Updating a blog about Interfacings and Stabilizers

Posted on by Betty Jo's Blog / Posted in Fabrics, From the Archives, Supplies, Tools / Leave a comment

I just saw an ad for what is probably a great class with Threads Magazine on interfacings.  It appears to be focused around interfacing for clothes making.  It made me go back an read what I had said in an earlier blog about stabilizers and interfacings and I decided it needed just a little bit of tweaking and updating, so I am providing the update here.  Mine is focused mostly around fabric art and quilting, but not entirely and it is just a brief capsule of this large, sometimes bewildering subject.  Even after my many years of sewing and quilting I have almost certainly missed some new developments and uses for this important part of my craft.  Anyway, see the edited and updated version of that original blog below.

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A friend of mine asked me about the use of interfacings and  stabilizers and what was the difference. I consider interfacings and stabilizers both indispensable in fabric art creations of various types.  They make the difference between a successful project and a lackluster or even failed piece. Understanding them is one of the basic skills for everything from fashion sewing to quilted art.  I can fully understand her need to know more about them and this is a quick and dirty rundown of the subject.

The Byzantine world of stabilizers and interfacings can be very confusing,  because there are so many of them and they all have different uses.  Adding to the confusion is all the different brands that are out there and may be named something different and what do they mean by “lightweight” anyway?

The Back Wall of Home Dec Fabrics at G Street Fabrics

First of all, let’s discuss her question of what is the difference between interfacing and stabilizer.

  1. Well, for one thing, stabilizers do not always stay in the project, but sometimes they can.  They are largely designed to assist in making machine embroidery work both in the hoop and free motion thread painting.  They are also useful for decorative machine stitching.
  2. What makes this confusing is that interfacings can also serve as stabilizers but they are designed to remain in the project and interfacings often look like stabilizers.
  3. You may need both or even two or more for specific projects.
  4. You can even use spray starch or other spray products like Terial Magic to work as stabilizers.
  5. And then there are those clear plastic looking stabilizers of varying weights made with corn starch or similar ingredient that washes away.  They have a variety of interesting and helpful uses in the fabric artist’s studio in addition to stabilizing…you can mark on them and use them for free motion embroidery on the top of your fabric, then wash it away for instance.
  6. Interfacings provide stability for fabrics that have a tendency to disintegrate, spread the stitching in an unattractive way, or simply need a heavier hand for the project you are making.  They help to properly shape clothing, and are particularly required for any high-end sewing like fine couture sewing, tailored garments, wedding dresses, simple dressmaker jackets or vests, and shirts with buttons and collars.  I use interfacings extensively in both my clothes making and art quilting to make my wide selection of fabrics work together or my pieces hang right.

Sew I am focusing this discussion by using popular brand names  just because it is easy to identify and I know from using them they are a good product, but there are other brands that are also fine and some that are just terrible (shrinking, bubbling, disintegrating, wadding up with use). The lesson is to buy a good grade of these products, and test it too so it will be successful for a long time.

I have a handful of interfacings stabilizers that I keep stocked in the studio so I have them when the need to sew or quilt hits me in the middle of the night.  Does that ever happen to you? It also helps to save lots of time.  Also by stocking, I can save a lot of money by buying them when a good sale goes by.

Interfacings

I try to keep at least three yards available of the following four weights of interfacings on hand and replace when I use them. I buy the first two of these by the bolt when they are on sale because I use a lot of them.  They are usually much cheaper–three or four times cheaper–by the bolt, and even more if you hit a good sale.

