Month: October 2017

A Discussion About Wall Art Quilt Sizes

Posted on by Betty Jo's Blog / Posted in Ancient manuscripts, Design Work, Food for Thought, My micro-business, quilt shows, selling quilts / 3 Comments

I make art quilts now primarily  to first show them and then sell them (or give them away).  I think that these two goals slightly conflict with each other.  I believe most people would find wall quilts wider than about 50 inches just simply too big for most homes or offices today.  Normally, smaller is better for sale items.  Shows, however, seem to not see it that way, and I kind of understand that, since when they are in the show the impact is increased by the size for the most part.  I have been quite surprised, however, when I have made a quilt that is around 50 inches wide, which seems fairly large at home in my studio, and then go to the show to see it in place where it seems really small hanging there.  Nevertheless, I think the sizes I end up with are right for the styles and may make them more possible to sell later.  So you see, I have a bit of an argument with myself about sizes.   Just so you can see, I usually size my quilts to fit within the American Quilting Society’s guidelines because, truly, they are the least flexible.  Here are next year’s categories with sizes.

Another consideration is the physical challenge of dealing with large quilts. The older and creakier I get the more difficult I find large bed-sized quilts to make, but it helps that I have a large table for my main machine (Bernina 830LE) and my sit-down longarm (Bernina Q20) with a large table.  So I really can work up to about 60 x 60 with no problems.  Currently, I am working on my Bayou quilt, which is 60 inches wide and 30 inches long.  The original art work I am working with is 30 x 15, so when I enlarged it to a size that would be a good show quilt, I had no choice other than 60 x 30 if I were to keep the aspect ratio the same and meet AQS specifications.  Why is that?  Well, I want to enter it into AQS Virginia Beach 2018.  As you can see, if it is any wider than 60 inches it moves to the large quilts category that has a minimum of 60 inches long.  If it is any narrower than 60 inches the length would becomes shorter than the required 30 inches.

Normally, I get the design worked out and decide how I am going to approach making it and then enlarge the design to a showable and saleable size.  I kind of aim at 40 to 50 inches wide, which is really a small quilt for most shows,  but it also is a nice size for most walls.  I might try making a few of the AQS Fiber Art wall quilt sizes this year (24 to 40 inches wide by 24 to 60 inches long).  As a matter of fact, most of my Ancient Manuscript series fit within this size, but as you see, not all their shows support this size.

And finally, some consideration must be given to the cost of fabric.  If I am making a quilt all in silks, I want to use high quality silk fabric and that is expensive.  So smaller is more affordable.

I would love to start a discussion about wall quilt sizes.  What sizes do you think are the best, in general, and do you think the shows should set their sizes by specified width and length groups or by either perimeter inches or square inches, which would allow an ancient manuscript that is 27 x 37 into the wall quilt categories that would not be allowed now?  Or maybe it doesn’t really matter to you, just so you can make your quilt like you want it.  What do you think are the ideal parameters for wall art quilts for home or office?

Canterbury Silk. This all-silk quilt is the first in my Ancient Manuscript inspired series. It is 35 x 44 inches.

Sew happy everyone.  Make yourself a beautiful piece of fabric art for your wall, or make them for gifts.  They make wonderful presents if you know they would fit in the lives of the people you give them to (give that some serious consideration before giving them a quilt).  Also, check out my quilts on my website (link at top of this blog).  I have revamped my site slightly so you can really see the quilts better.  The prices and sizes can also be found there.

 

My Uncle and What’s Happening in My Studio

Posted on by Betty Jo's Blog / Posted in Art Quilt Techniques, Church banners, My Family, selling quilts / 2 Comments

I’ve taken too long to write a new post.  This past month has had its lows and highs.

