Aprille with Chaucer…slow but steady progress

I probably quilted more than 40 hours for both the past two weeks, and all of it was on my silk Chaucer quilt.  I estimate at least another 50 hours of quilting plus the painting, beading, and binding that comes after that.  Do my quilting muscles hurt?  Truly!  Am I having fun?  Absolutely!  I have been making quilting decisions as I go along.

Some of you have asked how I was doing the text box, so I thought I’d show you.  I first digitized it in my Bernina v6 software, embroidered it on a piece of black Radiance, and pieced it into the quilt.  Yesterday I finished the quilting around all the words and the rest of the text box, adding some soon-to-be-painted flourishes on each side of the text.  Here is the result so far:

textbox quilted

textbox quilted

As you see I also have a 1 1/4 inch faux sashing.  I plan to edge this by couching some Ricky Tim’s Razzle Dazzle on either side, but I have not figured how I’m going to quilt it yet.

All the stitching around the embroidered vine and the appliques is complete, but I haven’t done much with the background stitching, nor have I completed the quilting of the appliques themselves.  I had to do a lot of frogging and restitching to get it up close like I wanted it.  I still see a few places where I still need to do this.  But here’s a sampling of the center:

Applique sampling

I still have a lot of stippling around the border and, after much thought and searching through books and Electric Quilt, I figured out generally what I will use for the background stippling of the central theme.  Originally I was going to do a diagonal decorative stitch  from my Bernina, but decided it just won’t work with all that stopping and starting.  So I THINK I’m going to use a nice vine/leaf style I found on one of my EQ designs.  I have to practice first to see if that works before I stitch that part.

I have been happy to see the waves and wrinkly parts go away the more I quilt, as I had thought they would.  Here’s a view across the quilt.

Across the quilt

Across the quilt

Sew I am making slow but steady progress on this challenge to myself.  I’ve also been enjoying a lot of music and audiobooks on my ipod as I quilt.  I just “read” the final in Elizabeth Moon’s Paksenarian series “Crown of Renewal”.  I give it about 4 stars.  I thought the ending could be better, but I won’t say how here because I don’t want to spoil it for you in case you are reading it.

Sew happy my friends!  Teach the young and old alike to quilt and sew, men, boys, girls, women, dogs, cats!  😀

 

 

My Mentors

107

On a trip earlier this year, a friend of mine asked me who I considered my mentor.  I was driving and the traffic was heavy, so I didn’t give a very good answer to that question.  I have had many mentors, the chief one being my mother.  Sew I decided to pull an earlier post from my archives of my old blog, but looking at it, I realize I have added several additional mentors and so I put those into the post in blue text.  I am so thankful for all the wonderful quilters and sewists who have taught me so much across the years.  Many of them I have never met.

 

AUTHOR: BJ Tatum
TITLE: Let us now praise famous women (and men)
DATE: 8/7/2011 9:35:54 PM
—–
BODY:
I don’t quite know why, but I have been thinking a lot lately about the
wonderful women and men who have handed down their skills and forged
paths in sewing, engineering, painting, fabric weaving and printing, and
development of all manner of tools and notions  that have brought us to
the fantastic opportunities we have now spread before us.   I thank God
for them.


Let us now praise famous men [and women], and our fathers [and mothers] that begat us.
The Lord hath wrought great glory by them through His great power from the beginning.
Such as did bear rule in their kingdoms, men renowned for their power,
giving counsel by their understanding, and declaring prophecies:
Leaders of the people by their counsels, and by their knowledge of
learning meet for the people, wise and eloquent are their instructions:

Such as found out musical tunes, and recited verses in writing.
Rich men furnished with ability, living peaceably in their habitations.
All these were honored in their generations, and were the glory of their times.

There be of them, that have left a name behind them, that their praises might be reported.

And some there be, which have no memorial; who are perished, as though
they had never been; and are become as though they had never been born;
and their children after them.

But these were merciful men, whose righteousness hath not been forgotten.

With their seed shall continually remain a good inheritance, and their children are within the covenant.

From Ecclesiastics 44, King James Version

Several quilters and sewers have had a huge impact on my appreciation and love of sewing and quilting.  And you know, I’ve only actually met one of the most impactful of them besides my mother.

Zephana Bivens:  She was my dear incredibly brilliant talented mother, who was an advanced sewist and knitter.  She never made quilts to my knowledge, but she taught me to sew and knit and embroider from the time I was about 4 or 5.  I honestly can’t remember exactly when I began, but I do know I made my first dress, with a lot of help from her, at age 6.  Late in her life, she got interested in intricately carved woodworking using a scroll saw and made some wall art that I can only characterize as “wood lace”.  Sadly, she passed away at age 79 from cancer just as she was perfecting her woodworking, and she never got to see my quilting development.  How I would have loved to share it with her, but somehow I believe she knows about it.  She was not famous, but she was clearly an artist.