  • For stabilizing (there’s that word that helps make this all so confusing when talking about interfacings) such fabrics as silks, very light weight cottons, dupioni,  satin polyesters, unusual specialty fabrics, and some light wool or wool-like tailoring fabrics, I stock a woven fusible lightweight interfacing like SF101 Shape Flex by Pellon. This nice woven interfacing does not have much affect on the hand of the fabric and, if quilted, it helps the fabric to drape better and to be smoother and more attractive. It can be used for shirt making also, but you may want to use a heavier weight for more tailored parts of some shirts.
  • For an even lighter hand (fabric drape and feel) backing up fabrics that need a little help, such as silk dupioni or cotton lawn I like one of the nearly sheer nonwovens, such as Pellon 906F sheerweight.
  • For a little heavier interfacing that you might want to use for crisper collars in tailored shirts, or costumes, for instance, I like Pellon 931td.
  • For bag making or some such with leather (artificial or otherwise) or heavy upholstery fabrics when you want to quilt it I use Pellon’s naked foam. I thank the illustrious Nina McVeigh for alerting me to this product on her fascinating The Quilt Show show (if you aren’t a member, you are missing a lot).  I layer it with the leather or heavier upholstery fabrics and add a cotton backing fabric.  This is approaching a batting discussion that will be a future blog post, but I felt it fits well in the interfacing discussion too.
  • For high-end or couture tailoring, especially with wool  or raw silk projects like coats and jackets I usually, but not always, move away from Pellon and toward Hymo.  I will say that tailoring interfacings are a broad subject and there are more types one might use for this, and sometimes multiple types in the same project.  Note that I have already run a few blogs about tailoring coats, and plan on making a wool slacks suit and a raw silk tailored jacket for fall and winter and will blog the making of those, since I have some beautiful fabrics on hand that I should use before they age out.  You can easily obtain high quality and varying weights of these from tailoring supply houses online.  I generally buy these by the project.  So you will want to first consult your pattern or a tailoring book to get the right thing.   Here is a link to a good source for tailoring interfacings B. Black and Sons a wonderfully supplied company where I buy most of my tailoring supplies.  You can even get coat front interfacings all prepared and precut for use.
  • And B. Black also has these lovely canvas/cotton interfacings that I have used with success for lighter wool, linen, or light summer tailoring:  Canvas/cotton.

Stabilizers

I use several different stabilizers for my fabric art projects and even for embellished clothes.

  1. The primary stabilizer I use for my in-the-hoop embroidery and free motion thread painting for my quilted art pieces is either OESD’s Ultra Clean and Tear Fusible or Madeira Cotton Stable, which I have a slight preference for but it is increasingly hard to find and has gone up in price. Both of these stabilizers give the fabric enough stability to take a higher amount of stitches than most of the stabilizers will do and they both tear away easily after stitching while remaining in place when you are stitching.
  2. A heavier film wash away stabilizer, such as OESD’s Badgemaster,  and a slightly lighter film stabilizer Madeira Avalon is especially useful in the studio.  I use both Madeira and OESD film stabilizers.  Washing it away can be interesting.  It’s like a science fiction slime creature at first.LOL.  I just soak it in clear cold water and then rinse it well in running water.

I really like OESD’s Aqua Mesh Washaway, that looks like an interfacing, works well for marking designs on,  and is easy to use for stitching a free-standing thread motif, applique, or free standing lace.  In such cases I will almost always add a layer of black  or white nylon tulle on top and a double layer of Aqua Mesh Washaway.  Then when you rinse it away, your piece will hang together and you just cut closely around the veiling, which basically disappears to the eyes on the fabric you applique it on to. Black veiling or matched to the background veiling works well for this. It is especially useful when you are embroidering or even free motion couching cords and yarns to build a heavy design to make them free from the main project and applique them on.  It helps deal with the pull and keeps your main project nice and flat (after a little pressing upside down on a wool press mat).

I embroidered this freestanding lace star on blue nylon veiling with a double layer of wash away stabilizers and then appliqued it on.

Fusibles can sometimes act as a stabilizer/interfacing

When you are making a fused on applique for a wall project, for instance, you may wish to keep the fusible whole rather than windowpane it (cutting out most of the middle of the fusible leaving just the edges) if you are going to do a lot of heavy stitching on it later.  Then it serves for a combination interfacing and stabilizer that does not get removed from your project.  So you have to give some thought to how you are going to complete the project and how it is going to be used.  Be sure to use either a needle that works well with fusibles such as Superior Titanium top stitch needles or Schmetz nonstick needles.

There are several high quality fusibles on the market and everyone seems to have their own preferences.  I really like steam-a-seam 2 lite with the two sides of paper.  One side has one inch squares on it and that’s the side that you draw your design on, cut roughly around the design about 1/4 inch away, peal off the plain side, stick the side with the grid and the drawing onto the back of your fabric, and cut it out. After that you remove the paper and you have an applique with a lightly sticky side that you can move around until you have it just right before hitting it with a steam iron that glues it in place ready to stitch.

Recently I have been using Heat N Bond Lite fusible when I cut things with my Brother Scan and Cut.  It is nice and lite, adheres easily with a small amount of pressing, and stitches well.  It does not, however provide a sticky side you can move around until you have it where you want it.  It does stick down nicely with just a light touch of the iron. Both types of webbing have their uses.

Sew happy everyone!  Have a wonderful time in your studios!  Feel free to ask questions. I might know the answer.