My uncle Betterton passed a week and a half ago.  He was 91 and was two years younger than my mom.  I had five aunts and six uncles on my mom’s side and one aunt on my Dad’s side and all are gone now, as well as my parents.   Uncle Betterton was one of my favorite uncles.  He was always close with my mom and someone everyone could rely on for help.  He had various tough illnesses the last several years, mild dementia, and is now no longer suffering.  He was a strong Christian.  Like my father, he was a civil engineer, both served in WWII, and he and Dad enjoyed a strong friendship.  My memories of him are sweet and dear and the pain of losing him is softened by his wonderful long giving life and his final release from the difficulties of his last few years.

Sew what’s going on in my studio these days?  My “apprentice” Anita and I finished the church banner celebrating the 500th anniversary of the Reformation.  The church members apparently love it, and I was really pleased with how it looks.  I have still not gotten a good photo of it, but I will share as soon as I do.  The big community celebration is next Sunday.  I guess this tells you that I attend a Lutheran church.  I do.  It’s five minutes drive from my house and the it’s a lovely church with services not far in liturgical style from the Episcopal church.  I grew up an Episcopalian.  For many years I drove down to Georgetown to go to the historic St John’s Episcopal in Georgetown where Marvin and I both were very active and sang in the choir.  After Marvin passed, I moved to Ashburn, Virginia, and the drive to Georgetown got even longer, so I looked for somewhere closer.  Our Savior’s Way Lutheran Church is in my neighborhood…now that’s a luxury I had not had for decades.

I have gotten a start on my next show quilt.  I’m not sure I would call them “show quilts” any longer, except that’s a term many understand.  I like to show them, but my primary goal for these quilts is to make wonderful art, and hopefully sell most of them in the long run.  Everything I make I hope to meet show quilt level, but sometimes show judges don’t seem to understand why the techniques I choose are done the way they are, or how difficult they really are.  Sometimes they seem to see things and remark on them that I simply cannot see, and sometimes I think they don’t see something about my quilts that I think is especially unique and interesting.  Maybe I need new glasses, a flashlight, and a better magnifying glass.  Or maybe I need a microscope.  LOL  So I have found a lot of freedom in reaching for creating beautiful art the best way I can make it and not worrying too much about what a judge might see or not see.  Competition can be rough on one’s ego.  He-he-he

Anyway, back to my latest project.  It’s based on the art piece I bought the rights for one art quilt from the Disney artist Joel Christopher Payne.  It’s set in the Bayou and has interesting trees, and two rather rundown homes with light peaking out through the cracks in the boards.  One is a houseboat, and the other is a shack built on stilts on a platform.  The scene is at night and there is a little pale light filtering through the trees in a way that suggests a heart shape, and there are fireflies.  This is a huge challenge for me, but really, I am enjoying myself so far.

I have the houseboat “built” and the shack about half done.  Yesterday I did a little low and high lighting with Neocolor II pigment crayons.  When you use them with fabric, you can just color it on and then brush it with water to blend it onto the fabric and then heat set it for a permanent color.  Sometimes when I heat set it, it gets lighter so I have to go back and add more color, but it’s a wonderful way to over color an existing fabric pattern to add shadows and lights where you need them or “correct” colors.  In this case, I have three different wood print fabrics that I have backed with Steam-a-Seam II light and cut into board shapes.  I am using these to “build” the shack and the houseboat.

The picture has really big trees that also have some Spanish moss hanging from them.  I have five different tree bark prints that I will use to make the tree appliqués.  They, too will need to be overpainted to get the right look and color,  I am planning on thread painting the Spanish moss on, and probably it will be more than Joel put in his picture because this is a fabric and threads interpretation of his wonderful art piece.

I have obtained some glow in the dark paints and threads to make the fireflies with, and the paint has some additional pigment so it will look good in light too.  I may add crystals to the fireflies for added dimension.

The biggest challenge as I see it is the light that is getting the back light that is coming through the trees and reflecting across the water right.  I am thinking this will have to be done with paint, but I’m still thinking about it.

Sew I hope you all have a wonderful week.  Try something new and push to get it as well done as possible.  I have a lot going on in my studio besides this new quilt, so I hope I will get back to my weekly blogs for a while.  Cheers!