Martha Pullen: The other day, I was watching  “Martha’s Sewing
Room” where one of her guests (sorry don’t know her name), was showing a
way to sew something and turn it that was remarkable in its result and
simplicity, but required an engineering mind to figure out in the first
place.  Martha has provided some remarkable teaching from her program and I have learned a ton of new methods especially for heirloom sewing.

Sharon Schamber:  The first time I realized that quilts might be a fascinating “hobby” for me was about 7 years ago when I attended the Chantilly Sewing and Quilting Expo where they had one of Sharon Schamber’s quilts on display.  I was astonished and fascinated with her piecing and quilting techniques and, oddly, I didn’t even particularly like her overall quilt.  I realized, though, that she has a remarkable talent.   Since that time, I have studied many of her how-to videos on her network.  She taught me to improve my piecing, my quilting, and especially my binding. [Sharon’s videos are now available in DVD form on her daughter’s site Purple Daisies]

Alex Anderson:  Alex’s TV show Simply Quilts, which never seemed long enough to me but which introduced me to many new concepts and techniques piqued my interest.  Now she and Ricky Tims and their families and colleagues produce The Quilt Show, which has provided me with a huge amount of teaching through the shows, the classes, and the access to other quilters online.

Nancy Zieman: Over the years I have watched every Sewing with Nancy episode I could find and have bought a number of her dvds and books.  I improved my basic sewing skills from her teaching.

Diane Gaudynski: 
Diane is relatively new in my unmet masters.  I bought a couple of her books on machine quilting using a domestic sewing machine and they helped me to vastly improve my quilting. She helped me to realize I don’t have to have a long arm machine to do high-end quilting.

Laura Wausalowski, who I took a workshop from a couple of years back and she taught me how much fun quilting should be and how to improve my fusible applique.

Recently, I have developed a lot of interest in the techniques that are used by Caryl Bryer Fallert, which, remarkably, closely relate to many of my favorite methods, though our quilt subjects are so different and she, of course is the master, and I am just an explorer at this point.

Pepper Cory, from whom I have taken several workshops and with whom have an ongoing friendship.  Now Pepper is mostly a hand quilter, but her knowledge of quilt history, sense of design, and ability to deal with stencils (and other quilting design sources) have been an enormous help to me in seeing some directions I need to take in my future quilting.

Pat Holly and Sue Nickels, and their books Stitched Raw Edge Applique and Machine Quilting: A Primer of Techniques along with their video appearances on The Quilt Show.  I have only briefly met Sue Nickels at her lecture at The Mid Atlantic Quilt Festival this past February, but they are both such effective teachers that their books and videos have been enormous help in improving my quilts.

Everyone develops their own styles and methods, and often they are a mix of things learned from others…but it’s just wonderful how much is out there today to help us get there and we don’t even HAVE to go to their workshops to get that advantage…though it is much more fun if we can!

Have a great week everyone.

Cheers,

Betty Jo

—–

Progress and Plans

I’ve made a lot of progress on my little silk folk art Chaucer quilt, temporarily titled “Whan That Aprille”.  I have completed the central section, embroidered the text box, and assembled the top with the black border, which I also marked.  I am waiting on my order of additional black Radiance for the back and while I wait, I have been experimenting with threads and settings for the quilting.

I decided I really like the look of the antique gold metallic from Superior Threads.  Now I have discovered that my old Bernina 1230 “Betsy” has no problem with Superior metallics at all, and neither does my little B350 “E-Claire”, but my big old honking “Gibbs”, my Bernina 830 LE has some trouble with it.  It’s all related to the tensions of both the bobbin and the top.  It’s one of the best features of Gibbs, but also one of the most complex that it allows tremendous adjustment for both the bobbin and the top.  I really want to use the big machine to do my quilting so I can use the stitch regulator and the large table arrangement that makes quilting so easy.  I must have spent three full quilting days trying to figure out how to get the setup right and the gold thread to quilt without showing up as “tension problems” on the back that judges simply cannot abide.  But I finally got it, I think.  Here is the setup I have for the black borders that I plan to quilt in antique gold thread:

Silk-Cotton black Radiance for both the top and the back
90/14 Superior titanic top stitch needle
Superior 100 weight silk thread in the bobbin
Top tension 2.0
Bobbin thread for embroidery, but tension is loosened two clicks to the left (there is a special tool for this)
Bottom layer of batting is a thin polyester from Quilter’s Dream
Top layer of batting is Hobb’s wool.