 

 

 

 

 

 

Using Decorative Stitches for Quilted Textures

Posted on by Betty Jo's Blog / Posted in A Little How-To, Art Quilt Techniques, Design as you go, Design Work, Machines, My micro-business, skill building / Leave a comment

It is possible to accomplish some amazing quilted textures and designs using a variety of stitches with your feed dogs up.  This is particularly the case if you are blessed with a machine with 9mm wide stitches and even more-so if your machine will do sideways stitching for extra large motifs. I was recently reminded of this in my recent presentation at Suzzie’s Quilt Shop in Manassas Virginia where I showed and talked about my quilts.  For that I pulled out my two architectural quilts where I used decorative stitches and straight line walking foot quilting a lot.

Some machines provide precise information as to the width and length of a decorative stitch, and are somewhat adjustable. Here is a screen shot from my B880 plus simulator with a flower motif that uses sideways motion to achieve a bigger design.  I learned that it is important to keep a flexible clear plastic ruler with both inches and metric for figuring how to use such motifs.  Here you see 41.6 mm wide (about 1.45 inches) by 72.2mm (about 2.85 inches).  Many of these extra large stitch designs are not adjustable, so in this case, I would probably try to accommodate the design by slightly adjusting the size of the fabric I was going to use if at all possible.  Therefore, it helps to plan out the use of such designs before you plunge in.  I am thinking of making a small whole cloth quilt project of some sort just to show off what can be done.

 

This is big enough to be a nice quilting motif in multiple repeats down the middle of a sashing, for instance.

This would make a lovely quilting stitch down a narrow sashing, for instance, or the center of a larger design.

But I have also used more ordinary stitches in rows, even curved rows (such stitches will curve well, and you can even adjust the width while stitching on my Berninas, and probably other brands) to build up the texture of an area to look like stucco or rock face or some such:

For textured areas, choose geometric patterns that would fit together well in rows sewn closely together.

This method was what I used for some of the walls in this architectural quilt.  Note that I had to curve and narrow the decorative stitch design and place them close together. Also it wasn’t perfect, but still looked nice.

From Perspective in Threads, (the colors are off in this picture, but you can see the stitching) entirely done with threads…some decorative stitching, some straight line sewing using a walking foot, and some free motion — stitched in four different thread weights (12, 40, 50, and 100).

 

This is more detail from the same quilt, and is closer to the correct color than the first detail shot. Look at the wall surrounding the back arch that looks kind of like stucco.  That is rows of decorative stitching.  The shadows under the steps are simply well-placed rows of straight stitches.

If you do landscapes or small pictorial renderings and want a nice field with flowers and grass, for instance a stitch design with small flowers stitched with variegated threads might just be what you need. This is just a 9.0 mm width and a 15.7 mm (.62 inches) length design.  Rows of this spaced closely together would work.

This shows stitch 128 choice.

I did something like this (I don’t remember the exact stitch, but it might have been this one) in the yard on the rendering of the house on “Dad’s House Plan”.

Sew it is possible to get some wonderfully appropriate and detailed quilting on your domestic sewing machine if you are not comfortable with free motion stitching, and even if you are.  Sometimes, it is just the right texture that you need and can obtain with those decorative stitches.

Sew happy everyone!  Try something new with decorative stitches and have fun in your studios.  I plan on going back to a blog every couple of weeks again.  Please comment, pay a visit to my YouTube.  Cheers.

Landscape Quilt Techniques: Mountains and Evergreen Trees

Posted on by Betty Jo's Blog / Posted in Applique, Art Quilt Techniques, Deep space quilts, Design Work, Food for Thought, High-Tech Studio, My micro-business, Project Management, Show Quilts, skill building

Hi everybody!  I cannot believe it is March already!!!  I am currently working on a small landscape wall art quilt with mountains and evergreen trees that includes the writing of a workbook with pattern, hand cutting or svg cutting files for use with a digital cutter, and a set of videos for my YouTube channel.  I am loving this project!  A couple of family members came up with the concept and I knew as soon as I saw it that I would love doing it and how to do it.  It involves prepared turned-edge applique-piecing by machine, stitched raw edge applique, yarn couching and big thread free motion stitching.  It will be a lovely size for wall art in a home or office–somewhere in the neighborhood of 24 x 20 inches.  I hope some of my followers will do this project once it is available and really enjoy it.

So far, I am about half way through the construction and filming but I am not sure when it will be published.  The workbook and pattern set are also nearly finished and that will be available in my shop on my website.

