that I will be using in this first project to which I have added links to help you in your shopping for the supplies:

1 yard of background fabric.  I am using all wool Melton, which I had in my stash.  Since the price of wool has skyrocketed since I filled my stash with it, I suggest using a melton wool blend for this, which is less expensive and still has a lot of the same characteristics and depth of beauty. Here’s another link at B. Black tailoring supplies, which is a fabulous store that has things that are difficult to find elsewhere.  A solid color quilting fabric would also work but will not provide the same deep sense of richness.

There is another option.  Use wool clothing that is no longer worn, or that you find in a thrift store, or use pure wool fabrics you have stashed under your bed in those storage boxes you put your clothing fabrics in. You may have had it for a decade and still haven’t made that garment you bought it for, like me.  Cut the clothing so you get the largest pieces from them and wash your wool in hot water with some detergent in your washing machine and dry it in your dryer.  This provides some amount of felting and cleans the fabric. It is also possible to dye this.  It requires all three elements…hot water, agitation, and detergent, to make it do a bit of felting the fibers together.  It does need to be pure wool for this to work well. The resulting fabric is also easy to dye in your washer.

One package of lightweight woven fusible interfacing sufficient to cover the yard of background fabric, such as  Pellon SF101 Shapeflex

One pack of precut melton wool felt pieces in a variety of colors for flower heads and a pack of a variety of green pieces for stems and leaves. You will probably have enough felt pieces for a couple of small wall hangings or other wool applique projects.  Be sure to save all the leftovers for small applique uses elsewhere. Please don’t use craft felt not made with any wool.  The comparison is like using paper to fabric. You can use wool blend felt, but pure wool really makes a big difference in how this looks.

Aurifil 12 weight wool blend thread (small spool collection)  or (large spool collection..the best value by the yard) or three or four colors of the large spools.  If you prefer to use a 12 weight cotton as a slightly cheaper alternative I recommend Sulky 12 weight cotton,  for this project, it will still look beautiful, just different and not quite as close to hand done that the wool thread will provide.  I have even successfully used 40 weight  all poly embroidery threads, and I sometimes have mixed them across a project in order to get particular looks or colors.  The wool adds a depth of beauty and is probably what most hand stitchers would use. You should do some testing to see how they look.

1 black 12 weight Aurifil wool thread or Sulky 12 weight cotton for outlining.

1 spool of Superior monopoly or multiple colors matching the applique fabrics of light weight threads such as 6o to 100 weight polyesters or silks. I used both the monopoly and 100 weight threads.

2  packs of fusible web. I used Steam a Seam2 for my project and it works well.

1oo/16 top stitch needles

universal 80/12 needles if you choose to use monopoly thread for your appliques. I found the Schmetz super non stick needles really helps with dealing with the fluff from wool combined with the fusible web.

1 piece of backing fabric about 25 x 25 inches (for the back of this small quilt)  This is a good thing to pull from your existing stash.

Small piece of lower loft batting about 25 x 25 inches.  I am using 80/20. This is a good place to use leftover batting from a larger quilt project.

Bohin mechanical chalk pencil to mark the wool with, if needed.

And whenever I use fusibles, I like to have on hand this effective iron cleaning kit good for multiple cleanings that I have successfully used for years: Rowenta Iron cleaning kit

* * * * * * * * * * * * * * *

While you can print the pattern out and use it to cut out your appliques, I did cut all my appliques using my Accuquilt Go! machine, which I really like for such projects.  I have had mine for some years, collecting dies a bit at a time, and use it a lot for circles, rectangles, strips, bindings and borders and projects such as this.  In my opinion, it is well worth the investment required.  I can cut out a simple snuggle lap or crib quilt of squares and a border (prestarched) with a few fun appliques to snazz it up (backed with steam-a-seam 2)  in ten minutes (after the fabric is pressed with starch) and make the quilt top all in the same day.  Everything is nice and accurate too, very unlike it looks if I do my own cutting.  Hahaha.

I used the following three dies for this project and it only took a few minutes for all the shapes I needed with some leftovers:

Go Circle (1 1/2″ to 2 1/2″) it’s so hard to hand cut good circles.  These are beautiful. If you can only get one dye set for this project, this might be it.

Go Round Flower

Go Stems and Leaves 

Sew happy everyone!  Let’s get started.  Please feel free to ask questions using comments here or on the YouTube channel.

 

Going Beyond My Own Abilities

I love quilted fabric art pieces, in case you haven’t figured that out yet,  They can be as artistic as any great painting and can warm the home and office with their beauty.  The texture can approach three dimensional with different finishes and dents and poufs, and they make you want to go and touch them.  There are so many directions they can take.

I also love using the power of my great machines and my computer to work well beyond my own talents and abilities even as my hands age and can do less. There is much there to take advantage of for creating and enjoying and the additions continue. I even recently bought a new Bernina foot and my dealer kindly mailed it to me.

Learning the techniques, and taking advantage of the various attachments and feet is an important and interesting part of this.

Understanding how the machines respond to fabrics, threads, and quilt sandwiches is a key aspect to getting the maximum advantages out of the machines.

Trying not to get too frustrated when things don’t go well, but instead working through various steps to see what can be done to solve problems is equally important, and perhaps the hardest thing to do.

Learning how to better use various helpful software also adds to how far one can go.