Now yesterday I had no problem with this.  Both the top and the bottom looked absolutely even.  Today I had a few spin out loops on the back, but I think it is because I got overly confident and started sewing too fast.  So I slid the speed control to the left and slowed way down with no more problems.  My other two machines will not sew that fast.  It just needs time to make it right.  I have successfully quilted one of my five little practice mug rugs.  I plan on finishing up four of them and sharing them with some of my friends that I owe mug rugs to.  I will use them as practice painting samplers also, since I am planning on painting the border designs.

Sew what else have I been doing while waiting for the backing fabric?  I have been rejiggering my quilting plans for the rest of this year and beginning of next year.  I put them on my website (did you know I also have a website)?  I have also started updating my quilt show list I keep there, but I figure that will take me a few more weeks to complete.  I’ll let you know.  Anyway, here is my “current projects” list (actually it’s my current plans list, but I like the feel of “projects” as opposed to “plans”…seems more like I’m making lots of progress. 😉

 

  1. Whan That Aprille:  A folk art applique, embroidery and beading experiment.  I combined this with the illuminated manuscript project.  This is a silk and silk/cotton/Radiance quilt.  The main center section is complete, the black border is pieced on and marked, the text box is successfully embroidered and pieced in.  I am ready to make the sandwich and begin the quilting, but I decided I needed considerable experimenting, testing, and practice before I do this, and have put together five small mug-rug sized practice pieces for this purpose.  I estimate completion of this quilt by 1 August.
  2. **NEW** First Flight:  New blue print based whole cloth quilt based on Wright Brothers’ Line Drawings and an applique/embroidery rendition of a plane in the center.  Mostly designed, although not patterned out yet.
  3. Volcanic Fire with Flying Things:  Erupting volcano with dark mountain, smoky orange sky and fiery volcanic lava…in the near orange sky there will be a fight between phoenix and dragon in hopefully magnificent colors.  This was inspired in part by my recent storm-at-sea quilt “Waiting…” in which I placed a rocky lower border.  I enjoyed making that border and it made me think of volcanic rocks.  It was also inspired by my work on “Sky Horse” and I decided the phoenix or dragon should have a large component of Angelina Fibers and crystals as part of the applique.
  4. Peppered Ikebana:  This will draw from old Japanese Sashiko for the background, and will have a Japanese flower arrangement in the foreground.  I am planning on making this largely with Pepper Cory’s shot peppered cotton fabrics, both free motion machine quilting and Sashiko large stitch quilting, and a combination of applique and machine embroidery for the flower arrangement.  Remember, I have my fourth year flower arranging certificate in the Sogetsu School of Ikebana that I got in Japan and I want to use that in a series of flower-arrangements on quilts.
  5. Flower appliques and embroidery:  I am using Beth Tatum’s beautiful flower pictures to design both in-the-hoop appliques and embroideries and out of the hoop free motion embroideries as a joint quilt with her (my DIL).  Working on applique designs.
  6. Jazz On a Crystal Night:  A stylized nighttime city scene with musicians silhouetted in tall building windows and doors.  The music stream will be floating out of the windows and doors to the sky where it “explodes” into “fireworks”.  This quilt will have a lot of crystals. Set in the 1920s.
  7. Light in an Ancient Forest: Very dark forest with great old character and large wonderful trees.  Coming through the trees is a beam of sunlight that lands on the floor of the forest highlighting [something] in  full of color.  The something may be an ancient ruin of church with the light coming through the stained glass or a small patch of colorful flowers.  There may be a woodland creature or two peaking out from behind some of the trees.  🙂
  8. Perspective in Silk:  Second in series of perspectives in thread drawings…I will do this one on silk with colorful threadwork.  This may become the start of a series on American monuments or something else.
  9. Zephana’s (my mother) Gifts:  Using my mother’s unfinished hand-crocheted lace I found in her workbasket after her passing for embellishment and a key design component, this quilt is in her memory.  I will use a background of linen  and silk fabric.
  10. Dragon Dress for Competition: Black quilted silk sheath dress with flared skirt, will have appliqued trapunto dragon wrapped around the dress.  This is for competition and will include machine embroidery, hand embroidery, Angelina Fibers, crystals, beads and sequins.  I just have to figure out how to make the dragon wrap so it looks right.

Sew Happy everyone, and what are you working on or planning now?