Way back in May of 2021, I presented the first of my landscape quilting techniques sampler piece and promised more.  I was astonished to realize it has been so long since that was published!!!  Here’s the link for the first of two videos for this project:  Landscape Quilting Deciduous Trees Skillbuilder.  Yes, it was early in my adventure in my YouTube channel and that shows, but the techniques are solid and fun, and the promise was  real.  I believe we (me and my family production crew) have come a long ways in our production of such projects and videos in this time.  This project included stitched raw edge applique, broiderie perse, and free-motion quilting with 40 weight and 12 weight decorative threads. The quilting and decorative stitching is found in the second video:  http://Landscape Art Quilting Part 2  So this will be the second in my Landscape Skill-building series.  I hope to have a few more in the future.

Overall, I am trying to get faster and better in the videoing and the production of patterns and workbooks.  It’s a stretch but I enjoy having a creative challenge as I reach my 76th birthday this Friday, March 3rd!!!!  I anticipate many years still in this creative endeavor, and am increasingly employing the high tech tools in my studio to help overcome some of my aging factors that make hand sewing, for instance, and other things involved in fabric art more difficult.  Age should not be a limiting factor in creative pursuits.  Here’s an amazing performance of a 100 year old ballerina that highlights my point:

Ballet video:

I have also started making a new deep space show quilt based on a fabulous NASA photo.  At least I hope it will come out good enough to be a show quilt.  This will be my fourth space show quilt.  I am filming some of that as I work through it, but it is not intended for a tutorial, just some fun videos.  This type of quilt is almost entirely made at my sit down Bernina Q20 longarm in free motion.  The galaxy is made from Angelina Fibers and nylon veiling.  I really like this kind of quilting.  It’s like playing and dancing to me!  Here is my third deep space quilt, which won a couple of ribbons in its show life, although these are difficult to photograph:

I am hopeful I will get some good ideas from my “production crew” on how to best video my new space project.  Cameras have a hard time dealing with such reflective sparklies.

And no, that’s not all I am working on, in case you are wondering, but we will chat about these later in the year when I am closer to getting them up and running for you to see.

Sew happy everyone!! Young, old, and in between, have fun in your studios!

 

 

 

 

Studio Fun Begins for 2023

Posted on by Betty Jo's Blog / Posted in Food for Thought, My micro-business, My Studio, Project Management, Quilt Journal, skill building, Videos / 2 Comments

Hi everyone!  I have been working hard lately on pulling together some projects for this year of varying degrees of complexity.  I say “complexity” rather than “difficulty” because I have found over the years that many of even the most complex projects are not much more difficult than some one might call “simple” or “easy.”  They may take longer, but it is mostly a matter of going one step at a time and continuing to move forward in carrying out the project.  This is true for both making quilted fabric art and sewing or even tailoring complex clothing.

Of course, one does need to know what to do at each step and how to do it even for less complex projects.  That can be addressed by reading pattern instructions, testing techniques and products, watching videos, taking classes, talking with other fabric artists, and not getting discouraged when you need more help.

This past few weeks I looked over my stash, and I then added a few pieces of new fabrics to my stash:  a piece of silk dupioni and a piece of Kaufman Radiance silk/cotton to go with it.  Then I also added several pieces of solid colors of Peppered Cotton–designed by Pepper Cory–for some experimentation, demonstration, and fun that go together but I haven’t quite figured it all out. I also have had to buy some batting for future projects for the first time in a couple of years.   I guess I have done more quilting than I realized.  I think I am pretty much swupplied for quilting for the whole of this year.

It has been quite a long time since I bought new fabrics…maybe three or four years.  I used to have a very large stash, but have used up a lot in those years and also found places to give some of my fabrics to lower the volume.  These are fabrics I am not going to use.  Though I loved the fabrics I gave away, they didn’t fit my plans for the next year or so and I needed to empty some storage spaces for future projects.  I gave them to my friend Anita who took most of them and made a beautiful quilt for the quilt drive for Ukraine.  She has a new Bernina 480 and it is a bit small for a large quilt.  The Lutheran World Relief, however, wanted a 60″ x 80″ quilt, which is really quite large for her domestic sized machine.  So she made it by a quilt-as-you-go method, which gave a bit of relief on managing the size up until the last bit. She used the method described by Nina McVeigh in this little Bernina video:

Bite size quilting

 

The back of Anita’s quilt is as fun as the front

The front of her quilt has lots of beauty to discover.

This quilting method gave her the opportunity to learn how to deal with her new machine, practice both feed dogs up and free motion quilting, and make this big quilt.  I understand the last bit was kind of tough to get it through the machine. It might not be big for some of you who have larger machines or longarms on a frame, but for her machine it was gigantic.  She did a great job and shipped it off.  Personally, I think it looks both interesting and comforting and whoever gets it will surely appreciate it. She decided she will probably make smaller charity quilts in the future for other organizations that can use them.  But I believe she managed to keep some of those beautiful Japanese themed fabrics for projects of her own.  Thank you Anita for doing this.