These are the goals for me to continue to reach for this year even after all these years of sewing and quilting using these great tools.  I have concluded there is always more to learn.  And then I also want to get better adding surface design in the form of in-the-hoop embroidery, paints, beads, and crystals to move even further just adds to the enjoyment.  I feel almost like I am just beyond a beginner in this aspect.

Stitched slightly distorted swirl I made using Superior metallic threads on Kaufman Kona black fabric as a test piece playing with some in-the-hoop embroidery I digitized in my Bernina embroidery software just for fun.

Sew even though it is unclear where we will land in our quilting/sewing world after The Great Upheaval, my own name for the pandemic and actions taken, there will always be much to do and learn.  This makes me excited even as I still hang out safely in my studio.  Truth be told, even after we all get through this thing and I can go out more, I will be spending the majority of my time in my studio because I love these activities.  Yes, I will have my friends in finally and go see them, and I will go to brick and mortar fabric stores that may be left, and will delight as I see the rebirth of the industry across the nation.  I hope to go back to shows eventually.  I think we still have some months before this happens.

So I will be making some smaller projects in 2021 but still plan on doing them to quilt show quality even if they never go to a show.  It is the standard that I don’t want to leave.  I will, of course, also make some cuddle quilts and a few clothes this year.

This Week’s Featured Quilt

Kanazawa Memories, Completed August 2015 Sashiko designs stitched with 12 weight Sulky cotton on Peppered Cotton. I digitally painted the individual flower appliques and printed them on cotton, and then arranged them in a close approximation of arranging Ikebana with real flowers.  The vase is made from some hand dyed silk I had on hand.  I then appliqued them with Monopoly.  This is the perfect example of what I was just talking about.  I did take a hand Sashiko class from the great Pepper Cory and I loved it, but I have a very hard time hand stitching Sashiko now.  But here I used digitized Sashiko, some of which I digitized myself, and picked threads and fabrics close to what I knew were very Japanese in nature.  Decades ago, I lived in Kanazawa for three years and had some wonderful helpful friends.  This quilt was created while thinking about this time in my life.  You can see a better image of this on my website gallery.  I am still waiting my coming new computer after the great computer crash a week ago, so I must use what is available here on my laptop.  Here’s the link to the gallery page where you can find this.

Sew happy everyone!  Join me in advancing our understanding of what we can do with the machines we have.  Cheers everyone.

 

A Little Delay in My Videos

Hi everyone!  I had really hoped to present the first of my videos this week, but there has been a minor delay from this and that.  I am hopeful for the true launch in a week or two from now.  These things happen especially in this complex technical world.  It is coming.

In the meantime, I am continuing to work on the actual stitching parts of videos two and three, which is also drawing me closer to the completion of a really pretty small wall hanging all in wools.

I thought I would start randomly featuring one of my quilts every blog for you to see…kind of like a slow trunk show.  You have not seen them all, I am pretty sure.  Here is one I made with a Shaheen panel in the middle.  I like the outcome very much.  I used it to try out a lot of interesting quilting ideas. I have this one for sale…it’s $500, down from $1200 because I need to make some space in my quilt storage.  Inquire if you are interested at BettyJo@bjfabricartist.com.

Tropical Garden, June 2017 36″ x 51.5″. I hand painted the border.

Sew happy everyone!  Use your quilting and sewing to bring peace to you and joy to your friends and family.  Hugs.

Fabric Art Adventures for the New Year

Here we all are in a fresh New Year!  I hope you had a lovely holiday.  Mine was delightful, lots of family, and full of a lot of planning and thinking about where I want to go from here in my fabric arts, especially while the professional quilting organizations sort out the full impact of the pandemic.  I have a lot of fun planned for the new year that I hope you will find interesting, encouraging, and even join me in some of them.

The new year arrives at an interesting point in my fabric arts.  I have finished my ongoing show quilt (Out of Mom’s Workbasket), and haven’t started a new one. I am close to the end of producing my first three-video series for my refurbished YouTube channel.

Forks in the road

I have put together a plan for the year that includes small fabric art pieces using multiple interesting techniques.  And I am working on some technique workbooks and patterns to sell on my newly updated website.  The show quilt world may take years before it is fully back, and it may be different when it rebuilds, so I am going to focus mostly on small pieces of fabric art for a while to share in videos, books, workbooks, and patterns and possibly for sale.  So here are the main topics for my 2021 focus:

  1. Working with wool (machine applique and embroidery primarily).
  2. Machine embroidery (free motion and in the hoop)
  3. Working with decorative threads, yarns and ribbons
  4. Small landscapes, space scapes, fantasy scapes
  5. Ancient illuminated manuscripts
  6. Heirloom sewing by machine for quilts
  7. Working with fun preprinted panels for fun and presents
  8. Whole cloth pieces (quilting techniques and pictographs)

Sew you can see my creative interests remain the same, it is just how I am hoping to share them that is a little different.   By keeping the pieces small I may actually be able to cover all of the concepts I have for now and you may decide to do similar pieces of your own too.  Smaller pieces are also more saleable I’m told.

Practice painting I did in Corel Painter

Sew happy everyone!  Learn some new skills, refresh some old ones, teach someone to sew or quilt, make some fun projects, and love your studios in this fresh new year.  Have fun in your studio (even if it is the top of your kitchen table)!