If you are interested in making and donating a quilt for this effort, here is the pdf file with all the instructions. They accept quilts of many levels, but they must be 60″ x 80″.  Please read the instructions before beginning.  5708

Sew the first thing I have done this year is develop a list of projects I really want to do someday, but it was waaaay too long!!!!  So I looked really hard at the list and knocked it down to a shorter list that is still too long.  Then I concentrated on about four longer-project quilts getting all the pieces together drafting the patterns or guide sheets, digitizing some embroidery, and, if needed, drawing up some applique shapes.

I also have about ten short tutorial projects.  All of these are for my YouTube videos.  I am sure I will drop some of these as I work out the logistics and draft the patterns, but it’s one way I have to deal with my over-stuffed idea space in my brain.

idea space in my brain…lol

I also am calling on my talented daughter-in-law, Beth, to help me draw some of the landscape sketches I need for basing some of these.   This should keep me busy for quite some time.  LOL

I’ll let you know what they are when I get each one ready to go.

Sew happy everyone!  Have fun in your studio in 2023!

 

 

 

 

Types of Machine Applique

Posted on by Betty Jo's Blog / Posted in Uncategorized

Hi people!  Happy New Year.  I hope your new year is off to a good start. I was thinking the other day about working out an applique project that provided the opportunity to use multiple types of machine applique and determining which to use for what.  I would of course provide a pattern or worksheet and a YouTube video for you if I did that.  Would you like that?

“Canterbury Silk”. This quilt won several ribbons in national competitions. The flowers and birds are stitched raw edge silk with narrow matching color blanket stitch. They have not frayed.

Sew what would I include if I make this project?  I think it would be something like this:

  1. Prepared turned edge applique stitched in such a way that it approaches the look of fine hand turned-edge applique.
  2. The rest would be stitched raw edge appliques:
    • narrow blanket stitch and/or vari-overlock stitch in matching thread colors
    • double blanket stitch with 40 weight thread
    • broiderie perse applique

Stitching down a broiderie perse cutout from the Hoffman challenge fabric.

    • decorative stitch with heavy weight thread
    • straight stitch leaving a deliberate edge that would eventually fray for texture

wool applique on wool with decorative machine stitched edges. Other fabrics work for this method too.

Sew happy everyone!  Have fun in your studios and enjoy the whole of 2023.

Happy New Year! Let’s Have Fun in Our Studios in 2023

Posted on by Betty Jo's Blog / Posted in Uncategorized

Merry Christmas and Happy New Year!

I wish you all a wonderful 2023 full of blessings and accomplishments. We had a kind of rough ending to 2022 with the flu for both my youngest son and myself that we are finally over after nearly three weeks with it, and the death of my dear brother in law and other less dramatic difficulties.  Consequently, I did not get a YouTube video out in December, but one is in the works and will be out early in the new year.  We did manage to get our Christmas decorations up and they will stay there through much of January.

Nevertheless, it seems a somewhat wonderful way to start the new year with these difficult things behind us. I have a very long list of interesting projects to choose from for 2023 that I am anxious to dive into and share with you as I make them. My son David just finished a short story for an anthology he was asked to write and he is nearly finished with a new science fiction book which he is likely to get out the door in January.  So there is much to look forward to.

God is with us and there is something refreshing and sparkling about the start of this new year.

Please let me know what you are working on.  I would love for you to share pictures and progress with me both in comments on my blogs and below my YouTube videos and emails to [email protected]

Sew happy everyone and have fun in your studios (regardless of its size and equipment).  Hugs all around.

 

Decorative Stitching Fun with Metrics

Posted on by Betty Jo's Blog / Posted in A Little How-To, Embellishment, Embroidery, Fine Tuning Series, Machines, skill building / 4 Comments

I don’t know about you, but I love fancy stitching with my machine.  I enjoy having so many beautiful decorative stitches available on my machine. I used to just pick a stitch and went with wherever the machine started it and stopped when I got to the end of where I wanted it without worrying too much about whether it was at a good stopping place in the stitch pattern, thinking I couldn’t do anything much about it.  I just hoped the decorative stitch would finish at a nice spot when I got to the end. It usually looks pretty that way, but it can be better.

Recently it dawned on me that my machine, a Bernina 880 plus, provided me with some interesting tools to get the pattern precisely placed and spaced perfectly. With a little research I found that most Berninas have many (not all) of the same tools I have to work with on this and provide “total stitch control”.  Even my machine doesn’t have all the tools for all the stitches probably because they don’t work well for a particular design.  But they are still adjustable.

Amazingly, I have had Berninas for many years and only just started paying attention to using the metric measurements as a feature because of a little YouTube on Bernina International by Silvain Bergeron about making napkin rings from Cork fabric that highlights this feature. So I thought I would tell you what I learned after playing with this because maybe you haven’t thought much about it either.  Even if you don’t have a Bernina, maybe your machine has something similar, I don’t know what’s available on other brands, so check it out. Now don’t misunderstand, I am not a Bernina rep or ambassador or have any connection to Bernina other than I am simply a lover of the machines and want to share when I find something fun and this is fun. I have had Bernina machines for more than 35 years.

So to illustrate this, I made a few screen captures of the steps using the simulator for my machine.

Step One:  Measure the length you want your decorative stitches to be on your fabric piece using mms rather than inches. I know…I’m an inch person too, but the metrics are easier for this process.  I use this really inexpensive ruler that is clear and flexible (can be bent around a curve on its edge, for instance).  It’s helpful to know that in general, one inch is 25 mm.  I am pretending that I need the length to be 60 mm long. Here’s a link to the ruler:

Ruler

Or if you are figuring for stitching around a circle, here’s a link to a PiDay circumference app you can just fill in the mm of the radius or diameter and it will tell you the circumference. Circumference of a Circle Calculator  If you are doing decorative stitching around a circle that you know the circumference, you may wish to do the adjusting of the size of the stitch set on the sewing side and then save it (only one repeat).  Then move to the embroidery side and pick the shape function.  Maybe I will do that on another blog.  It took me a while to figure that one out.

Step Two:  Pick your decorative stitch.  I’m going to use #406 on my 880 plus,  and I think it is a common stitch that most machines will have.  Then check the information on the screen as to the length of the stitch.  It is 13 mm long.  I need it to be 15 mm long so I can do 4 repeats and come out with my 60 mm length.

Step One:  If I just stitched it as is, my decorative design would stop somewhere in the middle of one of the triangles.  Click on that mm length.

Step Three:

You will now see this dialogue box that allow you to adjust the length. Note that the plus and minus will move it longer or shorter and you need to look at the number on the left of the stitch picture because to get the size, not the number on the button which is in inches.  Here it says “15.2” mm.

Step four:

Now touch the “i” button to bring up this dialogue box. And pick the button with the triangle and the two arrowheads at the top and bottom.

Step five:

Now you have this dialogue box where you can adjust the size by percentage and also balance the stitch density.  This is particularly useful for working with specialty threadweights. First adjust the percentage until you get 15.0 in the design length (or whatever you want for your project).  Then adjust the density.  If you are using a 12 weight thread, for instance, you want to lower the thread density…and if you are using an 80 weight you want to raise the density.  For most threads at 50 weight, leave it at the default until you do a trial stitchout.

Now you have the right length for four designs for every 60 mm length.

You should do a test stitchout on scrap fabric with a good stabilizer to see how this works before stitching on your project.

Sew this all takes more time and effort to describe than it is to do it, but understanding what is available can help you get that decorative stitch just wonderful on your blouse front, placemat, around a wall hanging, a teenager’s snuggle quilt, on a new bag, and on and on.  It makes things much nicer than just stitching out the default size of the decorative stitch and stopping wherever it stops.  People may not figure out why it looks so beautiful, but they will know it does.

Sew happy everyone!  Try a little adjustments using the metrics and the calculator on your phone and have fun in your studio.

 

 

 

Spirals and Stars

Posted on by Betty Jo's Blog / Posted in Deep space quilts, Exhibits, Quilt Journal, Videos

Hi everyone!  Happy Thanksgiving.  This time of year is always my favorite.  I love Christmas that celebrates the birth of my Lord Jesus Christ.  I love the sparkly lights and the over-the-top decorations.  I love the music and everything about it.

In a somewhat related item this year, I am making a deep space quilt which I may not finish before Christmas, but actually, it is inspired by the great beauty and glory of the wonderful space scenes that NASA and others bring to us with their telescopes and photography.  Here is the chosen picture I will be celebrating.  When I see some of these glorious pictures, Haydn’s music “the Heavens Declare the Glory of God”, based on Psalm 19, runs through my head.  It was one of the pieces I sang many times with multiple choruses over my decades of singing.  Haydn had partially been inspired by a friend’s telescope focused on space some time before he wrote that piece.

This image from the NASA/ESA Hubble Space Telescope captures the spiral galaxy NGC 105, which lies roughly 215 million light-years away in the constellation Pisces. While it looks like NGC 105 is plunging edge-on into a collision with a neighbouring galaxy, this is just the result of the chance alignment of the two objects in the night sky. NGC 105’s elongated neighbor is actually far more distant and remains relatively unknown to astronomers.

I am acutely aware that my quilt can never fully capture the glory of this scene, but it might be beautiful when finished.  I will use a background fabric of Pepper Cory’s “Deep Space 98” peppered cotton, with a lot of crystals, Angelina Fibers, a little paint, black nylon veiling, and beautiful threads to make this.  I don’t have a clue how long it will take me to make it and I am not going to rush it.  I also plan on doing a few other projects during the same time-frame.  Will I be providing a video tutorial on this?  Well,not really.  I am planning to simply show some of the making of it, but not try to teach people the techniques.  If they pick them up from just my videos, that is fine.  I just basically want to share my fun in the making of it in a video or two.  Sew I will need a few other projects that are tutorials with patterns for my subscribers too.

By the way, I am making some short little project tutorials for presentation from time to time over the next few months.

ANNOUNCEMENT:  I will be providing a showing and discussion of some of my work over the years at Suzzie’s Quilt Shop, 10404 Portsmouth Road (Westgate Shopping Center) in Mannassas, Virginia on January 10th at 10:30 am. 

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A little report on my YouTube channel: As of today (Thanksgiving 2022), I have 465 subscribers.  According to the YouTube analytics, that represents about 31 percent of the people who watch my videos.  If I were to reach 500 subscribers, it provides me with a few more tools to add interest to the channel.  I cannot monetize the channel until I reach a minimum of 100o subscribers and lots of viewers.  Monetizing might help pay for some of the fabric, thread, stabilizers, battings, paints, beads, crystals, needles, cameras, lights, machine maintenance, sdcards, batteries, tripods, machine feet, and on and on.  Sew if you want to support my channel, all you need to do is “subscribe” (it’s free and does not require filling anything out) and then “like” my videos.  I would really appreciate it. By the way, I am making some short little project tutorials for presentation from time to time over the next few months.

Sew happy everyone!  Have fun in your studios (even if that “studio” is closet size or the top of your dining table).

 

Mild Frustrations but Still Fun in the Studio

Posted on by Betty Jo's Blog / Posted in Art Quilt Techniques, Design as you go, Embellishment, Embroidery, Food for Thought, High-Tech Studio, Videos / 3 Comments

A video studio (not mine) from stock photos. Where’s the sewing machine?!!!

This has been one of those days that are both fun and frustrating.

I am making several versions of a quick little project for Christmas presents and simultaneously using the making of them for a short video project. It had gone very well until today with a pretty good overhead scene and one at the machine showing the start of the project I did yesterday.  I had a whole scene worked out at the machine that took about an hour and a half to film. It actually took me more than two hours by the time I did the preparations filming things and so forth. It went so well at the machine. I was so happy with what I thought was an interesting video showing some special stitching techniques and how to do them at my Bernina 880 plus. And JUST as I came to the end of the scene, the camera ran out of battery power. I didn’t see it happen because I was concentrating on the stitching. The camera did what it has only done once before and gave me a warning that it hadn’t completed the file and did I want it to repair it. Sigh.

Practice Stitch Library showing extra wide multi-directional special stitching

Now the last time it did that on a previous project, I said yes and it reformatted the whole card and wiped out all the files on that card. So instead, I turned off the camera and removed it. I took the card to the computer to see. The two previous scenes were fine (phew!), but today’s was corrupted and unable to play!   Oh fiddlesticks! The item itself, however, was beautiful.  I’ll tell you later what it is.

Fortunately it’s a small project, I had leftover fabric, and I was able to prepare the next piece to redo today’s filming and am now ready to redo today’s work tomorrow. It will at least result in two of these small presents, and I was planning on making several anyway. So in essence, I did not lose much time. That is, if tomorrow’s filming goes better. Plus, I think my demonstration will go better because I have done a full run-through now.  Hahaha.

The moral of the story is to have extra supplies and fabrics, and try to not get too upset when these things happen in this combination video work and sewing adventure and look on the bright side.  I think you are going to like this project.  I have several shorter projects lined up for the next few videos and then I will launch into quilted fabric art for 2023.  Yes, I have a list much longer than I can possibly do already worked out for next year, which, to my delight, includes a couple of show quilts!!!  Perhaps my biggest challenge will be choosing which project to do first and so on.  But I am anticipating having some fun my studio.

Sew happy everyone!  Have fun in your studio even when things don’t always work out like you want.  Cheers everyone!

Online Fabric Shopping

Posted on by Betty Jo's Blog / Posted in Fabrics, My business, My Studio / 2 Comments

Hi everyone!  Earlier this week Fabric.com closed suddenly.  This was difficult for me because even though I have access to three more or less local quilt fabric shops that cover my quilting fabric needs, none of them carry things I use for abnormal quilting fabrics, clothing, very little for bag making and other assorted giftable-type items.  Fabric.com was my go to for these things that I must order online if I am going to get them at all.  It was an adjunct Amazon business and had a fabulous supply of fabrics at reasonable prices and great search engine to find them with.  So this set me on a mission to find replacement resources.  Here is what I have found so far, but I am still hunting:

  1. I have yet to find a supplier that has everything they had and no company’s search engine is a good, though some have reasonably good ones.
  2. Hancock’s of Paducah has a nice selection of about half of the non-quilt cotton fabrics, so it is a good place to start if you are on the hunt for certain fabrics.  Besides, I have bought things from them for years and they are in my “trusted” category.  I know from past purchases that they are a little slow in getting your order to you and aren’t particularly good about letting you know if they have something on back order until after you have ordered it.  But besides that, I like them.
  3. Farmhouse Fabrics fills in a lot of places when you are trying to get the supplies for something special like a Christening gown or a Victorian heirloom sewing by machine dress or blouse, for instance.  They have exquisite fabrics, trims, and laces, though I think they are a little pricey.  After this month’s Threads Magazine where they have cotton velveteen on the cover, and one of my best friend’s passion for velveteen I found that fabric almost impossible to find until I found it a Farmouse.  I have used them in the past and they are fast and efficient.
  4. Then there is Fashion Fabrics Club where one can often find a great bargain piece and they have a lot of fabrics.  I have also used them for many years, and have sometimes gotten a great piece for a bargain price.  The fabrics are normally wonderful, but occasionally, the quality is not quite as high as it should be, though this is rarely the case. The prices in general make up for that rare time though I think.  I did not like some silk dupioni I once got there, and ended up using it only for practice pieces, but the wools I bought there are fabulous, and I have bought a lot over the years.
  5. I have found that if you want a good quality denim, cotton twill, or something for draperies for instance you may want to take a look at sellfabric.com.  I found this by getting in touch with Carr Textiles that manufactures a particularly nice brushed denim I sometimes want and used to get through Fabric.com.  They directed me there for their fabrics.  The shipping cost is a little pricey but since I was unable to find the brushed denim I wanted anywhere else after much looking, I think it is the only option at this point.
  6. I did take a look at Mood Fabrics, and saw they have fabulous fabrics, though I thought the prices were a little high.  I’ve never used them, but they seem to have some of the things I will miss from Fabric.com.
  7. Then there is my good old friend G Street Fabrics, which I have used for decades, have some close friends who work there, and it is where I bought my Berninas.  I love the store, even in its lesser version after it moved to the current place in Rockville, MD.  It used to be so magnificent, but it is still the best fabric store around in my humble opinion.  The problem for me has become getting there, because I have gotten a little older and the trip from here to there takes about an hour through rough dense traffic and I find it stressful, so I don’t go anymore.  Nevertheless, they are offering a lot online of their exquisite, often out of my budget, fabrics.  But take a look.  You will enjoy seeing some of what they offer I suspect.  Hint:  One yard of something expensive but magnificent can go a long ways when carefully used or make you happy just to have it to pet in your stash.  They also still have gorgeous buttons.
  8. Amazon still has some of the fabrics and especially notions I like, but often precut into links or sizes you may not want. It says to me that it is likely someone who doesn’t understand our industry is now in charge of the fabric offers from or through there.  It’s likely someone who is not aware how this is a living, growing industry with lots of interest by young and old alike.
  9. And of course there is Joann Fabrics we all know.  I have found they have the best prices on interfacings, especially Pellon brand.  There are a few other things I like, but I am not a particular fan of their fabrics, which are quite frequently a lesser quality.  You can still get some nice fabric there with careful shopping.

I am quite sure there are other places that some of you have found that are great I haven’t mentioned, or maybe you are one of the lucky sewers who have a great fabric store nearby or live within reach of a fabric district.  But I think I know know where I can find most of the things I will be missing from Fabric.com.

Sew happy everyone! Have fun in your studio and have fun shopping.